Сборник небольших рассказов Клиомены. Зарисовка о городах, дорогах и людях. Зарисовка о вопросах свободы выбора. Зарисовка о том, как появляются дети.

Douglas Kennedy's new novel demonstrates once again his talent for writing serious popular fiction. The Pursuit of Happiness and A Special Relationship were both Sunday Times bestsellers in paperback.

That was the year my life fell apart, and that was the year I moved to Paris.

When Harry Ricks arrives in Paris on a bleak January morning he is a broken man. He is running away from a failed marriage and a dark scandal that ruined his career as a film lecturer in a small American university. With no money and nowhere to live, Harry swiftly falls in with the city's underclass, barely scraping a living while trying to finish the book he'd always dreamed of writing.

A chance meeting with a mysterious woman, Margit Kadar, with whom Harry falls in love, is his only hope of a brighter future. However, Margit isn't all she seems to be and Harry soon has to make a decision that will alter his life forever.

Graham Park is in love.  But Sara Ffitch is an enigma to him, a creature of almost perverse mystery.  Steven Grout is paranoid - and with justice.  He knows that They are out to get him.  They are.  Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games.  The solution to the oldest of all paradoxical riddles will release him.  But he must find an answer before he knows the question.

Park, Grout, Quiss - no trio could be further apart.  But their separate courses are set for collision...

"A feast of horrors, variously spiced with incest, conspiracy, and cheerful descriptions of torture... fine writing" The Times

"The author's powerful imagination is displayed again here every bit as vividly as in his debut" Financial Times

"Establishes beyond doubt that lain Banks is a novelist of remarkable talents" Daily Telegraph

An seinem monumentalen Werk über die Gründungsgeschichte des Königreiches Böhmen im 12. Jahrhundert arbeitete Stifter zehn Jahre lang wie »ein Pflugstier«. Durch den Romanhelden Witiko, der stellvertretend für den sittlich handelnden Menschen steht, wird das grandiose Historiengemälde zum Bildungsroman, als dessen Meister sich der Autor mit seinem ›Nachsommer‹ in die Literaturgeschichte eingeschrieben hatte.

Autobiografia Johna Irvinga napisana jest, podobnie jak powieści jego autorstwa, z dystansem, ironią, a ponadto z dużą dozą samokrytycyzmu. Wspomnienia autora skupiają się wokół pasji jego życia, którą zaskakująco okazują się zapasy. Przez wiele lat Irving uważał się przede wszystkim za zapaśnika, a dopiero w drugiej kolejności za pisarza. Książka jest zbiorem zwięzłych, autoironicznych wspomnień przedstawionych z właściwym Irvingowi humorem, lekkością. Jego styl posiada jedną z najbardziej cenionych przez Czytelnika cech, którą jest wrażenie intymności oraz bliskości z autorem. Zapasy okazują się pretekstem do przedstawienia rozlicznych fascynacji Irvinga, zwłaszcza tych literackich, oraz wspomnień związanych z najbliższymi. Czytelnik dowie się ponadto o wieloletniej przyjaźni Johna Irvinga z jego mistrzem duchowym Kurtem Vonnegutem, który skłonił go do pisania. Okazuje się, że bodźcem do napisania wspomnień była nie pycha, ale złamane ramię, czyli pośrednio zapasy.

Bohaterka bestselleru DZIENNIK BRIDGET JONES nadal zmaga się z problemami w życiu uczuciowym i zawodowym. Związana w końcu z Markiem Darcym, teraz odkrywa uroki wspólnego życia z mężczyzną marzeń. Bridget, niesłusznie posądzona o przemyt narkotyków, trafia do tajlandzkiego więzienia…

Amazon.com Review

Ken Follett has 90 million readers worldwide. The Pillars of the Earth is his bestselling book of all time. Now, eighteen years after the publication of The Pillars of the Earth, Ken Follett has written the most-anticipated sequel of the year, World Without End.

In 1989 Ken Follett astonished the literary world with The Pillars of the Earth, a sweeping epic novel set in twelfth-century England centered on the building of a cathedral and many of the hundreds of lives it affected. Critics were overwhelmed-"it will hold you, fascinate you, surround you" (Chicago Tribune)-and readers everywhere hoped for a sequel.

World Without End takes place in the same town of Kingsbridge, two centuries after the townspeople finished building the exquisite Gothic cathedral that was at the heart of The Pillars of the Earth. The cathedral and the priory are again at the center of a web of love and hate, greed and pride, ambition and revenge, but this sequel stands on its own. This time the men and women of an extraordinary cast of characters find themselves at a crossroad of new ideas-about medicine, commerce, architecture, and justice. In a world where proponents of the old ways fiercely battle those with progressive minds, the intrigue and tension quickly reach a boiling point against the devastating backdrop of the greatest natural disaster ever to strike the human race-the Black Death.

Three years in the writing, and nearly eighteen years since its predecessor, World Without End breathes new life into the epic historical novel and once again shows that Ken Follett is a masterful author writing at the top of his craft.

The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.

***

"Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly

"The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal

"[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books

"By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review

"Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement

"[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time

"An evocative, often astonishing view of life in a changing China." The New York Times

***

Amazon.com Review

In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.

From Publishers Weekly

Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

A dozen years after the collapse of the Third Reich, four adolescents commit a gratuitously violent assault and robbery in a Viennese park. So begins Jelinek's (The Piano Teacher) brilliant new novel, an unrelenting and horrifying exploration of postwar Austria, where the sins of the fathers are visited upon a new generation too disaffected to understand the source of its inarticulate rage. Jelinek's prose is breathless and incisive as she paints psychological portraits of her characters in swift, sure brushstrokes. Among the group of young criminals in the park are Rainer Witkowski, a liar and a coward who fancies himself a poet, an intellectual and a leader of men, and his twin sister, Anna, who responds to rejection by losing her ability to speak. Their father, Otto, is a brutally sadistic, crippled ex-Nazi who takes pornographic pictures of his battered wife and whose sexual abilities are failing now that the aphrodisiac of Auschwitz is only a dim memory. He is unrepentant; history, he believes, has forgiven him. The son cites Sartre's proposition that history does not exist. But it does, and it repeats itself here in an explosion of sickeningly familiar violence.

"[A] distinguished piece of fiction…[Its] power of historical immediacy gives the novel its thrust, its larger and, if you wish, 'universal' value." The New York Times

"I have known few authors who can evoke such a wilderness in the heart of man. He is an artist of a weight and depth that put him beyond ordinary comparisons…Coetzee knows the elusive terror of Kafka." Bernard Levin, Sunday Times (London)

"The novel moves between claustrophobic enclosures and arid, exquisitely rendered open spaces that reveal treacherous trap-doors…The book keeps us on edge, uneasy." Walter Clemons, Newsweek

"The book makes for compelling reading, largely due to the successful use of the present tense throughout and the vivid presentation of unfolding events." World Literature Today

Moving and powerful, this book presents the dark tale of an aging magistrate in an African frontier settlement, who finds himself becoming increasingly sympathetic toward the indigenous "barbarians" that the colonial empire's forces brutalize.

For decades the Magistrate has been a loyal servant of the Empire, running the affairs of a tiny frontier settlement and ignoring the impending war with the barbarians. When interrogation experts arrive, however, he witnesses the Empire's cruel and unjust treatment of prisoners of war. Jolted into sympathy for their victims, he commits a quixotic act of rebellion that brands him an enemy of the state.

J. M. Coetzee's prize-winning novel is a startling allegory of the war between opressor and opressed. The Magistrate is not simply a man living through a crisis of conscience in an obscure place in remote times; his situation is that of all men living in unbearable complicity with regimes that ignore justice and decency.

Thanks to Hollywood and writers like Christopher Buckley, America has given the world a brand-new literary form: the revenge comedy. In the movies, maverick cops roam the world, taking names, kicking butts, and making wisecracks. For all the gore, pictures like Die Hard are essentially Road Runner cartoons with superior special effects. Audiences do more chuckling than gasping. Now comes former George Bush speechwriter Christopher Buckley with a novelized version.

Even though Wet Work isn't a movie yet, we're still talking extremely high concept: Lethal Weapon 2 meets The Emerald Forest, complete with nubile Amazonian love slaves flitting naked through the rain forest. But the real innovation in Buckley's work is sociological. Instead of an impertinent working stiff like your typical Mel Gibson-Bruce Willis-Michael Douglas character, Wet Work gives us a maverick plutocrat: a self-made billionaire defense contractor and friend of the President named Charley Becker.

In addition to his finely engraved Purdy shotgun, Becker owns a custom- built yacht in the destroyer class equipped with an assault helicopter, manned by a trio of retired CIA killers named McNamara, Rostow, and Bundy, and decorated with original paintings by Manet. In the words of one of the archetypal fumbling bureaucrats who plays the inevitable foil, Charley Becker is ''the Rich Man's Bernhard Goetz.''

It may bear mentioning that Buckley – whose previous novel, The White House Mess, was praised by many for its satire – is the son of the prolific conservative columnist and novelist William F. Also that the yacht, according to the acknowledgments page, is based on one owned by the late Malcolm Forbes and upon which the author once journeyed up the Amazon.

As one would expect of such a concoction, Wet Work's plot moves smartly and preposterously along. First comes the obligatory death of an innocent, in this case Becker's beloved granddaughter, Natasha. Before her performance in an Off Broadway play about junkies, she succumbs to cardiac arrest after snorting cocaine furnished in the interest of realism by the director, who is also her lover. Finding the NYPD uninterested in solving the crime, Becker hires professional help and begins ''working [his] way up the food chain,'' from the cowardly director to his supplier, to the Miami importer to the dissolute Peruvian gangster – a left-winger, naturally – who set up the jungle lab that manufactured the stuff.

At each step, in accordance with the iron laws of revenge comedy, the villains grow more villainous, the body count gets higher, the explosions get exponentially bigger, and Buckley's jokey, hyperbolic style becomes progressively more out of kilter. Caught in the open in a firefight, our hero feels ''as exposed as a referee at a tennis match, and surrounded by McEnroes with machine pistols.'' For all of Buckley's manic wit, it's these sorts of equations that don't quite work.

Gene Lyons

Спустя год после теракта, уничтожившего Всемирный торговый центр в Нью-Йорке, Фредерик Бегбедер мучительно ищет слова, способные выразить невыразимое – ужас реальности, которая превзошла самые мрачные голливудские фантазии, – и одновременно стремится понять, как могла произойти самая чудовищная катастрофа в истории Америки и как нам всем жить в том новом мире, что возник на планете 11 сентября 2001 года.

Перед самым прыжком Джерри посмотрел мне прямо в глаза. Остатки его лица искривились в последний раз. Кровь из носа больше не шла.

– Мама очень расстроится?

– Не думай об этом. Надо быть сильным. Я люблю тебя, сердце мое. Ты чертовски славный парень.

– I love you daddy. А знаешь, папа, я не боюсь падать, смотри, я не плачу и ты тоже.

– Я никогда не встречал человека мужественнее тебя, Джерри. Никогда. Ну, ты готов, малыш? Считаем до трех?

– Раз, два… три!

Наши рты перекашивались от скорости. Ветер заставлял нас дико гримасничать. Я до сих пор слышу смех Джерри, нырнувшего в небо, сжимая мою руку и руку братишки. Спасибо за этот последний смех, oh my Lord, спасибо за смех Джерри. На какой-то миг я и вправду поверил, что мы улетаем.

Życie piętnastoletniego Rudolfa Gąbczaka nie jest łatwe: zawody miłosne, afery polityczne, romansujący ojciec, matka feministka, niezdyscyplinowana babcia, rodacy niezdecydowani, czy wejść do Unii… Polski kuzyn Adriana Mole`a radzi sobie z tym wszystkim z właściwym sobie wdziękiem. Z filozoficzną zadumą (niekiedy tylko przechodzącą w panikę) przyjmuje otaczający go chaos i kompletny brak zrozumienia. Najważniejsza jest wszak wierność artystycznym aspiracjom – nawet gdy na ich drodze stają zbliżające się egzaminy do liceum, wciąż krzywy zgryz i kompletny brak zainteresowania polskiej kinematografii młodymi geniuszami aktorskimi. Pełna humoru i trafnych obserwacji opowieść z życia współczesnego nastolatka to zabawna (i pouczająca) lektura również dla dzieci nieco starszych, a nawet zupełnie dorosłych. Współczesna polska rzeczywistość okazuje się czasem jeszcze bardziej zwariowana niż Rudolf…

Amazon.com Review

Better than any book I can think of, White Noise captures the particular strangeness of life in a time where humankind has finally learned enough to kill itself. Naturally, it's a terribly funny book, and the prose is as beautiful as a sunset through a particulate-filled sky. Nice-guy narrator Jack Gladney teaches Hitler Studies at a small college. His wife may be taking a drug that removes fear, and one day a nearby chemical plant accidentally releases a cloud of gas that may be poisonous. Writing before Bhopal and Prozac entered the popular lexicon, DeLillo produced a work so closely tuned into its time that it tells the future.

From Publishers Weekly

Chairman of the department of Hitler studies at a Midwestern college, Jack Gladney is accidently exposed to a cloud of noxious chemicals, part of a world of the future that is doomed because of misused technology, artifical products and foods, and overpopulation. PW appreciated DeLillo's "bleak, ironic" vision, calling it "not so much a tragic view of history as a macabre one."

The novel that inspired the manga and anime!

Twenty-two-year-old Satou, a college dropout and aficionado of anime porn, knows a little secret — or at least he thinks he does! Believe it or not, he has stumbled upon an incredible conspiracy created by the Japanese Broadcasting Company, N.H.K. But despite fighting the good fight, Satou has become an unemployed hikikomori — a shut-in who has withdrawn from the world…

One day, he meets Misaki, a mysterious young girl who invites him to join her special “project.” Slowly, Satou comes out of his reclusive shell, and his hilarious journey begins, filled with mistaken identity, Lolita complexes — and an ultimate quest to create the greatest hentai game ever!

A little knowledge can be a very dangerous thing…

Innocent in the ways of the world, an ingénue when it comes to pop and fashion, the Elect of God of a small but committed Stirlingshire religious cult: Isis Whit is no ordinary teenager.

When her cousin Morag - Guest of Honour at the Luskentyrian's four-yearly Festival of Love - disappears after renouncing her faith, Isis is marked out to venture among the Unsaved and bring the apostate back into the fold. But the road to Babylondon (as Sister Angela puts it) is a treacherous one, particularly when Isis discovers the Morag appears to have embraced the ways of the Unsaved with spectacular abandon …

Truth and falsehood; kinship and betrayal; 'herbal' cigarettes and compact discs - Whit is an exploration of the techno-ridden barrenness of modern Britain from a unique perspective.

'Fierce contemporaneity, an acrobatic imagination, social comment, sardonic wit ... the peculiar sub-culture of cult religion is a natural for Banks, and Luskentyrianism is a fine creation' The Times

'One of the most relentlessly voyaging imaginations around' Scotsman

'Banks is a phenomenon ...I suspect we have actual laws against this sort of thing, in the United States, but Iain Banks, whether you take him with the "M" or without, is currently a legal import' William Gibson

'Entertaining ... comically inspired' Guardian

Opowieść paraboliczna o grupie młodych chłopców, którzy ocaleli z katatastrofy lotniczej w okresie nieoznaczonego konfliktu nuklearnego. Rozbitkowie znajdują schronienie na nieznanej, egzotycznej wyspie. Pomimo różnic charakterologicznych, podjęta zostaje przez nich próba rekonstrukcji cywilizacji w obcym zakątku świata. Niestety rozsądne i roztropne wysiłki części chłopców obracane są w niwecz, gdy grupa stopniowo upada w barbarzyństwo i dzikość.

Książka opatrzona wstępem autorstwa Stevena Kinga, nagrodzona literackim Noblem w 1983 roku.

Erzählung aus Wilhelm Meisters Wanderjahre. (Geschrieben 1807/08).

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him-the club rooms of Brooklyn, the Mafia dives of New York 's Lower East Side, the wilds of Alaska, or the hills of Hollywood -he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"

In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.

Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer…well, the list goes on forever.

And of course, the story is not yet over…as the old-timers say, "The best is yet to come."

As Weintraub says, "When I stop talking, you'll know I'm dead."

With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists… everyone.

An epic Chinese tale in the vein of The Last Emperor, Wolf Totem depicts the dying culture of the Mongols-the ancestors of the Mongol hordes who at one time terrorized the world-and the parallel extinction of the animal they believe to be sacred: the fierce and otherworldly Mongolian wolf

Published under a pen name, Wolf Totem was a phenomenon in China, breaking all sales records there and earning the distinction of being the second most read book after Mao's little red book. There has been much international excitement too-to date, rights have been sold in thirteen countries. Wolf Totem is set in 1960s China -the time of the Great Leap Forward, on the eve of the Cultural Revolution.

Searching for spirituality, Beijing intellectual Chen Zhen travels to the pristine grasslands of Inner Mongolia to live among the nomadic Mongols-a proud, brave, and ancient race of people who coexist in perfect harmony with their unspeakably beautiful but cruel natural surroundings. Their philosophy of maintaining a balance with nature is the ground stone of their religion, a kind of cult of the wolf.

The fierce wolves that haunt the steppes of the unforgiving grassland searching for food are locked with the nomads in a profoundly spiritual battle for survival-a life-and-death dance that has gone on between them for thousands of years. The Mongols believe that the wolf is a great and worthy foe that they are divinely instructed to contend with, but also to worship and to learn from. Chen's own encounters with the otherworldly wolves awake a latent primitive instinct in him, and his fascination with them blossoms into obsession, then reverence.

After many years, the peace is shattered with the arrival of Chen's kinfolk, Han Chinese, sent from the cities to bring modernity to the grasslands. They immediately launch a campaign to exterminate the wolves, sending the balance that has been maintained with religious dedication for thousands of years into a spiral leading to extinction-first the wolves, then the Mongol culture, finally the land. As a result of the eradication of the wolves, rats become a plague and wild sheep graze until the meadows turn to dust. Mongolian dust storms glide over Beijing, sometimes blocking out the moon.

Part period epic, part fable for modern days, Wolf Totem is a stinging social commentary on the dangers of China 's overaccelerated economic growth as well as a fascinating immersion into the heart of Chinese culture.

At once a coming-of-age tale and a heart-rending love story, Wild Ginger explores the devastating experience of the Cultural Revolution, which defined Anchee Min"s youth. The beautiful, iron-willed Wild Ginger is only in elementary school when she is singled out by the Red Guards for her "foreign-colored eyes." Her classmate Maple is also a target of persecution. The novel chronicles the two girls" maturing in Shanghai in the late 1960s and early 1970s, when Chairman Mao ruled absolutely and his followers took up arms in his name. Wild Ginger grows up to become a model Maoist, but her love for a man soon places her in an untenable position – and ultimately in mortal danger. This slim and powerful novel "examines the fragile sensibilities and emotions of an entire generation of Chinese youth" (Washington Post) and brilliantly delineates the psychological and sexual perversion of those times.

In her debut, Perkins-Valdez eloquently plunges into a dark period of American history, chronicling the lives of four slave women-Lizzie, Reenie, Sweet and Mawu-who are their masters' mistresses. The women meet when their owners vacation at the same summer resort in Ohio. There, they see free blacks for the first time and hear rumors of abolition, sparking their own desires to be free. For everyone but Lizzie, that is, who believes she is really in love with her master, and he with her. An extended flashback in the middle of the novel delves into Lizzie's life and vividly explores the complicated psychological dynamic between master and slave. Jumping back to the final summer in Ohio, the women all have a decision to make-will they run? Heart-wrenching, intriguing, original and suspenseful, this novel showcases Perkins-Valdez's ability to bring the unfortunate past to life.

Spójrz na świat oczami Joanne Harris, a życie stanie się ciekawsze. Może do buta przyklei ci się szczęśliwy los na loterię? Może znany od lat sąsiad zaskoczy cię swoim hobby? Harris przedstawiając znajomą, codzienną rzeczywistość, pokazuje równocześnie jej drugą stronę: magiczną, groteskową, paradoksalną, zachwycająco piękną i potwornie przerażającą.

Dr Barbara Rafferty, brytyjska lekarka, zaangażowała się bez reszty w ochronę ginących albatrosów, wybijanych masowo podczas budowy baz wojskowych na Pacyfiku. Udaje się jej zgromadzić fundusze i śmiałków, którzy gotowi są wyruszyć z nią na ocean, aby odbić z rąk Francuzów wysepkę, na której wielkie ptaki zakładają gniazda. Determinacja członków wyprawy i poparcie opinii światowej sprawiają, że kolejny szturm na wyspę kończy się sukcesem. Pojawia się szansa na stworzenie ekologicznego raju w miejscu, które miało stać się francuskim poligonem atomowym. Jednak w czasie budowy rezerwatu wolnego od eksperymentów nuklearnych, turystyki i zanieczyszczeń środowiska ekolodzy-zapaleńcy uświadamiają sobie, że wydarzenia przybierają niespodziewany obrót, a ich przywódca, dr Barbara, ma być może zupełnie inne plany.

White Oleander is a 1999 novel by American author Janet Fitch. It is a coming-of-age story about a child (Astrid) who is separated from her mother (Ingrid) and placed in a series of foster homes. The book was a selection by Oprah’s Book Club in May 1999 and became a 2002 film.

A nineteenth-century appeal to maintain a decent standard of food for sailors, to care for the sick, and to prevent the frequency of flogging in the United States Navy.

Происходит невероятное. В начале третьего тысячелетия восстал ото сна и вернулся в мир вечный ужас и вечное проклятие таинственной Трансильвании — Дракула. И гибнет на развалинах древнего замка целая экспедиция, в крохотном карпатском городке находят обескровленный труп мальчика, в далекой Германии внезапно умирает потомок древнего рода Дракулэшти, в Москве обрывается жизнь молодого ученого, изучавшего редкие заболевания крови. Страшным, таинственным смертям, кажется, не будет конца.

Многие готовы поверить в невозможное.

Но не все.

Лорд Джулиан, обаятельный авантюрист и баловень судьбы, вернувший однажды на атлантические просторы возрожденный «Титаник», волею случая оказывается в эпицентре событий.

Ему на помощь приходят друзья.

Раскрыть тайну Дракулы — ничего другого им просто не остается.

From Publishers Weekly

Jin (Waiting; The Crazed; etc.) applies his steady gaze and stripped-bare storytelling to the violence and horrifying political uncertainty of the Korean War in this brave, complex and politically timely work, the story of a reluctant soldier trying to survive a POW camp and reunite with his family. Armed with reams of research, the National Book Award winner aims to give readers a tale that is as much historical record as examination of personal struggle. After his division is decimated by superior American forces, Chinese "volunteer" Yu Yuan, an English-speaking clerical officer with a largely pragmatic loyalty to the Communists, rejects revolutionary martyrdom and submits to capture. In the POW camp, his ability to communicate with the Americans thrusts him to the center of a disturbingly bloody power struggle between two factions of Chinese prisoners: the pro-Nationalists, led in part by the sadistic Liu Tai-an, who publicly guts and dissects one of his enemies; and the pro-Communists, commanded by the coldly manipulative Pei Shan, who wants to use Yu to save his own political skin. An unofficial fighter in a foreign war, shameful in the eyes of his own government for his failure to die, Yu can only stand and watch as his dreams of seeing his mother and fiancée again are eviscerated in what increasingly looks like a meaningless conflict. The parallels with America 's current war on terrorism are obvious, but Jin, himself an ex-soldier, is not trying to make a political statement. His gaze is unfiltered, camera-like, and the images he records are all the more powerful for their simple honesty. It is one of the enduring frustrations of Jin's work that powerful passages of description are interspersed with somewhat wooden dialogue, but the force of this story, painted with starkly melancholy longing, pulls the reader inexorably along.

From The New Yorker

Ha Jin's new novel is the fictional memoir of a Chinese People's Volunteer, dispatched by his government to fight for the Communist cause in the Korean War. Yu Yuan describes his ordeal after capture, when P.O.W.s in the prison camp have to make a wrenching choice: return to the mainland as disgraced captives, or leave their families and begin new lives in Taiwan. The subject is fascinating, but in execution the novel often seems burdened by voluminous research, and it strains dutifully to illustrate political truisms. In a prologue, Yuan claims to be telling his story in English because it is "the only gift a poor man like me can bequeath his American grandchildren." Ha Jin accurately reproduces the voice of a non-native speaker, but the labored prose is disappointing from an author whose previous work – "Waiting" and " Ocean of Words " – is notable for its vividness and its emotional precision.

"Achingly beautiful…Ha Jin depicts the details of social etiquette, of food, of rural family relationships and the complex yet alarmingly primitive fabric of provincial life with that absorbed passion for minutiae characteristic of Dickens and Balzac." – Los Angeles Times Book Review

"A vivid bit of storytelling, fluid and earthy…Reminiscent of Hemingway in its scope, simplicity and precise language… A graceful human allegory." – Chicago Sun-Times

"A subtle beauty… A sad, poignantly funny tale." – The Boston Sunday Globe

"Impeccably deadpan… Waiting turns, page by careful page, into a deliciously comic novel." – Time

"Spare but compelling…Jin's craftsmanship and grasp of the universal language of the human heart make the book a worthwhile read." – USA Today

"A wry, lovely novel…Unexpectedly moving…So quietly and carefully told that…we read on patiently, pleasantly distracted, wondering when something will happen. Only when we've finished do we understand just how much has, and how much waiting can be its own painful reward." -Newsday

"Enlightening…a delicate rendering of the universal complications of love…Ha Jin's natural storytelling quietly captures the texture of daily life in a dual Chinese culture…No detail is extraneous in this sad, funny, and often wise novel." – The Village Voice Literary Supplement

"Remarkable… compellingly ingenious… gorgeously cinematic." – The Philadelphia Inquirer

"A wonderfully ironic novel… complex and sad as life…It captures the difficulties of love in totalitarian China with sharp prose and a convincing portrayal of human vagaries." – Minneapolis Star Tribune

"Subtle and complex… his best work to date. A moving meditation on the effects of time upon love." – The Washington Post

"[Jin] reveals some startlingly original insights on human life and love…in a narrative that dazzles the reader with its simplicity and grace." -The Providence Sunday Journal

"[Waiting is] a masterpiece of realism and a work of ironic allegory, its mystifying, foreign world full of characters who grow more familiar with every page…Through an accumulation of small, deft brushstrokes, 20th century China is superimposed onto the landscape of an ancient, painted scroll." -The Plain Dealer

"A high achievement indeed." – The New York Review of Books

***

This novel tells the story of Lin Kong, a man living in two worlds, struggling with the conflicting claims of two utterly different women, as he moves through the political minefields of a society designed to regulate his every move.

***

Amazon.com Review

"Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu." Like a fairy tale, Ha Jin's masterful novel of love and politics begins with a formula-and like a fairy tale, Waiting uses its slight, deceptively simple framework to encompass a wide range of truths about the human heart. Lin Kong is a Chinese army doctor trapped in an arranged marriage that embarrasses and repels him. (Shuyu has country ways, a withered face, and most humiliating of all, bound feet.) Nevertheless, he's content with his tidy military life, at least until he falls in love with Manna, a nurse at his hospital. Regulations forbid an army officer to divorce without his wife's consent-until 18 years have passed, that is, after which he is free to marry again. So, year after year Lin asks his wife for his freedom, and year after year he returns from the provincial courthouse: still married, still unable to consummate his relationship with Manna. Nothing feeds love like obstacles placed in its way-right? But Jin's novel answers the question of what might have happened to Romeo and Juliet had their romance been stretched out for several decades. In the initial confusion of his chaste love affair, Lin longs for the peace and quiet of his "old rut." Then killing time becomes its own kind of rut, and in the end, he is forced to conclude that he "waited eighteen years just for the sake of waiting."

There's a political allegory here, of course, but it grows naturally from these characters' hearts. Neither Lin nor Manna is especially ideological, and the tumultuous events occurring around them go mostly unnoticed. They meet during a forced military march, and have their first tender moment during an opera about a naval battle. (While the audience shouts, "Down with Japanese Imperialism!" the couple holds hands and gazes dreamily into each other's eyes.) When Lin is in Goose Village one summer, a mutual acquaintance rapes Manna; years later, the rapist appears on a TV report titled "To Get Rich Is Glorious," after having made thousands in construction. Jin resists hammering ideological ironies like these home, but totalitarianism's effects on Lin are clear:

Let me tell you what really happened, the voice said. All those years you waited torpidly, like a sleepwalker, pulled and pushed about by others' opinions, by external pressure, by your illusions, by the official rules you internalized. You were misled by your own frustration and passivity, believing that what you were not allowed to have was what your heart was destined to embrace.

Ha Jin himself served in the People's Liberation Army, and in fact left his native country for the U.S. only in 1985. That a non-native speaker can produce English of such translucence and power is truly remarkable-but really, his prose is the least of the miracles here. Improbably, Jin makes an unconsummated 18-year love affair loom as urgent as political terror or war, while history-changing events gain the immediacy of a domestic dilemma. Gracefully phrased, impeccably paced, Waiting is the kind of realist novel you thought was no longer being written.

From Publishers Weekly

Jin's quiet but absorbing second novel (after In the Pond) captures the poignant dilemma of an ordinary man who misses the best opportunities in his life simply by trying to do his duty – as defined first by his traditional Chinese parents and later by the Communist Party. Reflecting the changes in Chinese communism from the '60s to the '80s, the novel focuses on Lin Kong, a military doctor who agrees, as his mother is dying, to an arranged marriage. His bride, Shuyu, turns out to be a country woman who looks far older than her 26 years and who has, to Lin's great embarrassment, lotus (bound) feet. While Shuyu remains at Lin's family home in Goose Village, nursing first his mother and then his ailing father, and bearing Lin a daughter, Lin lives far away in an army hospital compound, visiting only once a year. Caught in a loveless marriage, Lin is attacted to a nurse, Manna Wu, an attachment forbidden by communist strictures. According to local Party rules, Lin cannot divorce his wife without her permission until they have been separated for 18 years. Although Jin infuses movement and some suspense into Lin's and Manna's sometimes resigned, sometimes impatient waiting – they will not consummate their relationship until Lin is free – it is only in the novel's third section, when Lin finally secures a divorce, that the story gathers real force. Though inaction is a risky subject and the thoughts of a cautious man make for a rather deliberate prose style (the first two sections describe the moments the characters choose not to act), the final chapters are moving and deeply ironic, proving again that this poet and award-winning short story writer can deliver powerful long fiction about a world alien to most Western readers. (Oct.) FYI: Jin served six years in the People's Liberation Army, and came to the U.S. in 1985.

Bohater- pan Jose, urzędnik Archiwum Głównego Akt Stanu Cywilnego- za wszelką cenę stara się odnaleźć pewną kobietę. Choć nie ma żadnego konkretnego powodu, by jej szukać, coś pcha go do działania. Aby osiągnąć swój cel, ten uczciwy, z pozoru bezbarwny człowiek ucieka się do oszustwa, a nawet przestępstwa. Co każe mu to czynić? Odbywając z bohaterem absurdalną wędrówkę po korytarzach Archiwum, czytelnik niepostrzeżenie zagłębia się w labirynt własnego umysłu, by odnaleźć w nim to, czego wcale się nie spodziewa.

Relacja Anny Blume z odrealnionego miasta-państwa gdzieś z początków przyszłego tysiąclecia wprowadza nas w koszmar fizycznego i duchowego upodlenia, beznadziejności. "Luksusem" jest możliwość zaplanowania własnej śmierci. Elektrowniami miasta są krematoria zwłok ludzi zmarłych z głodu i wycieńczenia; surowcem energetycznym tej skazanej na zagładę społeczności są także ludzkie ekskrementy; zbierający je "fekaliści" mają status urzędników państwowych. Annie udaje się utrzymać przy życiu i zachować godność dzięki wierze w wartość i moc słowa.

Wojna polsko-ruska… to pierwsza polska powieść dresiarska. W głównej warstwie narracyjnej opowiada o przygodach dresiarza Silnego z pięcioma kolejnymi dziewczętami. Jednocześnie stanowi nadrealistyczną alegorię polskiej tożsamości narodowej w rzeczywistości małego miasta w województwie pomorskim. Wątki kryminalne przeplatają się w niej z nadzwyczaj dojrzałą egzystencjalną refleksją. Trzeba tu dodać, że jest to utwór dość brutalny, uświadamiający jak wielkim zagrożeniem jest dla człowieka narkotyk (w tym wypadku amfetamina), niszczący osobowość i generujący niebezpieczne urojenia. Uwagę zwraca zwłaszcza doskonale stylizowany język podkultury marginesu społecznego.

Książka ukazuje się z rekomendację znanego poety Marcina Świetlickiego, który podsumował ją następująco: Podejrzewam, że Masłowska jest ruskim szpiegiem. Książkę tę napisała po to, by bezkarnie poruszać się w naszej polskiej rzeczywistości i zamydlić nam, Polakom, oczy. Nigdy w życiu nie chciałbym się z nią osobiście spotkać, albowiem obawiam się, że wyssie ze mnie wszystko co najcenniejsze i na swój szpiegowsko-rosyjski sposób przetworzy to dla siebie. Z drugiej jednak strony, jeżeli chodzi o tę książkę, to jestem bardzo zadowolony. Tutaj nie nasuwa się pytanie, czy jest to proza kobieca, czy męska. Jest to kawał lekko nadpsutego literackiego mięsa i, zdaje się, warto było żyć 40 lat, aby wreszcie coś tak interesującego przeczytać.

Jego książki, a zwłaszcza debiutancka powieść WEISER DAWIDEK, zostały przetłumaczone na wiele języków. Akcja tej powieści, określanej przez krytykę jako "książka dziesięciolecia", "arcydzieło", "zwycięstwo literatury", rozgrywa się w Gdańsku w roku 1957 i przynosi historię tajemniczego zniknięcia żydowskiego trzynastoletniego chłopca pod koniec niezapomnianych letnich wakacji oraz prowadzonego wiele lat potem prywatnego śledztwa w tej sprawie przez jednego z jego kolegów, zarazem narratora opowieści – bowiem dziwne zdarzenia jakie wówczas miały miejsce, napiętnowały go na resztę życia. Dawidek, będący przywódcą grupki rówieśników, stanowi uosobienie tajemnicy: jest kimś w rodzaju mesjasza, cudotwórcy i maga, wysłannika nieznanych mocy. Ta oparta na schemacie powieści detektywistycznej, na poły sensacyjna, na poły paraboliczna, pełna metaforycznych tropów historia, daje się czytać w rozmaitych porządkach: jako opowieść o dojrzewaniu, powieść obyczajowa, polityczna, przygodowa, wreszcie jako filozoficzny traktat.

Nowoczesna baśń o poszukiwaniu własnej tożsamości i rozumieniu samego siebie. Pomysł fabularny zaczerpnięty z symboliki Tarota, którego znaczenia można śledzić na kartach książki. Opowiedziana historia Ewy, jej trzymiesięcznego synka i uratowanego przez główną bohaterkę kota, który odwdzięcza jej się wyprawami w Krainę Tarota sugeruje, że życie ma swoją drugą stronę – tajemniczą, magiczną.

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at fifty, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

With all of Bukowski's trademark humor and gritty, dark honesty, this 1978 follow-up to Post Office and Factotum is an uncompromising account of life on the edge.

Weronika postanawia umrzeć. Chcąc popełnić samobójstwo zażywa tabletki, jednak zostaje uratowana i rozpoczyna się nowe życie – nowe życie Weroniki. Dowiaduje się ona, że z powodu uszkodzenia serca pozostał jej tylko tydzień życia. Podczas tego tygodnia Weronika, przebywając w szpitalu psychiatrycznym Villete, uczy się życia lepiej, niż w czasie minionych kilkudziesięciu lat. Odkrywa, że szaleństwo w życiu jest niezwykle potrzebne. Po raz pierwszy zaczyna dostrzegać i poznawać samą siebie…

Ciekawe zakończenie, którego jednak nie zdradzę czytelnikom…

Chwile, które Weronika spędziła w szpitalu są jakby drogą, którą powinien przejść każdy z nas, aby nauczyć się w pełni przeżywać swoje życie. W powieści nie znajdziemy oczytanych i znanych pouczeń, dotyczących idealnego sposobu na życie. Autor w sposób dość czytelny, ale nie narzucający się, skłania nas do przemyślenia pewnych spraw- tych najważniejszych, ale często wypychanych z naszej świadomości przez codzienność, rutynę.

Ta książka może wiele nauczyć ludzi wiodących tak zwane „normalne życie”- czyli praktycznie każdego z nas. Warto zapamiętać, że należy być tym, kim chce się być, a nie tym, kim inni chcą nas widzieć. Pod tym względem życie chorego umysłowo, „nienormalnego”, jest właśnie… „normalne”. Człowiek „nie w pełni władz umysłowych” może robić właśnie to, na co ma ochotę, nie obchodzi go zdanie „innych”- „inni” wytłumaczą sobie jego zachowanie wariactwem.

Wspaniała powieść, którą czyta się jednym tchem (sprzyja temu również wydanie Drzewa Babel). Słusznie książki P. Coelho są głośne i popularne. Dzięki nim można dostrzec wiele spraw, które do tej pory mijaliśmy obojętnie…

This wonderful detective novel is set in Peru in the 1950s. Near an Air Force base in the northern desert, a young airman is found murdered. Lieutenant Silva and Officer Lituma investigate. Lacking a squad car, they have to cajole a local cabbie into taking them to the scene of the crime. Their superiors are indifferent; the commanding officer of the air base stands in their way; but Silva and Lituma are determined to uncover the truth. Who Killed Palomino Molero, an entertaining and brilliantly plotted mystery, takes up one of Vargas Llosa's characteristic themes: the despair at how hard it is to be an honest man in a corrupt society.

Tofu casseroles, communes, clothing-optional kindergarten, antiwar proteststhese are just a few of the hallmarks of a counterculture childhood. What became of kids who had been denied meat, exposed to free love, and given nouns for names? In Wild Child, daughters of the hippie generation speak about the legacy of their childhoods. The writers present a rearview mirror to contemporary culture; with an eye on the past they remind us that there is more than one path through the present. Contributors include Lisa Michaels (Split) and Ariel Gore (Hip Mama).

Maybe it was my droopy eyelids. Maybe it was because I was about to turn the same age my mother was when I lost her. Maybe it was because after almost twenty years of marriage my husband and I seemed to be running out of things to say to each other.

But when the anonymous online study called 'Marriage in the 21st Century' showed up in my inbox, I had no idea how profoundly it would change my life. It wasn't long before I was assigned both a pseudonym (Wife 22) and a caseworker (Researcher 101).

And, just like that, I found myself answering questions.

7. Sometimes I tell him he's snoring when he's not snoring so he'll sleep in the guest room and I can have the bed all to myself.

61. Chet Baker on the tape player. He was cutting peppers for the salad. I looked at those hands and thought, I am going to have this man's children.

67. To not want what you don't have. What you can't have. What you shouldn't have.

32. That if we weren't careful, it was possible to forget one another.

Before the study, my life was an endless blur of school lunches and doctor's appointments, family dinners, budgets, and trying to discern the fastest-moving line at the grocery store. I was Alice Buckle: spouse of William and mother to Zoe and Peter, drama teacher and Facebook chatter, downloader of memories and Googler of solutions.

But these days, I'm also Wife 22. And somehow, my anonymous correspondence with Researcher 101 has taken an unexpectedly personal turn. Soon, I'll have to make a decision – one that will affect my family, my marriage, my whole life. But at the moment, I'm too busy answering questions.

As it turns out, confession can be a very powerful aphrodisiac.

They wrote it off as a scare story. The Millennium Bug was the non-event of the 20th century. But they were wrong, because the bug was real. It's a computer virus and it's about to do a deadly species cross-over, from machine to mankind.

In exile for more than twenty years, Ngugi wa Thiong'o has become one of the most widely read African writers of our time, the power and scope of his work garnering him international attention and praise. His aim in "Wizard of the Crow" is, in his own words, nothing less than 'to sum up Africa of the twentieth century in the context of 2,000 years of world history.' Commencing in 'our times' and set in the 'Free Republic of Aburiria', the novel dramatises with corrosive humour and keenness of observation a battle for control of the souls of the Aburirian people. Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, Ngugi reveals humanity in all its ceaselessly surprising complexity. Informed by richly enigmatic traditional African storytelling, "Wizard of the Crow" is a masterpiece, the crowning achievement in Ngugi wa Thiong'o's career thus far.

Für die Rettung eines Jungen erhält Tropenarzt Dr. Perthes von dem dankbaren Vater eine Geldsumme. Endlich kann er seinen Wunschtraum verwirklichen: eine Expedition in die Urwälder Südamerikas. Seine Geliebte, die Kinderärztin Dr. Angela Bender, ist dagegen, aber sie kann den tatendurstigen Mediziner nicht halten. Die Briefe aus Südamerika verbrennt sie ungelesen. Als der Giftspezialist Dr. Perthes einen Stammeshäuptling vor dem sicheren Tod rettet, ist er ein berühmter Mann. Doch eines Tages wird er selbst von einer giftigen Urwaldspinne gebissen — und bleibt gelähmt. Durch einen Zufall erfährt Angela Bender in der Heimat von seinem Unglück. In ihrer Verzweiflung wagt sie ein gefährliches Experiment…

Sarah is a wedding planner who doesn't believe in love. Or, not for herself anyway. And now with all her working hours spent planning the wedding of the year, she certainly doesn't have time to even think about love… Or does she?

An award-winning literary author presents her first foray into supernatural fantasy with a novel of post-apocalyptic Africa.

In a far future, post-nuclear-holocaust Africa, genocide plagues one region. The aggressors, the Nuru, have decided to follow the Great Book and exterminate the Okeke. But when the only surviving member of a slain Okeke village is brutally raped, she manages to escape, wandering farther into the desert. She gives birth to a baby girl with hair and skin the color of sand and instinctively knows that her daughter is different. She names her daughter Onyesonwu, which means "Who Fears Death?" in an ancient African tongue.

Reared under the tutelage of a mysterious and traditional shaman, Onyesonwu discovers her magical destiny-to end the genocide of her people. The journey to fulfill her destiny will force her to grapple with nature, tradition, history, true love, the spiritual mysteries of her culture-and eventually death itself.

A collection of stories by British writer Virginia Woolf: The Mark on the Wall, Kew Gardens, Solid Objects, An Unwritten Novel, A Haunted House, Monday or Tuesday, The String Quartet, Society, Blue and Green, In the Orchard, Mrs Dalloway in Bond Street, A Woman's College From Outside, The New Dress, Moments of Being, The Lady in the Looking-Glass, The Shooting Party, The Duchess and The Jeweller, Lappin and Lappinova, The Man Who Loved His Kind, The Searchlight, The Legacy, Together and Apart, A Summing Up.

W oborze na farmie amiszów w Pensylwanii znaleziono zwłoki noworodka. Lokalna społeczność jest w szoku – w wyniku dochodzenia policyjnego o odebranie dziecku życia zostaje oskarżona jego domniemana matka, osiemnastoletnia Katie Fisher, niezamężna dziewczyna z rodziny amiszów. Sprawę Katie przyjmuje Ellie Hathaway, rozczarowana swoją pracą adwokatka z wielkiego miasta. Po raz pierwszy w swojej karierze spotyka się z wymiarem sprawiedliwości rządzącym się innymi zasadami niż ten, który zna na wylot. Zagłębiając się w świat amiszów, musi znaleźć sposób, aby dotrzeć do swojej klientki i porozumieć się z nią w jej języku. Praca nad tą zawikłaną sprawą prowadzi ją także w głąb własnego ja, a kiedy jeszcze pojawi się w jej życiu mężczyzna z przeszłości, Ellie stanie oko w oko ze swoimi najtajniejszymi lękami i pragnieniami?

Zadie Smith's White Teeth is a delightfully cacophonous tale that spans 25 years of two families' assimilation in North London. The Joneses and the Iqbals are an unlikely a pairing of families, but their intertwined destinies distill the British Empire 's history and hopes into a dazzling multiethnic melange that is a pure joy to read. Smith proves herself to be a master at drawing fully-realized, vibrant characters, and she demonstrates an extraordinary ear for dialogue. It is a novel full of humor and empathy that is as inspiring as it is enjoyable.

White Teeth is ambitious in scope and artfully rendered with a confidence that is extremely rare in a writer so young. It boggles the mind that Zadie Smith is only 24 years old, and this novel is a clarion call announcing the arrival of a major new talent in contemporary fiction. It is a raucous yet poignant look at modern life in London and is clearly the book to read this summer.

A man arrives at an insane asylum in contemporary Spain claiming to be the legendary navigator Christopher Columbus. Who he really is, and the events that led him to break with reality, lie at the center of this captivating, romantic, and stunningly written novel.

Found in the treacherous Strait of Gibraltar, the mysterious man who calls himself Columbus appears to be just another delirious mental patient, until he begins to tell the 'true' story of how he famously obtained three ships from Spanish royalty.

It's Nurse Consuela who listens to these fantastical tales of adventure and romance, and tries desperately to make sense of why this seemingly intelligent man has been locked up, and why no one has come to visit. As splintered fragments of the man beneath the façade reveal a charming yet guarded individual, Nurse Consuela can't avoid the inappropriate longings she begins to feel. Something terrible caused his break with reality and she can only listen and wait as Columbus spins his tale to the very end.

In the tradition of The Story of Edgar Sawtelle and The Dogs of Babel, this unforgettable novel mines the darkest recesses of loss and the extraordinary capacity of the human spirit. It is an immensely satisfying novel that will introduce Thomas Trofimuk to readers who will want to hear his voice again and again.

What Katy Did is a children’s book written by Susan Coolidge, the pen name of Sarah Chauncey Woolsey, which was published in 1872. It follows the adventures of a twelve-year-old American girl, Katy Carr, and her family who live in the fictional lakeside Ohio town of Burnet in the 1860s. Katy is a tall untidy tomboy, forever getting into scrapes but wishing to be beautiful and beloved. When a terrible accident makes her an invalid, her illness and four-year recovery gradually teach her to be as good and kind as she has always wanted.

"If America was a melting pot, Butte would be its boiling point," observes Morrie Morgan, the itinerant teacher, walking encyclopedia, and inveterate charmer last seen leaving a one-room schoolhouse in Marias Coulee, the stage he stole in The Whistling Season. A decade later Morrie is back in Montana, as the beguiling narrator of Work Song.

Lured like so many others by "the richest hill on earth," Morrie steps off the train in Butte, copper-mining capital of the world, in its jittery heyday of 1919. But while riches elude Morrie, once again a colorful cast of local characters – and their dramas -seem to seek him out: a look-alike-sound-alike pair of retired Welsh miners; a streak-of lightning waif so skinny he is nicknamed Russian Famine; a pair of mining company goons; a comely landlady propitiously named Grace; and an eccentric boss at the public library, the mere whisper of whose nickname inspires an unbookish terror in all who hear it. When Morrie crosses paths with a lively former student, now engaged to a young union leader, he is caught up in the mounting clash between the ironfisted mining company, radical "outside agitators," and the beleaguered miners. And as tensions above and below reach the explosion point, Morrie finds a unique way to give voice to those who truly need one.

So, while Work Song is rich in many of the ingredients that readers have liked so much in the earlier novel, it has its own undertow of circumstance, humor, and drama – and through it all, Morrie in his inimitable way calls the tune of "the music of men's lives."

Beniamin Malaussene jest bratem doskonałym – by utrzymać liczne rodzeństwo porzucone przez frywolną mamę, pracuje w domu towarowym na stanowisku… kozła ofiarnego. Z pokorą i głębokim żalem przyjmuje na siebie wszelkie winy producentów. Ale oto na kolejnych stanowiskach wybuchają bomby, zawsze tuż po przejściu lub na oczach Beniamina, który nie przypuszcza, w jak makabrycznej grze został kozłem ofiarnym.

Роман известного французского писателя Ж. Перека (1936–1982). Текст, где странным и страшным образом автобиография переплетается с предельной антиутопией; текст, где память тщательно пытается найти затерянные следы, а фантазия — каждым словом утверждает и опровергает ограничения литературного письма.

When Evie's father returned home from World War II, the family fell back into its normal life pretty quickly. But Joe Spooner brought more back with him than just good war stories. When movie-star handsome Peter Coleridge, a young ex-GI who served in Joe's company in postwar Austria, shows up, Evie is suddenly caught in a complicated web of lies that she only slowly recognizes. She finds herself falling for Peter, ignoring the secrets that surround him ... until a tragedy occurs that shatters her family and breaks her life in two.

A teen at boarding school grapples with life, love, and rugby in a heartbreakingly funny novel.

Ryan Dean West is a fourteen-year-old junior at a boarding school for rich kids. He’s living in Opportunity Hall, the dorm for troublemakers, and rooming with the biggest bully on the rugby team. And he’s madly in love with his best friend Annie, who thinks of him as a little boy.

With the help of his sense of humor, rugby buddies, and his penchant for doodling comics, Ryan Dean manages to survive life’s complications and even find some happiness along the way. But when the unthinkable happens, he has to figure out how to hold on to what’s important, even when it feels like everything has fallen apart.

Filled with hand-drawn infographics and illustrations and told in a pitch-perfect voice, this realistic depiction of a teen’s experience strikes an exceptional balance of hilarious and heartbreaking.

Welcome to Trace Italian, a game of strategy and survival! You may now make your first move. Isolated by a disfiguring injury since the age of 17, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in Southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. As the creator of Trace Italian — a text-based, roleplaying game played through the mail — Sean guides players from around the world through his intricately imagined terrain, which they navigate and explore, turn by turn, seeking sanctuary in a ravaged, savage future America. Lance and Carrie are high school students from Florida, explorers of the Trace. But when they take their play into the real world, disaster strikes, and Sean is called to account for it. In the process, he is pulled back through time, tunneling toward the moment of his own self-inflicted departure from the world in which most people live.

Brilliantly constructed, Wolf in White Van unfolds in reverse until we arrive at both the beginning and the climax: the event that has shaped so much of Sean’s life. Beautifully written and unexpectedly moving, John Darnielle’s audacious and gripping debut novel is a marvel of storytelling brio and genuine literary delicacy.

Howard Norman, widely regarded as one of this country’s finest novelists, returns to the mesmerizing fictional terrain of his major books—The Bird Artist, The Museum Guard, and The Haunting of L—in this erotically charged and morally complex story.

Seventeen-year-old Wyatt Hillyer is suddenly orphaned when his parents, within hours of each other, jump off two different bridges — the result of their separate involvements with the same compelling neighbor, a Halifax switchboard operator and aspiring actress. The suicides cause Wyatt to move to small-town Middle Economy to live with his uncle, aunt, and ravishing cousin Tilda.

Setting in motion the novel’s chain of life-altering passions and the wartime perfidy at its core is the arrival of the German student Hans Mohring, carrying only a satchel. Actual historical incidents — including a German U-boat’s sinking of the Nova Scotia — Newfoundland ferry Caribou, on which Aunt Constance Hillyer might or might not be traveling — lend intense narrative power to Norman’s uncannily layered story.

Wyatt’s account of the astonishing — not least to him— events leading up to his fathering of a beloved daughter spills out twenty-one years later. It’s a confession that speaks profoundly of the mysteries of human character in wartime and is directed, with both despair and hope, to an audience of one.

An utterly stirring novel. This is Howard Norman at his celebrated best.

Tatyana Tolstaya’s short stories—with their unpredictable fairy-tale plots, appealingly eccentric characters, and stylistic abundance and flair—established her in the 1980s as one of modern Russia’s finest writers. Since then her work has been translated throughout the world. Edna O’Brien has called Tolstaya “an enchantress.” Anita Desai has spoken of her work’s “richness and ardent life.” Mixing heartbreak and humor, dizzying flights of fantasy and plunging descents to earth, Tolstaya is the natural successor in a great Russian literary lineage that includes Gogol, Yuri Olesha, Bulgakov, and Nabokov.

White Walls is the most comprehensive collection of Tolstaya’s short fiction to be published in English so far. It presents the contents of her two previous collections, On the Golden Porch and Sleepwalker in a Fog, along with several previously uncollected stories. Tolstaya writes of lonely children and lost love, of philosophers of the absurd and poets working as janitors, of angels and halfwits. She shows how the extraordinary will suddenly erupt in the midst of ordinary life, as she explores the human condition with a matchless combination of unbound imagination and unapologetic sympathy.

A New York Review Books Original

“Tolstaya carves indelible people who roam the imagination long after the book is put down.”

—Time

In this rollicking novel, 96-year-old ornithologist Luka Levadski foregoes treatment for lung cancer and moves from Ukraine to Vienna to make a grand exit in a luxury suite at the Hotel Imperial. He reflects on his past while indulging in Viennese cakes and savoring music in a gilded concert hall. Levadski was born in 1914, the same year that Martha — the last of the now-extinct passenger pigeons — died. Levadski himself has an acute sense of being the last of a species. He may have devoted much of his existence to studying birds, but now he befriends a hotel butler and another elderly guest, who also doesn’t have much time left, to share in the lively escapades of his final days. This gloriously written tale, in which Levadski feels “his heart pounding at the portals of his brain,” mixes piquant wit with lofty musings about life, friendship, aging and death.

In the autumn of 1960, Joe Brinson and his parents move to the edge of the Rocky Mountains to cash in on the promise of the American frontier. But when Joe's father leaves home to fight the forest fires and his mother meets an older man, Joe finds his life suddenly changing beyond recognition.

As Ford's women and men each experience the consolations and complications of relationships with the opposite sex, they must confront the difference between privacy and intimacy and the distinction between pleasing another and pleasing oneself.

Stephen Dixon is one of the literary world’s best-kept secrets. For the last thirty years he has been quietly producing work for both independent literary publishers (McSweeney’s and Melville House Press) and corporate houses (Henry Holt), amassing 14 novels and well over 500 short stories. Dixon has shunned the pyrotechnics of mass market pop fiction, writing fiercely intellectual examinations of everyday life, challenging his readers with prose that rivals the complexities of William Gaddis and David Foster Wallace. Gradually building a loyal following, he stands now as a cult icon and a true iconoclast.

Stephen Dixon is also the literary world’s worst-kept secret. His witty, keenly observed narratives and sharply hewn prose have appeared in every major market magazine from Harper’s to Playboy and have earned him two National Book Award nominations — for his novels Frog and Interstate—a Guggenheim Fellowship, and the Pushcart Prize. He has also garnered the praise of critics and colleagues alike; Jonathan Lethem (Motherless Brooklyn) even admits to “borrowing a jumpstart from a few lines of Dixon” in his own work. In all likelihood, many of the students who have passed through his creative writing classes at Johns Hopkins University have done the same.

Fantagraphics Books is proud to present his latest volume of short stories, What Is All This? The tales in the collection are vintage Dixon, eschewing the modernism and quasi-autobiography of his I trilogy and instead treating us to a pared- down, crystalline style reminiscent of Hemingway at the height of his powers. Centrally concerning himself with the American condition, he explores obsessions of body image, the increasingly polarized political landscape, sex — in all its incarnations — and the gloriously pointless minutiae of modern life, from bus rides to tying shoelaces.

Dixon’s stories are crafted with the eye of a great observer and the tongue of a profound humorist, finding a voice for the modern age in the same way that Kafka and Sartre captured the spirit of their respective epochs. using the canvas of his native New York (with one significant exception that affords Dixon the opportunity to create a furiously political fable) he astutely captures the edgy madness that infects the city through the neuroses of his narrators with a style that owes as much to Neo-Realist cinema as it does to modern literature. is an immense, vastly entertaining, and stunningly designed collection, that will delight lovers of modern fiction and serve as both an ideal introduction to this unique voice and a tribute to a great American writer.

What Is All This?

A short, stunning book by a Brazilian master of the avant-garde.

Something has changed in Amos Keres, a university mathematics professor — his sentences trail off in class, he is disgusted by the sight of his wife and son, and he longs to flee the comfortable bourgeois life he finds himself a part of. Most difficult of all are his struggles to express what has happened to him, for a man more accustomed to numbers than words. He calls it "the clearcut unhoped-for," and it's a vision that will drive him to madness and, eventually, death.

Written in a fragmented style that echoes the character's increasingly fragile hold on reality, With My Dog-Eyes is intensely vivid, summoning up Amos's childhood and young adulthood — when, like Richard Feynman, he used to bring his math books to brothels to study — and his life at the university, with its "meetings, asskissers, pointless rivalries, gratuitous resentments, jealous talk, meglomanias."

Hilst, whose father was diagnosed with paranoid schizophrenia, has created a lacerating, and yet oddly hopeful, portrayal of a descent into hell-Amos never makes sense of the new way he sees things, but he does find an avenue of escape, retreating to his mother's house and, farther, towards the animal world. A deeply metaphysical, formally radical one-of-a-kind book from a great Brazilian writer.

One of Time Magazine's Ten Best Books of 2014.

Selected by NPR, Slate, and Kirkus as one of the Best Books of 2014.

Shortlisted for the Pacific Northwest Book AwardThree young adults grapple with the usual thirty-something problems-boredom, authenticity, an omnipotent online oligarchy-in David Shafer's darkly comic debut novel.

The Committee, an international cabal of industrialists and media barons, is on the verge of privatizing all information. Dear Diary, an idealistic online Underground, stands in the way of that takeover, using radical politics, classic spycraft, and technology that makes Big Data look like dial-up. Into this secret battle stumbles an unlikely trio: Leila Majnoun, a disillusioned non-profit worker; Leo Crane, an unhinged trustafarian; and Mark Deveraux, a phony self-betterment guru who works for the Committee.

Leo and Mark were best friends in college, but early adulthood has set them on diverging paths. Growing increasingly disdainful of Mark's platitudes, Leo publishes a withering takedown of his ideas online. But the Committee is reading-and erasing-Leo's words. On the other side of the world, Leila's discoveries about the Committee's far-reaching ambitions threaten to ruin those who are closest to her.

In the spirit of William Gibson and Chuck Palahniuk,Whiskey Tango Foxtrot is both a suspenseful global thriller and an emotionally truthful novel about the struggle to change the world in- and outside your head.

The writer Hari Kunzru says “made me feel better about the Apocalypse than I have in ages” is back — with a hilarious coming-of-age love story.

The unruly undergraduates at Cambridge have a nickname for their new lecturer: Wittgenstein Jr. He’s a melancholic, tormented genius who seems determined to make them grasp the very essence of philosophical thought.

But Peters — a working-class student surprised to find himself among the elite — soon discovers that there’s no place for logic in a Cambridge overrun by posh boys and picnicking tourists, as England’s greatest university is collapsing under market pressures.

Such a place calls for a derangement of the senses, best achieved by lethal homemade cocktails consumed on Cambridge rooftops, where Peters joins his fellows as they attempt to forget about the void awaiting them after graduation, challenge one another to think so hard they die, and dream about impressing Wittgenstein Jr with one single, noble thought.

And as they scramble to discover what, indeed, they have to gain from the experience, they realize that their teacher is struggling to survive. For Peters, it leads to a surprising turn — and for all of them, a challenge to see how the life of the mind can play out in harsh but hopeful reality.

Combining his trademark wit and sharp brilliance, Wittgenstein Jr is Lars Iyer’s most assured and ambitious novel yet — as impressive, inventive and entertaining as it is extraordinarily stirring.

Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New Yorkfrom experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life.

McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirsbelievers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate.

A mirror of manners, the book is also a meditation on the languagesrich, ludicrous, exact, and also Americanin which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

“A fabulous noir.” —Daniel Woodrell

“Thoughtful, complex and compassionate.” —Dan Chaon

“Mark Wisniewski is a damn good writer.” —Ben Fountain

Winter’s Bone meets The Wire, Watch Me Go is an edgy, soulful meditation on the meaning of love, the injustices of hate, and the power of hope

Douglas “Deesh” Sharp has managed to stay out of trouble living in the Bronx, paying his rent by hauling junk for cash. But on the morning Deesh and two pals head upstate to dispose of a sealed oil drum whose contents smell and weigh enough to contain a human corpse, he becomes mixed up in a serious crime. When his plans for escape spiral terribly out of control, Deesh quickly finds himself a victim of betrayal — and the prime suspect in the murders of three white men. When Jan, a young jockey from the gritty underworld of the Finger Lakes racetrack breaks her silence about gambling and organized crime, Deesh learns how the story of her past might, against all odds, free him from a life behind bars. Interweaving Deesh’s and Jan’s gripping narratives, Watch Me Go is a wonderfully insightful work that examines how we love, leave, lose, redeem, and strive for justice. At once compulsively readable, thought-provoking, and complex, it is a suspenseful, compassionate meditation on the power of love and the injustices of hate.

Born in 1941, Eileen Tumulty is raised by her Irish immigrant parents in Woodside, Queens, in an apartment where the mood swings between heartbreak and hilarity, depending on whether guests are over and how much alcohol has been consumed.

When Eileen meets Ed Leary, a scientist whose bearing is nothing like those of the men she grew up with, she thinks she’s found the perfect partner to deliver her to the cosmopolitan world she longs to inhabit. They marry, and Eileen quickly discovers Ed doesn’t aspire to the same, ever bigger, stakes in the American Dream.

Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future.

Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away.

Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

In this unique homage to an American icon, journalist and award-winning author Pete Hamill evokes the essence of Sinatra-examining his art and his legend from the inside, as only a friend of many years could do. Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them.

From Publishers Weekly

Like a musical Elements of Style, Hamill’s slim meditation on Frank Sinatra is confident, smart and seamless. Since (and immediately before) Sinatra’s death in May 1998, countless tributes have been made to the singer; Hamill (A Drinking Life) seems to be writing to set the record straight, for he knew Sinatra and, before that, knew the singer’s music. But Hamill doesn’t fawn over Sinatra the way other, younger writers have recently done. Rather, he elegantly tells the Sinatra story, dwelling on the singer’s best recordings, dismissing “the Rat Pack, the swagger, the arrogance, the growing fortune, the courtiers,” because in the end, he writes, they are “of little relevance.” What matters, according to Hamill, is the music, chiefly that of Sinatra’s early mature years, when the singer released his celebrated albums on the Capitol label. Where a starry-eyed author might vaguely praise these albums for their pathos and vulnerability, Hamill points out that, before the singer’s Capitol comeback years, Sinatra’s fans were almost exclusively young women. The stubborn, post-Ava Gardner heartache of Sinatra’s later records, however, with their lack of self-pity, gained Sinatra a chiefly male audience. Of this, perhaps the singer’s greatest musical period, Hamill writes that Sinatra “perfected the role of the Tender Tough Guy… Before him, that archetype did not exist in American popular culture.” That may be true, but Hamill sets his book apart from the many others about Old Blue Eyes by tempering intelligent superlatives with the retelling of touching, revelatory moments the two men shared. Hamill’s is a definitive introduction to Sinatra’s work.

Copyright 1998 Reed Business Information, Inc.

From Library Journal

The barrage of recent Frank Sinatra books has resulted in his being the most written-about celebrity in the world after Monroe and Presley. Hamill’s slim essay is distinguished from other recent works by its objective focus on the components of the late singer’s enduring musical legacy. Veteran writer Hamill (e.g., A Drinking Life, LJ 1/94) is comfortable in the New York City milieu of late nights, saloons, and prizefighters, and he has captured the essence of Sinatra, who created something that was not there before he arrived: an urban American voice. The book’s strength is its insight into and evocation of the Italian American immigrant experience that had such a strong influence on Sinatra. Minor weaknesses are an oversimplified examination of prejudice and an underdeveloped 1974 vignette about Ava Gardner that fails to make its point. Recommended for public and academic libraries.?Bruce Henson, Georgia Inst. of Technology, Atlanta

Copyright 1998 Reed Business Information, Inc.

Wheat That Springeth Green, J. F. Powers's beautifully realized final work, is a comic foray into the commercialized wilderness of modern American life. Its hero, Joe Hackett, is a high school track star who sets out to be a saint. But seminary life and priestly apprenticeship soon damp his ardor, and by the time he has been given a parish of his own he has traded in his hair shirt for the consolations of baseball and beer. Meanwhile Joe's higher-ups are pressing for an increase in profits from the collection plate, suburban Inglenook's biggest business wants to launch its new line of missiles with a blessing, and not all that far away, in Vietnam, a war is going on. Joe wants to duck and cover, but in the end, almost in spite of himself, he is condemned to do something right.

J. F. Powers was a virtuoso of the American language with a perfect ear for the telling cliché and an unfailing eye for the kitsch that clutters up our lives. This funny and very moving novel about the making and remaking of a priest is one of his finest achievements.

The stories in Laura van den Berg’s rich and inventive debut illuminate the intersection of the mythic and the mundane.

A failed actress takes a job as a Bigfoot impersonator. A grieving missionary becomes obsessed with a creature rumoured to live in the forests of the Congo. And, in the title story, a young woman travelling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer.

Following the publication of the widely acclaimed novel Seven Years comes a trove of stories from the Swiss master Peter Stamm. They all possess the traits that have built Stamm’s reputation: the directness of the prose, the deceptive surface simplicity of the narratives, and deep psychological insight into the existential dilemmas of contemporary life. Stamm does not waste a word, nor does he spare the reader’s feelings. These stories are a superb introduction to his work and a gift for all those who have come to regard his fiction as a precise rendering of the contemporary human psyche.

Hard Times is the name of a town in the barren hills of the Dakota Territory. To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage — a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably — and makes them his provisional family. Blue begins to rebuild Hard Times, welcoming new settlers, while Molly waits with vengeance in her heart for the return of the outlaw. Here is E. L. Doctorow’s debut novel, a searing allegory of frontier life that sets the stage for his subsequent classics.

“Who Knows Where It Goes” is an uncollected short story that appeared in Ellery Queen in January 2010. It was inspired, of course, by the cratering of the world economy two years earlier. It's a story of hard times, and how a resourceful man can adapt to them. It's a story, too, about how such a man might explore his own capabilities, and find out if what he once did is something he still can do.

What would you do if you found out your girlfriend laid an egg every time she had sex? Who would you be if you were invited to a party in Beijing but had to make up a brand-new identity for six weeks?

Peter Tieryas Liu's Watering Heaven is a travelogue of and requiem for the American dream in all its bizarre manifestations and a surreal, fantastic journey through the streets, alleys, and airports of China. Whether it's a monk who uses acupuncture needles to help him fly or a city filled with rats about to be exterminated so that the mayor can win his reelection bid, be prepared to laugh, swoon, and shudder at the answers Peter Tieryas Liu offers in this provocative debut collection.

With spare, simple prose, Kent Haruf paints a revealing and insightful portrait of small-town life and the chilling consequences of one man's actions.

In Ways of Dying, Zakes Mda's acclaimed first novel, Toloki is a "professional mourner" in a vast and violent city of the new South Africa. Day after day he attends funerals in the townships, dressed with dignity in a threadbare suit, cape, and battered top hat, to comfort the grieving families of the victims of the city's crime, racial hatred, and crippling poverty. At a Christmas day funeral for a young boy Toloki is reunited with Noria, a woman from his village. Together they help each other to heal the past, and as their story interweaves with those of their acquaintances this elegant short novel provides a magical and painful picture of South Africa today.

Fresh off his National Book Award win, Alexie delivers a heartbreaking, hilarious collection of stories that explores the precarious balance between self-preservation and external responsibility in art, family, and the world at large. With unparalleled insight into the minds of artists, laborers, fathers, husbands, and sons, Alexie populates his stories with ordinary men on the brink of exceptional change. In a bicoastal journey through the consequences of both simple and monumental life choices, Alexie introduces us to personal worlds as they transform beyond return. In the title story, a famous writer must decide how to care for his distant father who is slowly dying a “natural Indian death” from alcohol and diabetes, just as he learns that he himself may have a brain tumor. Alexie dissects a vintage-clothing store owner’s failing marriage and his courtship of a married photographer in various airports across the country; what happens when a politician’s son commits a hate crime; and how a young boy discovers his self-worth while writing obituaries for his local newspaper. Brazen and wise, War Dances takes us to the heart of what it means to be human. This provocative new work is Alexie at the height of his powers.

Mick Little used to be a shipbuilder in the Glasgow docks. He returned from Australia 30 years ago with his beloved wife Cathy, who longed to be back home. But now Cathy's dead and it's probably his fault. Soon Mick will have to find a new way to live — get a new job, get away, start again, forget everything.

At a once vibrant communal-living property in the British countryside, back-to-basics fervor has given way to a vague discontent. A place that once buzzed with activity, from the polytunnels to the pottery shed, now functions with a skeleton crew. Founder Don Riley surveys his domain with the grim focus of someone who knows what’s best for everyone — and isn’t afraid to let them know. Especially when those people are related to him.

Don’s wife, Freya, can’t quite decide whether not liking someone anymore is enough reason to end a twenty-year marriage. So she decamps to a mud yurt in the woods to mull it over. Their seventeen-year-old daughter, Kate, enrolls in school for the first time in her life: the exotic new world of fellow teenagers and surprisingly tasty cafeteria food beckons, and she is quickly lured into the arms of a “meathead” classmate. In his sister’s absence, eleven-year-old Albert falls under the spell of an outlandish new visitor to the community who fills his head with strange notions of the impending end of the world.

Faced with the task of rescuing his son from apocalyptic fantasies, his daughter from the clutches of suburbia, and his wife from her increasingly apparent desire to leave him, Don convinces himself that the only way to save the world he’s created is. . to throw the biggest party of his life. Will anyone show up?

From the acclaimed young author of Submarine, Wild Abandon is a strange and wonderful look at love — familial and romantic, returned and rebuffed — and the people and places we choose to call home.

In Amanda Michalopoulou's Why I Killed My Best Friend, a young girl named Maria is lifted from her beloved Africa and relocated to her native Greece. She struggles with the transition, hating everything about Athens: the food, the air, the school, her classmates, the language. Just as she resigns herself to misery, Anna arrives. Though Anna's refined, Parisian upbringing is the exact opposite of Maria's, the two girls instantly bond over their common foreignness, becoming inseperable in their relationship as each other's best friend, but also as each other's fiercest competition-be it in relation to boys, talents, future aspirations, or political beliefs.

From Maria and Anna's gradeschool days in 70s, post-dictatorship Greece, to their adult lives in the present, Michalopoulou charts the ups, downs, and fallings-out of the powerful self-destructive bond only true best friends can have. Simply and beautifully written, Why I Killed My Best Friend is a novel that ultimately compares and explores friendship as a political system of totalitarianism and democracy.

"Flawlessly translated, Amanda Michalopolou's WIKMBF uses the backdrop of Greek politics, radical protests, and the art world to explore the dangers and joys that come with BFFs. Or, as the narrator puts it, 'odiodsamato,' which translates roughly as 'frienemies.'"-Gary Shteyngart

On Christmas Eve 1999, all the Jews in the world die in a strange, millennial plague, with the exception of the firstborn males, who are soon adopted by a cabal of powerful people in the American government. By the following Passover, however, only one is still alive: Benjamin Israelien; a kindly, innocent, ignorant man-child. As he finds himself transformed into an international superstar, Jewishness becomes all the rage: matzo-ball soup is in every bowl, sidelocks are hip; and the only truly Jewish Jew left is increasingly stigmatized for not being religious. Since his very existence exposes the illegitimacy of the newly converted, Israelien becomes the object of a worldwide hunt. .

Meanwhile, in the not-too-distant future of our own, “real” world, another last Jew — the last living Holocaust survivor — sits alone in a snowbound Manhattan, providing a final melancholy witness to his experiences in the form of the punch lines to half-remembered jokes.

From the PEN/Faulkner finalist and critically acclaimed author of Hold It 'Til It Hurts comes a dark and socially provocative Southern-fried comedy about four UC Berkeley students who stage a dramatic protest during a Civil War reenactment — a fierce, funny, tragic work from a bold new writer

Welcome to Braggsville. The City That Love Built in the Heart of Georgia. Population 712.

Born and raised in the heart of old Dixie, D'aron Davenport finds himself in unfamiliar territory his freshman year at UC Berkeley. Two thousand miles and a world away from his childhood, he is a small-town fish floundering in the depths of a large hyperliberal pond. Caught between the prosaic values of his rural hometown and the intellectualized multicultural cosmopolitanism of "Berzerkeley," the nineteen-year-old white kid is uncertain about his place, until one disastrous party brings him three idiosyncratic best friends: Louis, a "kung fu comedian" from California; Candice, an earnest do-gooder from Iowa claiming Native roots; and Charlie, an introspective inner-city black teen from Chicago. They dub themselves the "4 Little Indians."

But everything changes in the group's alternative history class, when D'aron lets slip that his hometown hosts an annual Civil War reenactment, recently rebranded "Patriot Days." His announcement is met with righteous indignation and inspires Candice to suggest a "performative intervention" to protest the reenactment. Armed with youthful self-importance, makeshift slave costumes, righteous zeal, and their own misguided ideas about the South, the 4 Little Indians descend on Braggsville. Their journey through backwoods churches, backroom politics, Waffle Houses, and drunken family barbecues is uproarious at first but has devastating consequences.

With the keen wit of Billy Lynn's Long Halftime Walk and the deft argot of The Brief Wondrous Life of Oscar Wao, T. Geronimo Johnson has written an astonishing, razor-sharp satire. Using a panoply of styles and tones, from tragicomic to Southern Gothic, he skewers issues of class, race, intellectual and political chauvinism, Obamaism, social media, and much more.

A literary coming-of-age novel for a new generation, written with tremendous social insight and a unique, generous heart, Welcome to Braggsville reminds us of the promise and perils of youthful exuberance, while painting an indelible portrait of contemporary America.

Ben Greenman is a writer of virtuosic range and uncanny emotional insight. As Darin Strauss has noted, "Like Bruno Schulz, George Saunders, Donald Barthelme, and no one else I can think of, Greenman has the power to be whimsical without resorting to whimsy." The stories in this new collection, What He's Poised to Do, showcase his wide range, yet are united by a shared sense of yearning, a concern with connections missed and lost, and a poignant attention to how we try to preserve and maintain those connections through the written word.

From a portrait of an unfaithful man contemplating his own free will to the saga of a young Cuban man's quixotic devotion to a woman he may never have met; and from a nineteenth-century weapons inventor's letter to his young daughter to an aging man's wistful memory of a summer love affair in a law office; each of these stories demonstrates Greenman's maturity as a chronicler of romantic angst both contemporary and timeless, and as an explorer of the ways our yearning for connection informs our selves and our souls.

Haunted by the burden of his family's traitorous past, woozy with pot, cheap wine and sex, and disturbed by a frighteningly real encounter with some family ghosts, Walter van Brunt is about to have a collision with history.

It will lead Walter to search for his lost father. And it will send the story into the past of the Hudson River Valley, from the late 1960's back to the anticommunist riots of the 1940's to the late seventeenth century, where the long-hidden secrets of three families-the aristocratic van Warts, the Native-American Mohonks, and Walter's own ancestors, the van Brunts-will be revealed.

T.C. Boyle was first feted as a master of the short story for his critically acclaimed Greasy Lake. With these stories applauded by People magazine as "wickedly comical," he displays once again a virtuosity and versatility rare in literary America today. Without a Hero zooms in on American phenomena such as a center for the treatment of acquisitive disorders; a couple in search of the last toads on earth; and a real estate wonder boy on a dude safari near convenient Bakerfield, California. Sharp, guileful, and malevolently funny, Boyle's stories are "more than funny, better than wicked," says The Philadelphia Inquirer. "They make you cringe with their clarity."

A superb new collection from "a writer who can take you anywhere" (The New York Times)

In the title story of this rich new collection, T.C. Boyle has created so vivid and original a retelling of the story of Victor, the feral boy who was captured running naked through the forests of Napoleonic France, that it becomes not just new but definitive: yes, this is how it must have been. The tale is by turns magical and moving, a powerful investigation of what it means to be human.

There is perhaps no one better than T.C. Boyle at engaging, shocking, and ultimately gratifying his readers while at the same time testing his characters' emotional and physical endurance. The fourteen stories gathered here display both Boyle's astonishing range and his imaginative muscle. Nature is the dominant player in many of these stories, whether in the form of the catastrophic mudslide that allows a cynic to reclaim his own humanity ("La Conchita") or the wind-driven fires that howl through a high California canyon ("Ash Monday"). Other tales range from the drama of a man who spins Homeric lies in order to stop going to work, to that of a young woman who must babysit for a $250,000 cloned Afghan and the sad comedy of a child born to Mexican street vendors who is unable to feel pain.

Brilliant, incisive, and always entertaining, Boyle's short stories showcase the mischievous humor and socially conscious sensibility that have made him one of the most acclaimed writers of our time.

From the bestselling author of The Women comes an action- packed adventure about endangered animals and those who protect them.

Principally set on the wild and sparsely inhabited Channel Islands off the coast of Santa Barbara, T.C. Boyle's powerful new novel combines pulse-pounding adventure with a socially conscious, richly humane tale regarding the dominion we attempt to exert, for better or worse, over the natural world. Alma Boyd Takesue is a National Park Service biologist who is spearheading the efforts to save the island's endangered native creatures from invasive species like rats and feral pigs, which, in her view, must be eliminated. Her antagonist, Dave LaJoy, is a dreadlocked local businessman who, along with his lover, the folksinger Anise Reed, is fiercely opposed to the killing of any species whatsoever and will go to any lengths to subvert the plans of Alma and her colleagues.

Their confrontation plays out in a series of escalating scenes in which these characters violently confront one another, and tempt the awesome destructive power of nature itself. Boyle deepens his story by going back in time to relate the harrowing tale of Alma's grandmother Beverly, who was the sole survivor of a 1946 shipwreck in the channel, as well as the tragic story of Anise's mother, Rita, who in the late 1970s lived and worked on a sheep ranch on Santa Cruz Island. In dramatizing this collision between protectors of the environment and animal rights' activists, Boyle is, in his characteristic fashion, examining one of the essential questions of our time: Who has the right of possession of the land, the waters, the very lives of all the creatures who share this planet with us? When the Killing's Done will offer no transparent answers, but like The Tortilla Curtain, Boyle's classic take on illegal immigration, it will touch you deeply and put you in a position to decide.

While the Gods Were Sleeping is a novel about the magnitude and impact of the First World War, the recollections of which are recorded in the notebooks of the elderly Helena. The young Helena is sent to her uncle’s country house before the war, and from here she witnesses scenes of indescribable horror. But it is also where she meets Matthew again, a British Army photographer who she goes on to marry. This is a story not about spectacular events; rather, Mortier is concerned with writing about war, history and the past with great empathy and engagement, and with a mixture of melancholy, qualification and resignation.

Thurlow Dan is the founder of the Helix, a cult that promises to cure loneliness in the twenty-first century. With its communes and speed-dating, mixers and confession sessions, the Helix has become a national phenomenon — and attracted the attention of governments worldwide. But Thurlow, camped out in his Cincinnati headquarters, is lonely. And his ex-wife, Esme, is the only one he wants. They were a family once; they had a child together. For Esme’s part, she’s a covert agent who has spent her life spying on Thurlow, mostly in an effort to protect him from the law. Now, with her superiors demanding results, Esme recruits four misfits to botch a reconnaissance mission in Cincinnati. But when Thurlow abducts them, he ignites a siege of the Helix House that could keep him and Esme apart forever. With fiery, ecstatic prose, Maazel takes us on a ride through North Korea’s guarded interior, a city of vice beneath Cincinnati, and a commune housed in a Virginia factory, while Thurlow, Esme, and their daughter search for a way to be a family again. Woke Up Lonely is a sprawling and original novel that reminds us our Nation's deepest problems cannot be fixed by the simple formulas that so frequently beguile us.

“Miranda is at home — homesick, home sick…”

As a child, Miranda Silver developed pica, a rare eating disorder that causes its victims to consume nonedible substances. The death of her mother when Miranda is sixteen exacerbates her condition; nothing, however, satisfies a strange hunger passed down through the women in her family. And then there’s the family house in Dover, England, converted to a bed-and-breakfast by Miranda’s father. Dover has long been known for its hostility toward outsiders. But the Silver House manifests a more conscious malice toward strangers, dispatching those visitors it despises. Enraged by the constant stream of foreign staff and guests, the house finally unleashes its most destructive power.

With distinct originality and grace, and an extraordinary gift for making the fantastic believable, Helen Oyeyemi spins the politics of family and nation into a riveting and unforgettable mystery.

Alfonso Stephen O'Kelly'O known as Stephen, son of rumoured former bootleggers, ex-naval gunner, unemployed compuser, student of dairy cattle in Wisconsin and of music in Italy, has little to recommend him as a marriage prospect but his tender heart, his chivalry, and his comprehensive knowledge of the great city of New York. So when the exquisitely pneumatic and extraordinarily wealthy Sylvia Triumphington, adored adoptive heiress to the Triumphington family forture, sets her sights on him, Stephen is caught quite off guard…

Wrong Information is Being Given out at Princeton' is an excellent work, proving Donleavy is still the master of blending pathos and humour.

Love, in its many forms and complexities, weaves through this collection by Amy Bloom, the New York Times bestselling author of Away. Bloom's astonishing and astute new work of interconnected stories illuminates the mysteries of passion, family, and friendship.

Propelled by Bloom's dazzling prose, unmistakable voice, and generous wit, Where the God of Love Hangs Out takes us to the margins and the centers of real people's lives, exploring the changes that love and loss create. A young woman is haunted by her roommate's murder; a man and his daughter-in-law confess their sins in the unlikeliest of places. In one quartet of interlocking stories, two middle-aged friends, married to others, find themselves surprisingly drawn to each other, risking all while never underestimating the cost. In another linked set of stories, we follow mother and son for thirty years as their small and uncertain family becomes an irresistible tribe.

Insightful, sensuous, and heartbreaking, these stories of passion and disappointment, life and death, capture deep human truths. As The New Yorker has said, "Amy Bloom gets more meaning into individual sentences than most authors manage in whole books."

The author of the critically acclaimed story collection The Girl in the Flammable Skirt returns with more sublime, beguiling, and breathtakingly original stories of love, sex, heartbreak, and potato babies.

Vienna. 1913. It is a fine day in August when Lysander Rief, a young English actor, walks through the city to his first appointment with the eminent psychiatrist, Dr. Bensimon. Sitting in the waiting room he is anxiously pondering the nature of his problem when an extraordinary woman enters. She is clearly in distress, but Lysander is immediately drawn to her strange, hazel eyes and her unusual, intense beauty.

Later the same day they meet again, and a more composed Hettie Bull introduces herself as an artist and sculptor, and invites Lysander to a party hosted by her lover, the famous painter Udo Hoff. Compelled to attend and unable to resist her electric charm, they begin a passionate love affair. Life in Vienna becomes tinged with the frisson of excitement for Lysander. He meets Sigmund Freud in a café, begins to write a journal, enjoys secret trysts with Hettie and appears to have been cured.

London, 1914. War is stirring, and events in Vienna have caught up with Lysander. Unable to live an ordinary life, he is plunged into the dangerous theatre of wartime intelligence — a world of sex, scandal and spies, where lines of truth and deception blur with every waking day. Lysander must now discover the key to a secret code which is threatening Britain’s safety, and use all his skills to keep the murky world of suspicion and betrayal from invading every corner of his life.

Moving from Vienna to London’s west end, the battlefields of France and hotel rooms in Geneva, Waiting for Sunrise is a feverish and mesmerising journey into the human psyche, a beautifully observed portrait of wartime Europe, a plot-twisting thriller and a literary tour de force from the bestselling author of Any Human Heart, Restless and Ordinary Thunderstorms.

From the Booker Prize-winning author of Last Orders comes an incredibly moving and accomplished new novel. A Vintage Canada trade paperback original.

On an autumn day in 2006, on the Isle of Wight, Jack Luxton, former Devon farmer and now the proprietor of a seaside caravan park, receives the news that his soldier brother Tom, not seen for years, has been killed in Iraq. For Jack and his wife Ellie this will have a potentially catastrophic impact. For Jack in particular it means a crucial journey-to receive his brother's remains, but also into his own most secret, troubling memories and into the land of his and Ellie's past. Wish You Were Here is both a gripping account of things that touch and test our human core and a resonant novel about a changing England. Rich with a sense of the intimate and the local, it is also, inescapably, about a wider, afflicted world. Moving towards an almost unbearably tense climax, it allows us to feel the stuff of headlines-the return of a dead soldier from a foreign war-as heart-wrenching personal truth.

Winner of IMPAC Dublin Literary Award in 2000, Wide Open is the first of Nicola Barker's Thames Gateway novels. Poking out of the River Thames estuary, the strange Isle of Sheppey is home to a nudist beach, a nature reserve, a wild boar farm and not much else. The landscape is bleak, but the people are interesting. There's Luke, who specialises in join-the-dots pornography and lippy, outraged Lily. They are joined by Jim, the 8-year-old Nathan and the mysterious, dark-eyed Ronnie. Each one floats adrift in turbulent currents, fighting the rip tide of a past that swims with secrets. Only if they see through the lies and prejudice will they gain redemption. Wide Open is about coming to terms with the past, and the fantasies people construct in order to protect their fragile inner selves.

The author of Wonder Boys returns with a powerful and wonderfully written collection of stories. Caught at moments of change, Chabon's men and women, children and husbands and wives, all face small but momentous decisions. They are caught in events that will crystallize and define their lives forever, and with each, Michael Chabon brings his unique vision and uncanny understanding of our deepest mysteries and our greatest fears.

In a heartrending and astonishing novel, Eggers illuminates the history of the civil war in Sudan through the eyes of Valentino Achak Deng, a refugee now living in the United States. We follow his life as he's driven from his home as a boy and walks, with thousands of orphans, to Ethiopia, where he finds safety — for a time. Valentino's travels, truly Biblical in scope, bring him in contact with government soldiers, janjaweed-like militias, liberation rebels, hyenas and lions, disease and starvation — and a string of unexpected romances. Ultimately, Valentino finds safety in Kenya and, just after the millennium, is finally resettled in the United States, from where this novel is narrated. In this book, written with expansive humanity and surprising humor, we come to understand the nature of the conflicts in Sudan, the refugee experience in America, the dreams of the Dinka people, and the challenge one indomitable man faces in a world collapsing around him.

Publishers Weekly — "Odrach's delightfully sardonic novel about Stalinist occupation… is rich with history, horror and comedy."

This panoramic novel hidden from the English-speaking world for more than 50 years begins with the Red Army invasion of Belarus in 1939. Ivan Kulik has just become Headmaster of school number 7 in Hlaby, a rural village in the Pinsk Marshes. Through his eyes we witness the tragedy of Stalinist domination where people are randomly deported to labour camps or tortured in Zovty Prison in Pinsk. The author's individual gift that sets him apart from his contemporaries is the range of his sympathies and his unromantic, unsentimental approach to the sensual lives of females. His debt to Chekhov is obvious in his ability to capture the internal drama of his characters with psychological concision.

Publishers Weekly — "Odrach's delightfully sardonic novel about Stalinist occupation… is rich with history, horror and comedy."

This panoramic novel hidden from the English-speaking world for more than 50 years begins with the Red Army invasion of Belarus in 1939. Ivan Kulik has just become Headmaster of school number 7 in Hlaby, a rural village in the Pinsk Marshes. Through his eyes we witness the tragedy of Stalinist domination where people are randomly deported to labour camps or tortured in Zovty Prison in Pinsk. The author's individual gift that sets him apart from his contemporaries is the range of his sympathies and his unromantic, unsentimental approach to the sensual lives of females. His debt to Chekhov is obvious in his ability to capture the internal drama of his characters with psychological concision.

Beijing intellectual Chen Zhen volunteers to live in a remote settlement on the border of Inner and Outer Mongolia, where he discovers life of apparent idyllic simplicity amongst the nomads and the wild wolves who roam the plains. But when members of the People's Republic swarm in from the cities to bring modernity and productivity to the grasslands, the peace of Chen's solitary existence is shattered, and the delicate balance between humans and wolves is disrupted. Only time will tell whether the grasslands' environment and culture will ever recover…Wolf Totem has been a sensation ever since it shot to the top of the Chinese bestseller charts in 2004. A beautiful and moving portrayal of a land and culture that no longer exists, it is also a powerful portrait of modern China and a fascinating insight into the country's own view of itself, its history and its people.

“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.”

The Way the Crow Flies, the second novel by bestselling, award-winning author Ann-Marie MacDonald, is set on the Royal Canadian Air Force station of Centralia during the early sixties. It is a time of optimism — infused with the excitement of the space race but overshadowed by the menace of the Cold War — filtered through the rich imagination and quick humour of eight-year-old Madeleine McCarthy and the idealism of her father, Jack, a career officer.

As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.

Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.

Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.

Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces, The Way the Crow Flies reminds us that in time of war the lines between right and wrong are often blurred.

Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered.. Publishers Weekly, in a starred review, called The Way the Crow Flies “absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

On one hand, beautiful Celanire — a woman mutilated at birth and left for dead — appears today to be a saint; she is a tireless worker who has turned numerous neglected institutions into vibrant schools for motherless children. But she is also a woman apprehended by demons, as death and misfortune seem to follow in her wake. Traveling from Guadeloupe to West Africa to Peru, the mysterious, seductive, and disarming Celanire is driven to uncover the truth of her past at any cost and avenge the crimes committed against her.

With her characteristic blend of magical realism and fantasy, and inspired by a true story, Maryse Conde hauntingly imagines Celanire in an unforgettable novel — a most dazzling addition to the deeply prolific and widely celebrated author's brilliant body of work.

#1 NATIONAL BESTSELLER, SOON TO BE A MAJOR MOTION PICTURE.

At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the Mojave Desert through California and Oregon to Washington State — and she would do it alone.

Told with suspense and style, sparkling with warmth and humor, Wild powerfully captures the terrors and pleasures of one young woman forging ahead against all odds on a journey that maddened, strengthened, and ultimately healed her.

literary awards

Oregon Book Award Nominee for Creative Nonfiction (Finalist) (2013),

Indies Choice Book Award for Adult Nonfiction (2013),

Puddly Award for Nonfiction (2013),

Goodreads Choice for Best Memoir & Autobiography (2012)

During World War II, a legendary German sniper is sent to assassinate General Eisenhower when Ike makes a top-secret trip to Washington as planning begins for the D-Day invasion.

A daring novel that explores the taboos surrounding male-female relationships in Saudi Arabia’s deeply conservative society, Where Pigeons Don’t Fly scrutinises the public tyranny of the so-called ‘Committee for Virtue’, which monitors young unmarried couples in Riyadh. Focusing on one young man, the novel follows him from early childhood to the point where he decides to flee from Saudi Arabia to Britain, as a result of the destructive policies that prohibit genuine love in the country. These policies force male-female love underground, often leading to jail or banishment from Saudi Arabia. The author, through the lens of this one character, reveals truths about his country’s male-dominated and divided society.

Known for his meaty seriocomic novels — expansive works that are simultaneously lowbrow and highbrow — Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from Esquire to Harper’s, from Playboy to the New York Times, High Times, and Life. A generous sampling, collected here for the first time and including works as diverse as scholarly art criticism and some decidedly untypical country-music lyrics, Wild Ducks Flying Backward offers a rare sweeping overview of the eclectic sensibility of an American original.

Whether he is rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Robbins’s briefer writings often exhibit the same five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language.

Embedded in this primarily journalistic compilation are a couple of short stories, a sheaf of largely unpublished poems, and an off-beat assessment of our divided nation. And wherever we open Wild Ducks Flying Backward, we’re apt to encounter examples of the intently serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

The words pour out of your wounded soul…

Welcome to Quinsigamond, a worn-out New England town infected by a soulless cabal that rules the streets. Gilrein used to be one of the good guys, until this dark world claimed the life of his wife and fellow police officer, Ceil. Even exchanging his badge for a cab still cannot erase the past or the long-buried instincts Gilrein honed on the beat.

The words choke in your throat…

When suspected of possessing a missing rarity that someone is all too willing to murder for, Gilrein races to unearth long-buried secrets. And the only people he can turn to are the Inspector, a detective and master of linguistics who can shed light on the secret life Ceil led-and how it ended; Otto Langer, a haunted refugee from Eastern Europe; and Wylie Brown, Gilrein's ex-lover whose passion for a century-old murderer knows no bounds.

The words on your breath will be your last…

Word Made Flesh is a profound and utterly suspenseful tale of evil, conspiracy, and love, where a magnificent and macabre obsession with words and language will mean redemption for some…and damnation for others.

A homicide detective tries to stop an ex — FBI agent’s murderous rampage.

Though they posture themselves as revolutionary, the jammers are harmless. Radio nerds who gather each night at a nightclub called Wireless, they get their kicks by jamming commercial radio signals, hijacking their frequencies to broadcast anarchist messages to the ordinary citizens of Quinsigamond. But even though they do no harm, their hobby has attracted murderous attention. Speer’s killing spree starts with a priest. The one-time seminary student and ex — FBI agent has tired of seeing the city’s cathedral denigrated by immigrants, addicts, and gang members, and he blames Father Todorov for catering to the undesirables. He corners the priest in the confessional and takes out his rage with a Bowie knife. Now he wants the blood of the fiery young anarchists who hijack his radio dial each evening. Homicide detective Hannah Shaw must infiltrate this strange subculture before it is dismantled by Speer’s blade.

A collection of short fiction, twelve works in all, including two never-before-published novellas. Here are disconnected marriages and uneasy reunions, nostalgic reminiscences and sudden epiphanies-a remarkable and moving collage of contemporary lives.

World's End is the first novel in Upton Sinclair's Lanny Budd series. First published in 1940, the story covers the period from 1913 to 1919. This is the beginning of a monumental 7,340 page novel, the story of Lanny Budd, a young American, beginning in Europe in 1913. It is also an intimate record of a great world which fell victim to its own civilization. A new world was about to be born

With this highly original collection of short stories, Catalonian writer Jaume Cabré takes his place among the masters of the form. In Winter Journey, the reader encounters disparate and often desperate characters — pianist, cuckold, whore, organ builder, rabbi, priest, scholar, thief, hitman, madman, Holocaust survivor, oligarch, failed artist — who challenge notions about will, morality, and “the riddle of existence.” This is not a selection of individual stories, but a singularly brilliant and enigmatic narrative, novelistic in its approach, with mysterious connections linking characters, objects, and ideas across time and place. The text takes the form of a Schubertian musical progression in prose, a philosophical mystery moving freely through a labyrinth of centuries and cities, historical and contemporary.

Richly allusive with its themes and motifs of music and art, Winter Journey will continue to provoke questions long after the reader has closed the book. This edition represents the first translation of Cabré’s work into English and an invitation to many more readers to come along for the ride.

In these seventeen stories by one of Brazil's foremost living authors, Fonseca introduces readers--with unsurpassed candor and keenness of observation--to a kaleidoscopic, often disturbing world. A hunchback sets his lascivious sights on seducing a beautiful woman. A wealthy businessman hires a ghost writer, with unexpected results. A family of modern-day urban cannibals celebrates a bizarre rite of passage. A man roams the nocturnal streets of Rio de Janeiro in search of meaning. A male ex-police reporter writes an advice column under a female pseudonym. A prosperous entrepreneur picks up a beautiful girl in his Mercedes only to discover his costly mistake. A loser elaborates a lethal plan to become, in his mind, a winner.

Peter Markus makes myth out of mud, a river, fish. By parceling his obsessions so obsessively, he creates a never-before-seen form of mud, a new species of fish, a river that flows backwards to its source: all of this rendered in a language that is uniquely and privately his own.

Noy Holland’s second collection of stories, What begins with bird, once again finds her pushing the boundaries of language and rhythm with her writing. Delving into family relationships, frequently with female protagonists, Holland’s writing develops a tension, both in the situations written of, and in the writing itself.

A British secret agent on a dangerous mission to solve a fellow spy’s murder.

After some especially taxing missions, seasoned secret agent Methuen wants nothing more than to take a long, relaxing fishing trip. But after a fellow British spy is killed in the remote mountains of Serbia, Methuen is called back into action. What follows is a suspenseful tale of espionage told with Lawrence Durrell’s characteristic panache. Methuen sets up camp in the Serbian countryside and baits his hooks, hoping to draw out the men responsible for the murder. It’s not long before Methuen realizes that he’s in a fight for his own life against an unknown opponent. Are his true enemies the Communists, the royalist rebel White Eagles. . or someone more sinister?

Something is happening. Wars, both national and internal, are being waged in jungles, across borders, in the streets of Lima, in the intimacy of New York apartments. War by Candlelight is an exquisite collection of stories that carry the reader from Third World urban centers to the fault lines that divide nations and people — a devastating portrait of a world in flux — and Daniel Alarcón is an extraordinary new voice in literary fiction, one you will not soon forget.

Christopher and Alexandra's passion for one another raises eyebrows and invites envy. This beautiful, blinkered couple do the unthinkable and run away from home, abandoning their two teenage children. Their sudden departure is an act of glorious wilfulness. Life in the countries they visit serves as nothing more than a backdrop to the vagaries of their love affair. Initially their loyal neighbour receives the odd postcard, but that soon stops.

Fifteen years later Alexandra is in remote Bolivia with a lover young enough to be her son and Christopher is in Venice, desolate and alone but for the pigeons and prostitutes. Tormented by past mistakes, neither can accept that they may never meet again.

A haunting story of obsessive love and a moving testimony to the bonds that tie us to our past, regardless of distance or time traveled.

Maggie Gee was chosen as one of Granta's original 'Best Young British Novelists'. She has published many novels to great acclaim, including The White Family, which was shortlisted for the 2002 Orange Prize for Fiction and for the International IMPAC Dublin Literary Award 2004; and The Flood, which was longlisted for the 2004 Orange Prize. She has also published My Cleaner, My Driver, The Ice People and My Animal Life with Telegram. Virginia Woolf in Manhattan is her latest novel.

Maggie was the first female Chair of the Royal Society of Literature, 2004–2008, and is now one of its Vice-Presidents. She lives in London.

I noticed it was beginning to get dark. And for a couple seconds, it was scary — like that meant the world was breaking, or expired, or bruised, or something worse. It was really scary for a couple seconds but then I calmed down. Up above, the moonlit clouds looked rippled, like the ribcage of some giant thing digesting me.

And I wondered if the direction I was going went down into the digestive system or up out of it. Wondered what difference it made. There was a bug hovering over a small pool of ice cream on the sidewalk. Like a firefly, but it wasn’t a firefly. And I could’ve stepped on it and killed it. But I didn’t. Be thankful, little bug. For in my world, you are just a little bug.

"Rodoreda had bedazzled me by the sensuality with which she reveals things within the atmosphere of her novels." — Gabriel García Marquez

"Rodoreda plumbs a sadness that reaches beyond historic circumstances. . an almost voluptuous vulnerability." — Natasha Wimmer, The Nation

"It is a total mystery to me why [Rodoreda] isn't widely worshipped; along with Willa Cather, she's on my list of authors whose works I intend to have read all of before I die. Tremendous, tremendous writer." — John Darnielle, The Mountain Goats

Despite its title, there is little of war and much of the fantastic in this coming-of-age story, which was the last novel Mercè Rodoreda published during her lifetime.

We first meet its young protagonist, Adrià Guinart, as he is leaving Barcelona out of boredom and a thirst for freedom, embarking on a long journey through the backwaters of a rural land that one can only suppose is Catalonia, accompanied by the interminable, distant rumblings of an indefinable war. In vignette-like chapters and with a narrative style imbued with the fantastic, Guinart meets with numerous adventures and peculiar characters who offer him a composite, if surrealistic, view of an impoverished, war-ravaged society and shape his perception of his place in the world.

As in Rodoreda's Death in Spring, nature and death play an fundamental role in a narrative that often takes on a phantasmagoric quality and seems to be a meditation on the consequences of moral degradation and the inescapable presence of evil.

Mercè Rodoreda (1908–1983) is widely regarded as the most important Catalan writer of the twentieth century. Exiled in France and Switzerland following the Spanish Civil War, Rodoreda began writing the novels and short stories—Twenty-Two Short Stories, The Time of the Doves, Camellia Street, Garden by the Sea—that would eventually make her internationally famous.

We Five tells the story of five young female friends and co-workers through the voices of five different authors, the story unfolding against five distinct historic backdrops. The driving conceit is that an anonymously authored manuscript from the mid-1860s (perhaps the work of Dickens contemporary Elizabeth Gaskell) was discovered and later published. Over the succeeding decades four other authors choose to retell this story in their own time and in their own way. The last author has now gone a step further: she has assembled all five versions into a literary pastiche which cycles chapter-by-chapter through the different versions as the central narrative progresses.

The result is a novel about five young women pursued by five young men of predatory purpose, which takes place alternatively in a small mill town outside of Manchester, England in 1859; in San Francisco on the eve of the 1906 earthquake and fire; in Sinclair Lewis’s fictional Zenith, Winnemac in 1923; in London during the Blitz of autumn, 1940; and in a small town in northern Mississippi in 1997. In the first book “We Five” are seamstresses; in the next they are department store sales clerks; in the next, they sing in the choir of a popular female evangelist; in the next, they work in an ordinance factory outside of London; and in the final version, they are cocktail waitresses in a Mississippi River casino.

The book’s climax is a dramatic collision of all five incarnations of the story: an incident of mass hysteria arising from a solar storm in 1859, the 1906 San Francisco quake, a fire in the evangelist’s newly built “temple” in 1923, the 1940 Balham Underground station bombing and flooding, and a tornado in rural 1997 Mississippi.

Training horses is dangerous-a head-to-head confrontation with a 1,000 pounds of muscle and little sense takes courage, but more importantly patience and smarts. It is these same qualities that allow John and his uncle Gus to live in the beautiful high desert of Wyoming. A black horse trainer is a curiosity, at the very least, but a familiar curiosity in these parts. It is the brutal murder of a young gay man, however, that pushes this small community to the teetering edge of fear and tolerance.

As the first blizzard of the season gains momentum, John is forced to reckon not only with the daily burden of unruly horses, a three-legged coyote pup, an escape-artist mule, and too many people, but also a father-son war over homosexuality, random hate-crimes, and — perhaps most frightening of all-a chance for love.

Highly praised for his storytelling and ability to address the toughest issues of our time with humor, grace, and originality, Everett offers yet another brilliant novel.

The short vignette-style tales in Troy James Weaver's literary debut, Witchita Stories, combine to make an evocative brew of small town melancholy, working class gloom, and coming of age charm. Told through the eyes of a young man who yearns to find excitement, truth, and a deeper family bond in his life, Weaver's approachable and revealing stories, lists, fragments, and memories delve into the weird, funny, and sometimes unsettling world of a midwest kid finding his own path.

"Thank god you can come across a writer like Troy James Weaver. In the future people will just say these stories are like Troy James Weaver stories and you'll know exactly what they mean." — Scott McClanahan

"There are moments, reading Witchita Stories, where everything dropped away, and I was speechless, or at least whatever the equivalent of speechless is when you're not talking in the first place. There is a deep sadness to these stories, and humor, but most importantly, honesty. This feels real and heavy and it's just about the best thing I've read in a long time." — J. David Osborne

On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia’s National Palace of Culture. There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and want.

What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.

Waltenberg is a riveting novel of espionage and a major work of literature.

The Hotel Waldhaus in the Swiss mountain village of Waltenberg is central to the action of this epic novel, which takes in Europe from the First World War to the collapse of the Soviet Union.

Waltenberg tells the story of the love between Hans Kappler, a German novelist, and Lena Hotspur, an American singer; of the friendship between Hans and Max Goffard, a French journalist. It is also a spy story. Michael Lilstein, a leader of the underground German communist party before World War II and an Auschwitz survivor, becomes responsible for the East German spy network. In 1956 in Waltenberg, Lilstein recruits as his mole a young Frenchman whose identity remains mysterious. At the height of the Cold War, the CIA observes Lilstein and Max at Hans’s funeral, determined to flush out the mole.

For fans of Robin Sloan's Mr. Penumbra's 24-Hour Bookstore and Maria Semple's Where'd You Go, Bernadette, an inventive, brilliant debut novel about the disappearance of a famous Brazilian novelist and the young translator who turns her life upside down to follow her author's trail.

Deep in gambling debt, the celebrated Brazilian writer Beatriz Yagoda is last seen holding a suitcase and a cigar and climbing into an almond tree. She abruptly vanishes.

In snowy Pittsburgh, her American translator Emma hears the news and, against the wishes of her boyfriend and Beatriz's two grown children, flies immediately to Brazil. There, in the sticky, sugary heat of Rio, Emma and her author's children conspire to solve the mystery of Yagoda's curious disappearance and staunch the colorful demands of her various outstanding affairs: the rapacious loan shark with a zeal for severing body parts, and the washed-up and disillusioned editor who launched Yagoda's career years earlier.

Idra Novey's exhilarating debut is both a novel of ideas and a novel of intrigue, an innovative combination of mystery, noir, and humor.

A boldly candid, raw portrait of a young woman's search for meaning and purpose in an indifferent world.

Decisively aimless, self-destructive, and impulsively in and out of love, Elsie is a young woman who feels stuck. She has a tumultuous relationship with an abusive boyfriend, a dead-end job at a newspaper, and a sharp intelligence that’s constantly at odds with her many bad decisions. When her initial attempts to improve her life go awry, Elsie decides that a dramatic change is the only solution.

An auto-didact who prefers the education of travel to college, Elsie uses an inheritance to support her as she travels to Paris and Sri Lanka, hoping to accumulate experiences, create connections, and discover a new way to live. Along the way, she meets men and women who challenge and provoke her towards the change she genuinely hopes to find. But in the end, she must still come face-to-face with herself.

Whole-hearted, fiercely honest and inexorably human, Wreck and Order is a stirring debut that, in mirroring one young woman's dizzying quest for answers, illuminates the important questions that drive us all.

A warm, funny, and heartfelt novel about a tight-knit group of twentysomethings in New York whose lives are upended by tragedy — from the widely acclaimed author of The Unchangeable Spots of Leopards.

December, 2008. A heavy snowstorm is blowing through Manhattan and the economy is on the brink of collapse, but none of that matters to a handful of guests at a posh holiday party. Five years after their college graduation, the fiercely devoted friends at the heart of this richly absorbing novel remain as inseparable as ever: editor and social butterfly Sara Sherman, her troubled astronomer boyfriend George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment banker William Cho, and Irene Richmond, an enchanting artist with an inscrutable past.

Amid cheerful revelry and free-flowing champagne, the friends toast themselves and the new year ahead — a year that holds many surprises in store. They must navigate ever-shifting relationships with the city and with one another, determined to push onward in pursuit of their precarious dreams. And when a devastating blow brings their momentum to a halt, the group is forced to reexamine their aspirations and chart new paths through unexpected losses.

Kristopher Jansma’s award-winning debut novel, The Unchangeable Spots of Leopards, was praised for its “wry humor” and “charmingly unreliable narrator” in The New Yorker and hailed as “F. Scott Fitzgerald meets Wes Anderson” by The Village Voice. In Why We Came to the City, Jansma offers an unforgettable exploration of friendships forged in the fires of ambition, passion, hope, and love. This glittering story of a generation coming of age is a sweeping, poignant triumph.

T.C. Boyle's riotous first novel now in a new edition for its 25th anniversary. Twenty five years ago, T.C. Boyle published his first novel, Water Music, a funny, bawdy, extremely entertaining novel of imaginative and stylistic fancy that announced to the world Boyle's tremendous gifts as a storyteller. Set in the late eighteenth century, Water Music follows the wild adventures of Ned Rise, thief and whoremaster, and Mungo Park, a Scottish explorer, through London's seamy gutters and Scotland's scenic highlands to their grand meeting in the heart of darkest Africa. There they join forces and wend their hilarious way to the source of the Niger. "Ribald, hilarious, exotic, engrossing flight of the literary imagination." — Los Angeles Times "Water Music does for fiction what Raiders of the Lost Ark did for film. . Boyle is an adept plotter, a crazed humorist, and a fierce describer. "-The Boston Globe "High comic fiction. . Boyle is a writer of considerable talent. He pulls off his most implausible inventions with wit, a perfect sense of timing, and his considerable linguistic gifts." — The Washington Post

The long-awaited first novel by the award-winning author of two impressive story collections explores the sinister side of desire in Bakersfield, California, circa 1959, when a famous director arrives to scout locations for a film about madness and murder at a roadside motel. Unfolding in much the same way that Hitchcock made Psycho—frame by frame, in pans, zooms, and close-ups — Munoz’s re-creation of a vanished era takes the reader into places no camera can go, venturing into the characters’ private thoughts, petty jealousies, and unrealized dreams. The result is a work of stunning originality.

What does it take to survive? This is the question posed by the extraordinary Finnish novella that has taken the Nordic literary scene by storm.

1867: a year of devastating famine in Finland. Marja, a farmer’s wife from the north, sets off on foot through the snow with her two young children. Their goal: St Petersburg, where people say there is bread. Others are also heading south, just as desperate to survive. Ruuni, a boy she meets, seems trustworthy. But can anyone really help?

Black humor mixed with pathos is the hallmark of the twelve stories in this adult debut collection from a master writer of comic and inventive YA novels.

A young man spends a whole day lying naked on the floor of his apartment, conversing casually with his roommates, pondering the past, considering the lives being lived around him. In the odd and funny, sad yet somehow hopeful conceit of Sean Beaudoin’s story “Exposure,” are all the elements that make his debut collection, Welcome Thieves, a standout. In twelve virtuosic stories, Beaudoin trains his absurdist’s eye on the ridiculous perplexities of adult life. From muddling through after the apocalypse (“Base Omega Has Twelve Dictates”) to the knowing smirk of “You Too Can Graduate with a Degree in Contextual Semiotics,” Beaudoin’s stories are edgy and profane, bittersweet and angry, bemused and sardonic. Yet they’re always tinged with heart.

Beaudoin’s novels have been praised for their playfulness and complexity, for the originality and beauty of their language. Those same qualities, and much more, are on full display in Welcome Thieves, a book that should find devout fans in readers who worship at the altar of George Saunders, Kurt Vonnegut, and Sam Lipsyte.

“A deviously spellbinding collection of short stories in which strange and beautiful worlds, creations of Sean Beaudoin’s dark and sometimes brutal imagination, emerge as part of a tapestry so finely woven that we don’t see the thread. In the end, we can only stand in awe of Beaudoin’s immense talent.” —Garth Stein, author of A Sudden Light

The Freeman family-Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie-have been invited to the Toneybee Institute in rural Massachusetts to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected for the experiment because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family.

Isolated in their new, nearly all-white community not just by their race but by their strange living situation, the Freemans come undone. And when Charlotte discovers the truth about the Institute’s history of questionable studies, the secrets of the past begin to invade the present.

The power of this novel resides in Kaitlyn Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race.

Four friends get together to watch the 1998 World Cup final. One of them has an idea: let's write down our wishes for the next few years, put them away, and during the next final — four years from now — we'll get them out and see how many we've achieved. This is how World Cup Wishes opens, and from here we watch what happens to their wishes and their friendships as life marches on.

The four men's bond is deep and solid, but tested by betrayal, death,and distance their alliance comes under pressure. Each friend offers a different perspective, though not necessarily a reliable one… and as they and the world around them change, so do their ideas of friendship and happiness. By the end they are forced to ask whether wishes can really be fulfilled. Or will their story turn out to be a requiem — for a generation, for friendship, or even for one of the four young men?

Once again, Eshkol Nevo has produced a novel suffused with charm, warmth and an astonishing wisdom.

A novel about London — its past, its people, its underbelly and its madness.

"In this extraordinary work Sinclair combines a spiritual inquest into the Whitechapel Ripper murders and the dark side of the late Victorian imagination with a posse of seedy book dealers hot on the trail of obscure rarities of that period. These ruined and ruthless dandies appear and disappear through a phantasmagoria interspersed with occult conjurings and reflections on the nature of fiction and history" Guardian

Ivan Klima was in the United States when Russian tanks entered Prague in 1968 but, against the advice of friends, he returned home. He became a dissident, writing books (never published) that were invariably inspired by Czechoslovakia's repressive regime. But what happens to a rebel artist when there is nothing left to rebel against? This question informs Klima's powerful novel, "Waiting for the Dark, Waiting for the Light," which describes life before, during, and after the Velvet Revolution of 1989. It is the story of Pavel, a middle-aged television cameraman working uneasily within the boundaries set by the regime, who dreams of one day making a film — a searing portrait of his times — that the authorities will never allow. But after the collapse of communism, Pavel finds he is unprepared for this new world of unlimited freedoms. He never quite gets around to making that film; his time is taken up instead with lucrative small jobs — a TV spot, a commercial, a porn film. This is a masterful novel that focuses on the most pressing issue confronting the individual in the former Soviet bloc countries today: how to live one's life when one is truly free.

Where Europe Begins presents a collection of startling new stories by Japanese writer Yoko Tawada. Moving through landscapes of fairy tales, family history, strange words and letters, dreams, and every-day reality, Tawada's work blurs divisions between fact and fiction, prose and poetry. Often set in physical spaces as disparate as Japan, Siberia, Russia, and Germany, these tales describe a fragmented world where even a city or the human body can become a sort of text. Suddenly, the reader becomes as much a foreigner as the author and the figures that fill this book: the ghost of a burned woman, a woman traveling on the Trans-Siberian railroad, a mechanical doll, a tongue, a monk who leaps into his own reflection. Tawada playfully makes the experience of estrangement — of a being in-between — both sensual and bewildering, and as a result practically invents a new way of seeing things while telling a fine story.

Thomas Bernhard is “one of the masters of contemporary European fiction” (George Steiner); “one of the century’s most gifted writers” (Newsday); “a virtuoso of rancor and rage” (Bookforum). And although he is favorably compared with Franz Kafka, Samuel Beckett, and Robert Musil, it is only in recent years that he has gained a devoted cult following in America.

A powerful, compact novella, Walking provides a perfect introduction to the absurd, dark, and uncommonly comic world of Bernhard, showing a preoccupation with themes — illness and madness, isolation, tragic friendships — that would obsess Bernhard throughout his career. Walking records the conversations of the unnamed narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard’s highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking.

Stefan Wallner, verheiratet mit der Deutsch-Rumänin Ana, hat sich mit seiner Firma für Landmaschinen eine Heimat geschaffen. Der berufliche Erfolg ließ ihn seine katastrophale Vaterbeziehung vergessen. Aber über die Jahre hinweg, in denen die Firma floriert, schließlich mit einer anderen fusioniert und an die Börse geht, bröckelt das enge Verhältnis zu den Mitarbeitern innerhalb des Betriebs. Wallner fühlt sich verfolgt, wittert eine Verschwörung. Sein Sohn Costin ahnt nichts von der beginnenden Paranoia seines Vaters. Doch was bei Stefan Wallner nur im Kopf stattfindet, das erlebt Costin in Wirklichkeit, er zappt sich durch sein Leben und seine Rollen wie durch eine Fernsehserie. Er macht Karriere als Superstar einer vom Fernsehen gecasteten Popgruppe, er lebt Alternativkarrieren als Synchronsprecher in einem Hitler Zeichentrickfilm oder als Ex-Promi in einer Reality-Show. Er gründet ein Rock-Label, lebt mit Romy zusammen, der Sängerin der Gruppe „Erich“, und erfährt erst spät von seiner unehelichen Tochter Wendy. Wendy trifft ihren Vater zum ersten Mal kurz vor ihrer Volljährigkeit. Die Mutter hatte ihr das Verhältnis mit Costin verschwiegen. Doch kaum hat sie ihren leiblichen Vater kennen und lieben gelernt, da stirbt Costin. Als Wendy sich nach dem Tod Costins daran macht, ihre Familiengeschichte zu rekonstruieren und aufzuschreiben, fällt es ihr bald schwer, zwischen Lebenslügen, Irrtümern und der nachrecherchierten Wirklichkeit zu unterscheiden. „Wallner beginnt zu fliegen“ ist ein Familienroman, eine Saga über drei Familiengenerationen. Und ein Roman über die Frage, ob man Familiengeschichte so erzählen kann, wie sie wirklich passiert ist. Ein faszinierendes Debüt in drei Kapiteln: Ein Wirtschaftsroman, ein Musikerleben und ein Frauenschicksal.

Als der Bürgerkrieg in den 90er Jahren Bosnien heimsucht, flieht der junge Aleksandar mit seinen Eltern in den Westen. Rastlos neugierig erobert er sich das fremde Deutschland und erzählt mit unbändiger Lust die irrwitzigen Geschichten von damals, von der großen Familie und den kuriosen Begebenheiten im kleinen Visegrad. Aleksandar fabuliert sich die Angst weg und "die Zeit, als alles gut war" wieder herbei.Aleksandar wächst in der kleinen bosnischen Stadt Visegrad auf. Sein größtes Talent ist das Erfinden von Geschichten: Er denkt gar nicht daran, sich an die Themen der Schulaufsätze zu halten, viel zu verrückt sind die Erntefeste bei seinen Urgroßeltern, viel zu packend die Amokläufe betrogener Ehemänner und viel zu unglaublich die Geständnisse des Flusses Drina. Als der Krieg mit grausamer Wucht über Visegrad hereinbricht, hält die Welt, wie Aleksandar sie kannte, der Gewalt nicht stand, und die Familie muss fliehen. In der Fremde eines westlichen Landes erweist sich Aleksandars Fabulierlust als lebenswichtig: Denn so gelingt es ihm, sich an diesem merkwürdigen Ort namens Deutschland zurechtzufinden und sich eine Heimat zu erzählen. Seinen Opa konnte er damals nicht wieder lebendig zaubern, jetzt hat er einen Zauberstab, der tatsächlich funktioniert: seine Phantasie holt das Verlorene wieder zurück. Als der erwachsene Aleksandar in die Stadt seiner Kindheit zurückkehrt, muss sich allerdings erst zeigen, ob seine Fabulierkunst auch der Nachkriegsrealität Bosniens standhält.Mit "Wie der Soldat das Grammofon repariert" hat Sasa Stanisic einen überbordenden, verschwenderischen, burlesken und tragikomischen Roman über eine außergewöhnliche Kindheit unter außergewöhnlichen Umständen geschrieben, über den brutalen Verlust des Vertrauten und über das unzerstörbare Vertrauen in das Erzählen.

A bravura performance by a groundbreaking new writer — a novel set in contemporary Barcelona and made up of multiple storylines, including a fictional manuscript by Stephen King.

Wonderful World is the story of a son trying to make his father proud — by becoming an international criminal.

Lucas Giraut inherits the family company from a father who never really cared enough to get to know him. This inheritance comes with a lot of unanswered questions and one archenemy: Lucas's mother, Fanny, an ambitious and ruthless entrepreneur who believes Lucas is as useless as his father, Lorenzo, an enigmatic man whose recent death — under mysterious circumstances — delights her.

Valentina Parini is a precocious and troubled seventh-grader, and the self-proclaimed Top European Expert on the Work of Stephen King. Lucas Giraut is her upstairs neighbor and her only friend. He indulges Valentina as she reveals her dark fantasies of retribution on her classmates and teachers. As Valentina struggles with growing up, Lucas endeavors to understand what he's been bequeathed by his father. Following clues found in a windowless secret apartment and in his dreams, he ends up deep in Barcelona's underworld, far from the comforts of his home, a former ducal palace in the Gothic Quarter.

In Wonderful World, Javier Calvo brings together a huge cast of unforgettable characters in a haunting, masterful tale filled with scandalous behavior and dangerous crimes. A dazzling novel in which reality and fantasy entwine, it hails the arrival of a powerful and original voice.

An exceptional and acclaimed writer's third novel, far and away his most masterful book yet.

There are two stories in play here, bound together when the elderly, demented Harry Eide escapes his sickbed and vanishes into the forbidding northernmost Minnesota wilderness that surrounds the town of Gunflint — instantly changing the Eide family, and many other lives, forever. He’d done this once before, thirty-some years earlier, in 1963, fleeing a crumbling marriage and bringing along Gustav, his eighteen-year-old son, pitching this audacious, potentially fatal scheme to him — winter already coming on, in these woods, on these waters — as a reenactment of the ancient voyageurs’ journeys of discovery. It’s certainly a journey Gus has never forgotten. Now — with his father pronounced dead — he relates its every detail to Berit Lovig, who’d waited nearly thirty years for Harry, her passionate conviction finally fulfilled for the last two decades. So, a middle-aged man rectifying his personal history, an aging lady wrestling with her own, and with the entire history of Gunflint.

Larkhill, Ontario. 1989. A city on the brink of utter economic collapse. On the brink of violence. Driving home one night, unlikely passengers Jamie Garrison and Moses Moon hit a lion at fifty miles an hour. Both men stumble away from the freak accident unharmed, but neither reports the bizarre incident.

Haunted by the dead lion, Moses storms through the frozen city with his pathetic crew of wannabe skinheads searching for his mentally unstable mother. Jamie struggles with raising his young daughter and working a dead-end job in a butcher shop, where a dead body shows up in the waste buckets out back. A warning of something worse to come.

Somewhere out there in the dark, a man is still looking for his lion. His name is Astor Crane, and he has never really understood forgiveness.

Wood and Stone was John Cowper Powys' first novel published in 1915. It is no prentice-work however — the author was already in his forties.

The novel is set in the area of south Somerset that John Cowper Powys grew up in. The village of Nevilton is based on Montacute where his father was vicar for many years. When he wrote it Powys was living in the USA and it is perhaps this absence that accounts for the heightened vividness of the descriptive writing.

Powys deploys a large and wonderfully delineated cast of characters. They are loosely divided between 'the well-constituted' and 'the ill-constituted'. Characteristically Powys favours the latter.

One of the greatest raconteurs of the 20th century, Saadat Hasan Manto declares that he was forced to write when his wife routinely demanded that he put bread on the table for the family. He doesn’t attribute any genius to his skills as a writer and convinces his readers that the stories flowed even as he minded his daughters or tossed a salad. Equally, Manto treats his tryst with Bollywood with disdain and unmasks the cardboard lives of tinsel town when a horse is painted to double up for a zebra or multiple fans rotate to create a deluge. Two of Manto’s favourite and recurring themes — Women and Partition — find special mention.

For the first time ever, this unique collection of non-fiction writing from the subcontinent’s greatest writer, translated by well known author and journalist, Aakar Patel showcases Saadat Hasan Manto’s brilliance while dealing with life’s most mundane things — graveyards, bumming

cigarettes, a film crew with motley characters from mythology — and a sharp dissection of what ails the subcontinent even after 6 decades — Hindi or Urdu, vile politicians and the hopelessness of living under the shadow of fear.

Roscoe T Martin set his sights on a new type of power spreading at the start of the twentieth century: electricity. It became his training, his life’s work. But when his wife, Marie, inherits her father’s failing farm, Roscoe has to give up his livelihood, with great cost to his sense of self, his marriage, and his family. Realizing he might lose them all if he doesn’t do something, he begins to use his skills as an electrician to siphon energy from the state, ushering in a period of bounty and happiness. Even the love of Marie and their child seem back within Roscoe’s grasp.

Then a young man working for the state power company stumbles on Roscoe’s illegal lines and is electrocuted, and everything changes: Roscoe is arrested; the farm once more starts to deteriorate; and Marie abandons her husband, leaving him to face his twenty-year sentence alone. Now an unmoored Roscoe must carve out a place at Kilby Prison. Climbing the ranks of the incarcerated from dairy hand to librarian to “dog boy,” an inmate who helps the guards track down escapees, he is ultimately forced to ask himself once more if his work is just that, or if the price of his crimes — for him and his family — is greater than he ever let himself believe.

Lacerating and lyrical, We Come to Our Senses centers on men and women affected by combat directly and tangentially, and the peculiar legacies of war. The story “Evie M.” is about a vet turned office clerk whose petty neuroses derail even her suicide; in “We Come to Our Senses,” a hip young couple leaves the city for the sticks, trading film festivals for firearms; in “Colleen” a woman redeploys to her Mississippi hometown, and confronts the superior who abused her at war; and in “11/19/98” a couple obsesses over sitcoms and retail catalogs, extracting joy and deeper meaning. The story “Hers” is about the sexual politics of a combat zone.

A sly, provocative, and psychologically astute debut story collection from a 2015 Whiting Award winner.

In Leopoldine Core's stories, you never know where you are going to end up. Populated by sex workers and artists, lovers and friends, her characters are endlessly striving to understand each other. And while they may seem to operate at the margins, there is something eminently relatable, even elemental about their romantic relationships, their personal demons, and the strange shapes their joy can take.

Refreshing, witty, and absolutely close to the heart, Core's twenty stories, set in and around New York City, have an other-worldly quality along with a deep seriousness — even a moral seriousness. What we know of identity is smashed and in its place, true individuals emerge, each bristling with a unique sexuality, a belief-system all their own. Reminiscent of Jane Bowles, William Burroughs, and Colette, her writing glows with an authenticity that is intoxicating and rare.

Dirty and squalid, poetic and pure, Core bravely tunnels straight to the center of human suffering and longing. This collection announces a daring and deeply sensitive new voice.

Mahmoud's passion for his wife Fereiba, a schoolteacher, is greater than any love she's ever known. But their happy, middle-class world — a life of education, work, and comfort — implodes when their country is engulfed in war, and the Taliban rises to power.

Mahmoud, a civil engineer, becomes a target of the new fundamentalist regime and is murdered. Forced to flee Kabul with her three children, Fereiba has one hope to survive: she must find a way to cross Europe and reach her sister's family in England. With forged papers and help from kind strangers they meet along the way, Fereiba make a dangerous crossing into Iran under cover of darkness. Exhausted and brokenhearted but undefeated, Fereiba manages to smuggle them as far as Greece. But in a busy market square, their fate takes a frightening turn when her teenage son, Saleem, becomes separated from the rest of the family.

Faced with an impossible choice, Fereiba pushes on with her daughter and baby, while Saleem falls into the shadowy underground network of undocumented Afghans who haunt the streets of Europe's capitals. Across the continent Fereiba and Saleem struggle to reunite, and ultimately find a place where they can begin to reconstruct their lives.

Back in the dog days of the early twenty-first century a pair of lovebirds fleeing a murder charge in Cairo pull in to Alexandria's main train station. Fugitives, friendless, their young lives blighted at the root, Ali and Injy set about rebuilding, and from the coastal city's arid soil forge a legend, a kingdom of crime, a revolution: Karantina.

Through three generations of Grand Guignol insanity, Nael Eltoukhy's sly psychopomp of a narrator is our guide not only to the teeming cast of pimps, dealers, psychotics, and half-wits and the increasingly baroque chronicles of their exploits, but also to the moral of his tale. Defiant, revolutionary, and patriotic, are the rapists and thieves of Alexandria's crime families deluded maniacs or is their myth of Karantina-their Alexandria reimagined as the once and future capital-what they believe it to be: the revolutionary dream made brick and mortar, flesh and bone?

Subversive and hilarious, deft and scalpel-sharp, Eltoukhy's sprawling epic is a masterpiece of modern Egyptian literature. Mahfouz shaken by the tail, a lunatic dream, a future history that is the sanest thing yet written on Egypt's current woes.

“War porn,” n. Videos, images, and narratives featuring graphic violence, often brought back from combat zones, viewed voyeuristically or for emotional gratification. Such media are often presented and circulated without context, though they may be used as evidence of war crimes.

War porn is also, in Roy Scranton’s searing debut novel, a metaphor for the experience of war in the age of the War on Terror, the fracturing and fragmentation of perspective, time, and self that afflicts soldiers and civilians alike, and the global networks and face-to-face moments that suture our fragmented lives together. In War Porn three lives fit inside one another like nesting dolls: a restless young woman at an end-of-summer barbecue in Utah; an American soldier in occupied Baghdad; and Qasim al-Zabadi, an Iraqi math professor, who faces the US invasion of his country with fear, denial, and perseverance. As War Porn cuts from America to Iraq and back again, as home and hell merge, we come to see America through the eyes of the occupied, even as we see Qasim become a prisoner of the occupation. Through the looking glass of War Porn, Scranton reveals the fragile humanity that connects Americans and Iraqis, torturers and the tortured, victors and their victims.

“War porn,” n. Videos, images, and narratives featuring graphic violence, often brought back from combat zones, viewed voyeuristically or for emotional gratification. Such media are often presented and circulated without context, though they may be used as evidence of war crimes.

War porn is also, in Roy Scranton’s searing debut novel, a metaphor for the experience of war in the age of the War on Terror, the fracturing and fragmentation of perspective, time, and self that afflicts soldiers and civilians alike, and the global networks and face-to-face moments that suture our fragmented lives together. In War Porn three lives fit inside one another like nesting dolls: a restless young woman at an end-of-summer barbecue in Utah; an American soldier in occupied Baghdad; and Qasim al-Zabadi, an Iraqi math professor, who faces the US invasion of his country with fear, denial, and perseverance. As War Porn cuts from America to Iraq and back again, as home and hell merge, we come to see America through the eyes of the occupied, even as we see Qasim become a prisoner of the occupation. Through the looking glass of War Porn, Scranton reveals the fragile humanity that connects Americans and Iraqis, torturers and the tortured, victors and their victims.

Both coming-of-age story and cautionary tale. In her mother's absence, Jean is torn between the adult world and her surreal fantasies of escape as she and Fender build a fort to survey the rumors of their town.

Annie DeWitt is a fiction writer, essayist, and critic. She holds a BA from Brown University and an MFA in fiction from Columbia University School of the Arts. She teaches in the Undergraduate Creative Writing Program at Columbia University. Her writing has appeared in Granta, the Believer, Tin House, Guernica, Esquire, NOON (where an excerpt of this novel first appeared), BOMB, Electric Literature, and the American Reader, among others. Her story "Influence," which first appeared in Esquire's Napkin Fiction Project, was recently anthologized in Short: An International Anthology, edited by Alan Ziegler (Persea, 2014). DeWitt was a co-founding editor of Gigantic, a literary journal of short prose and art carried throughout the United States and abroad. She currently pens a bimonthly nonfiction column about art, literature, film and criticism for the Believer, called "Various Paradigms."

Stella is married, she has a child and a fulfilling job. She lives with her young family in a house in the suburbs.

Her life is happy and unremarkable, but she is a little lonely-her husband travels a lot for work and so she is often alone in the house with only her daughter for company. One day a stranger appears at her door, a man Stella's never seen before. He says he just wants to talk to her, nothing more. She refuses. The next day he comes again. And then the day after that. He will not leave her in peace. When Stella works out that he lives up the road, and tries to confront him, it makes no difference. This is the beginning of a nightmare that slowly and remorselessly escalates.

Where Love Begins is a delicately wrought, deeply sinister novel about how easily the comfortable lives we construct for ourselves can be shattered.

A powerful, prize-winning novella from the much-loved author of The Whale Rider, plus a moving screenplay, film stills and commentary on writing and movie making.

A medicine woman — a giver of life — is asked to hide a secret that may protect a position in society, but could have fatal consequences. When she is approached by the servant of a wealthy woman, three very different women become players in a head-on clash of beliefs, deception and ultimate salvation. This compelling story tackles moral dilemmas, exploring the nature of identity, societal attitudes to the roles of women and the tension between Western and traditional Maori medicine. This book, though, is also about the richness of creativity, illustrating the way a single story can take on different lives.

The original novella, Medicine Woman, has been rewritten and expanded by Witi Ihimaera to become White Lies. It has also evolved into a screenplay by internationally acclaimed director and screenwriter Dana Rotberg, which has been made into a superb film by South Pacific Pictures. Thus this book offers an intriguing insight into the process of adapting work, as well as offering new versions of this potent story.

Nga Kupu Ora — Aotearoa Maori Book Awards 2013, winner of the Te Pakimaero / Fiction category

Instant National Bestseller

Gather under the mistletoe for one last round of caroling with the Quinn family in this heartwarming conclusion to Elin Hilderbrand's bestselling Winter Street Trilogy.

Some of the stormy weather of the past few seasons seems to have finally lifted for the Quinns. After a year apart, and an ill-fated affair with the Winter Street Inn's old Santa Claus, Mitzi has returned to rule the roost; Patrick is about to be released from prison; Kevin has a successful new business and is finally ready to tie the knot with Isabelle; and best of all, there's hopeful news about Bart, who has been captured by enemy forces in Afghanistan.

That doesn't mean there aren't a few dark clouds on the horizon. Kelley has recently survived a health scare; Jennifer can't quite shake her addiction to the drugs she used as a crutch while Patrick was in jail; and Ava still can't decide between the two lovers that she's been juggling with limited success. However, if there's one holiday that brings the Quinn family together to give thanks for the good times, it's Christmas. And this year promises to be a celebration unlike any other as the Quinns prepare to host Kevin and Isabelle's wedding at the inn. But as the special day approaches, a historic once-in-a-century blizzard bears down on Nantucket, threatening to keep the Quinns away from the place-and the people-they love most. Before the snow clears, the Quinns will have to survive enough upheavals to send anyone running for the spiked eggnog, in this touching novel that proves that when the holidays roll around, you can always go home again.

In bestselling author Elin Hilderbrand's first winter novel, a family gathers on Nantucket for a holiday filled with surprises.

Kelley Quinn is the owner of Nantucket's Winter Street Inn and the proud father of four grown children: Patrick, a hedge fund manager; Kevin, a bartender; Ava, a schoolteacher; and Bart, who has recently shocked everyone by joining the Marines. As Christmas approaches, Kelley looks forward to spending time with his family at the inn. But when he walks in on his wife Mitzi kissing another man, chaos descends, and things only get more interesting when Kelley's ex-wife, news anchor Margaret Quinn, arrives on the scene. Before the mulled cider is gone, the delightfully dysfunctional Quinn family will survive a love triangle, a small house fire, and endless rounds of Christmas caroling in this heart-warming novel about coming home for the holidays.

A warm and enchanting festive novel from New York Times bestselling author Elin Hilderbrand. Christmas on Nantucket finds Winter Street Inn owner Kelley Quinn and his family busily preparing for the holiday season. Though the year has brought tragedy, the Quinns have much to celebrate: Kelley has reunited with his first wife Margaret, Kevin and Isabelle have a new baby; and Ava is finally dating a nice guy. But when Kelley's wife Mitzi shows up on the island, along with Kevin's devious ex-wife Nora and a dangerously irresistible old fling of Ava's, the Inn is suddenly overrun with romantic feuds, not to mention guests. With jealousy, passion, and eggnog consumption at an all-time high, it's going to take a whole lot more than a Christmas miracle to get the Quinns – and the Inn – through the holidays intact.

The rapid rise in Russia’s power over the course of the last ten years has been matched by a stunning lack of international diplomacy on the part of its president, Vladimir Putin. One consequence of this, when combined with Europe’s rapidly shifting geopolitics, is that the West is on a possible path toward nuclear war. Former deputy commander of NATO General Sir Richard Shirreff speaks out about this very real peril in this call to arms, a novel that is a barely disguised version of the truth. In chilling prose, it warns allied powers and the world at large that we risk catastrophic nuclear conflict if we fail to contain Russia’s increasingly hostile actions.

In a detailed plotline that draws upon Shirreff’s years of experience in tactical military strategy, Shirreff lays out the most probable course of action Russia will take to expand its influence, predicting that it will begin with an invasion of the Baltic states. And with GOP presidential candidate Donald Trump recently declaring that he might not come to the aid of these NATO member nations were he to become president, the threat of an all-consuming global conflict is clearer than ever.

This critical, chilling fictional look at our current geopolitical landscape, written by a top NATO commander, is both timely and necessary—a must—read for any fan of realistic military thrillers as well as all concerned citizens.

The rapid rise in Russia’s power over the course of the last ten years has been matched by a stunning lack of international diplomacy on the part of its president, Vladimir Putin. One consequence of this, when combined with Europe’s rapidly shifting geopolitics, is that the West is on a possible path toward nuclear war. Former deputy commander of NATO General Sir Richard Shirreff speaks out about this very real peril in this call to arms, a novel that is a barely disguised version of the truth. In chilling prose, it warns allied powers and the world at large that we risk catastrophic nuclear conflict if we fail to contain Russia’s increasingly hostile actions.

In a detailed plotline that draws upon Shirreff’s years of experience in tactical military strategy, Shirreff lays out the most probable course of action Russia will take to expand its influence, predicting that it will begin with an invasion of the Baltic states. And with GOP presidential candidate Donald Trump recently declaring that he might not come to the aid of these NATO member nations were he to become president, the threat of an all-consuming global conflict is clearer than ever.

This critical, chilling fictional look at our current geopolitical landscape, written by a top NATO commander, is both timely and necessary—a must—read for any fan of realistic military thrillers as well as all concerned citizens.

Ukraine, 1944: After the Soviets burned the Ukrainian city of Ternopyl to the ground to crush the stubborn Nazi occupiers, they rounded up every remaining Ukrainian man around for the Red Army’s final push on Germany. Maurice Bury, Canadian citizen, Ukrainian resistance fighter and intelligence officer, is thrust once again into the death struggle between Hitler’s Germany and Stalin’s USSR.

Fighting across the Baltics in the autumn of 1944 is tough and bloody. Then the Red Army enters Germany, where they’re no longer liberators—they’re the long-feared Communist horde, bent on destruction, rape and revenge. The Communists are determined to wipe Nazism from the face of the earth. And the soldiers want revenge for Germany’s brutal invasion and occupation.

Maurice has determined his only way out of this hell is to survive until Nazi Germany dies, and then move home to Canada. But to do that, he’ll have to not only walk out of war, but elude Stalin’s dreaded secret police.

Baumbach describes our grip on both the present and the future with What Comes Next. He brings alive the public and private faces of hostility and anxiety through Chris Steiner, a university student on the verge of losing everything, starting with his mind.

**Welcome to the World, Baby Girl!** is the funny, serious, and compelling new novel by Fannie Flagg, author of the beloved **Fried Green Tomatoes at the Whistle Stop Cafe** (and prize-winning co-writer of the classic movie).

Once again, Flagg's humor and respect and affection for her characters shine forth. Many inhabit small-town or suburban America. But this time, her heroine is urban: a brainy, beautiful, and ambitious rising star of 1970s television. Dena Nordstrom, pride of the network, is a woman whose future is full of promise, her present rich with complications, and her past marked by mystery.

Among the colorful cast of characters are:

Sookie, of Selma, Alabama, Dena's exuberant college roommate, who is everything that Dena is not; she is thrilled by Dena's success and will do everything short of signing autographs for her; Sookie's a mom, a wife, and a Kappa forever

Dena's cousins, the Warrens, and her aunt Elner, ...

Student kijowskiego seminarium Choma Brutus, który zabłądził podczas wakacyjnego spaceru, spędza noc w stodole przypadkowo napotkanej staruszki. Wkrótce okazuje się, że kobieta jest czarownicą, jednak Chomie udaje się od niej uwolnić. Zostaje wezwany do odległego miasteczka, gdzie wybrano go do prowadzenia modłów nad zmarłą niedawno dziewczyną. Musi samotnie spędzić trzy noce w kościele z dziwnie znajomo wyglądającymi zwłokami.

‘White-knuckle tension as the two most dangerous snipers in Europe hunt each other through the hell of Stalingrad. Immensely exciting and terribly authentic’ Frederick Forsyth

Stalingrad in 1942 is a city in ruins, its Russian defenders fighting to the last man to repel the invading German army. One of their most potent weapons is the crack sniper school developed by Vasily Zaitsev. Its members can pick off the enemy at long range, and their daring tactics—hiding for hours in no man’s land until a brief opportunity presents itself—mean that no German, and particularly no German officer, can ever feel safe. This part of the battle is as much psychological as anything, and to counter the continuing threat to German morale, the Nazi command bring to the city their own top marksman, Heinz Thorvald. His mission is simple: to identify, and kill, Zaitsev.

Based on a true story, THE WAR OF THE RATS is a brilliantly compelling thriller which brings vividly to life probably the most harrowing battlefront of the Second World War.

‘White-knuckle tension as the two most dangerous snipers in Europe hunt each other through the hell of Stalingrad. Immensely exciting and terribly authentic’ Frederick Forsyth

Stalingrad in 1942 is a city in ruins, its Russian defenders fighting to the last man to repel the invading German army. One of their most potent weapons is the crack sniper school developed by Vasily Zaitsev. Its members can pick off the enemy at long range, and their daring tactics—hiding for hours in no man’s land until a brief opportunity presents itself—mean that no German, and particularly no German officer, can ever feel safe. This part of the battle is as much psychological as anything, and to counter the continuing threat to German morale, the Nazi command bring to the city their own top marksman, Heinz Thorvald. His mission is simple: to identify, and kill, Zaitsev.

Based on a true story, THE WAR OF THE RATS is a brilliantly compelling thriller which brings vividly to life probably the most harrowing battlefront of the Second World War.

Fleeing Stalin’s advance into Lithuania, shaken by communism and war, four refugees end up in Toronto in 1949. Vytas, a young doctor who gets into medical school by saving a child’s life, is haunted by a lost love. Maryte, a seamstress whose affair with a German officer saved her half-witted brother, struggles to take care of him. Justine, a concert pianist raped during the war, strives to regain her ability to make music. Father Geras, an illegitimate child steered into the priesthood by family, finds purpose in guiding his exiled people. Trying to resume normal lives, longing for their country’s freedom, they wait to go home.

What a Carve Up! — a hilarious 1980s political satire by Jonathan Coe

It is the 1980s and the Winshaw family are getting richer and crueller by the year:

Newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators.

But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance. .

This wickedly funny take on life under the Thatcher government was the winner of the 1995 John Llewellyn Rhys Prize

From Jay Asher, #1 New York Times bestselling author of Thirteen Reasons Why, comes a romance that will break your heart, but soon have you believing again….

Sierra’s family runs a Christmas tree farm in Oregon—it’s a bucolic setting for a girl to grow up in, except that every year, they pack up and move to California to set up their Christmas tree lot for the season. So Sierra lives two lives: her life in Oregon and her life at Christmas. And leaving one always means missing the other.

Until this particular Christmas, when Sierra meets Caleb, and one life eclipses the other.

By reputation, Caleb is not your perfect guy: years ago, he made an enormous mistake and has been paying for it ever since. But Sierra sees beyond Caleb’s past and becomes determined to help him find forgiveness and, maybe, redemption. As disapproval, misconceptions, and suspicions swirl around them, Caleb and Sierra discover the one thing that transcends all else: true love.

What Light is a love story that’s moving and life-affirming and completely unforgettable.

Fresh from school in June 1916, Lieutenant Oliver Paxton’s first solo flight is to lead a formation of biplanes across the Channel to join Hornet Squadron in France.

Five days later, he crash-lands at his destination, having lost his map, his ballast and every single plane in his charge. To his C.O. he’s an idiot, to everyone else—especially the tormenting Australian who shares his billet—a pompous bastard.

This is 1916, the year of the Somme, giving Paxton precious little time to grow from innocent to veteran.

Fresh from school in June 1916, Lieutenant Oliver Paxton’s first solo flight is to lead a formation of biplanes across the Channel to join Hornet Squadron in France.

Five days later, he crash-lands at his destination, having lost his map, his ballast and every single plane in his charge. To his C.O. he’s an idiot, to everyone else—especially the tormenting Australian who shares his billet—a pompous bastard.

This is 1916, the year of the Somme, giving Paxton precious little time to grow from innocent to veteran.

In ten provocative stories, Ethan Chatagnier presents us with characters in crisis, people grappling with their own and others’ darkness as they search for glimmers to carry them through difficult times, untenable tasks, uncertain futures. The collection explores with unflinching eloquence the quandaries of conscience posed by the present, but also plunges us into a startlingly prescient “what if?” world, exploring in both realms questions concerning the value of perseverance, art, hope, and heart.

In “The Law of Threes,” a reluctant cop tries to survive a night of frenzied police retribution. In “Miracle Fruit,” a genetic engineer is tasked with destroying the world’s last seed bank. “The Unplayable Etudes” follows a damaged yet brilliant pianist as she attempts to perform music designed to be impossible to play. In “Smaller Tragedies,” a conflicted photographer documents the aftermath of an earthquake, while in “Dentists,” a young man watches his neighbors flee under cover of night, fearful of the country-wide escalation of hate-based violence.

June, 1815. The Coldstream Guards and the third guards are waiting impatiently for orders to move into battle against Napoleon and his French army. Every day seems endless as the troops wait for Wellington's orders. When word is finally received, the path to glory it is not quite what the troops were hoping for. Hours of marching during the day are followed by restless nights’ sleep in the rain, dampening their spirits and weakening morale. When the group eventually encounter the French in battle, a special command comes from Wellington himself to Colonel James Macdonell of the Coldstream Guards: hold the chateau at Hougoumont and do not let the French pass. What happens next is history.

Als der Bürgerkrieg in den 90er Jahren Bosnien heimsucht, flieht der junge Aleksandar mit seinen Eltern in den Westen. Rastlos neugierig erobert er sich das fremde Deutschland und erzählt mit unbändiger Lust die irrwitzigen Geschichten von damals, von der großen Familie und den kuriosen Begebenheiten im kleinen Visegrad. Aleksandar fabuliert sich die Angst weg und "die Zeit, als alles gut war" wieder herbei.Aleksandar wächst in der kleinen bosnischen Stadt Visegrad auf. Sein größtes Talent ist das Erfinden von Geschichten: Er denkt gar nicht daran, sich an die Themen der Schulaufsätze zu halten, viel zu verrückt sind die Erntefeste bei seinen Urgroßeltern, viel zu packend die Amokläufe betrogener Ehemänner und viel zu unglaublich die Geständnisse des Flusses Drina. Als der Krieg mit grausamer Wucht über Visegrad hereinbricht, hält die Welt, wie Aleksandar sie kannte, der Gewalt nicht stand, und die Familie muss fliehen. In der Fremde eines westlichen Landes erweist sich Aleksandars Fabulierlust als lebenswichtig: Denn so gelingt es ihm, sich an diesem merkwürdigen Ort namens Deutschland zurechtzufinden und sich eine Heimat zu erzählen. Seinen Opa konnte er damals nicht wieder lebendig zaubern, jetzt hat er einen Zauberstab, der tatsächlich funktioniert: seine Phantasie holt das Verlorene wieder zurück. Als der erwachsene Aleksandar in die Stadt seiner Kindheit zurückkehrt, muss sich allerdings erst zeigen, ob seine Fabulierkunst auch der Nachkriegsrealität Bosniens standhält.Mit "Wie der Soldat das Grammofon repariert" hat Sasa Stanisic einen überbordenden, verschwenderischen, burlesken und tragikomischen Roman über eine außergewöhnliche Kindheit unter außergewöhnlichen Umständen geschrieben, über den brutalen Verlust des Vertrauten und über das unzerstörbare Vertrauen in das Erzählen.