When the boy was almost eight, a woman stepped out of the elevator into the apartment on East Sixty-second Street and he recognized her straightaway. No one had told him to expect it. That was pretty typical of growing up with Grandma Selkirk… No one would dream of saying, Here is your mother returned to you.

His Illegal Self is the story of Che-raised in isolated privilege by his New York grandmother, he is the precocious son of radical student activists at Harvard in the late sixties. Yearning for his famous outlaw parents, denied all access to television and the news, he takes hope from his long-haired teenage neighbor, who predicts, They will come for you, man. They'll break you out of here.

Soon Che too is an outlaw: fleeing down subways, abandoning seedy motels at night, he is pitched into a journey that leads him to a hippie commune in the jungle of tropical Queensland. Here he slowly, bravely confronts his life, learning that nothing is what it seems. Who is his real mother? Was that his real father? If all he suspects is true, what should he do?

Never sentimental, His Illegal Self is an achingly beautiful story of the love between a young woman and a little boy. It may make you cry more than once before it lifts your spirit in the most lovely, artful, unexpected way.

Исторический роман «Homo sum» посвящен зарождению в недрах христианских общин Египта и Сирии института монашества.

A True Life Novel

Jeannette Walls's The Glass Castle was "nothing short of spectacular" (Entertainment Weekly). Now she brings us the story of her grandmother – told in a voice so authentic and compelling that the book is destined to become an instant classic.

"Those old cows knew trouble was coming before we did." So begins the story of Lily Casey Smith, in Jeannette Walls's magnificent, true-life novel based on her no-nonsense, resourceful, hard working, and spectacularly compelling grandmother. By age six, Lily was helping her father break horses. At fifteen, she left home to teach in a frontier town – riding five hundred miles on her pony, all alone, to get to her job. She learned to drive a car ("I loved cars even more than I loved horses. They didn't need to be fed if they weren't working, and they didn't leave big piles of manure all over the place") and fly a plane, and, with her husband, ran a vast ranch in Arizona. She raised two children, one of whom is Jeannette's memorable mother, Rosemary Smith Walls, unforgettably portrayed in The Glass Castle.

Lily survived tornadoes, droughts, floods, the Great Depression, and the most heartbreaking personal tragedy. She bristled at prejudice of all kinds – against women, Native Americans, and anyone else who didn't fit the mold. Half Broke Horses is Laura Ingalls Wilder for adults, as riveting and dramatic as Isak Dinesen's Out of Africa or Beryl Markham's West with the Night. It will transfix readers everywhere.

The sequel to the remarkable Florida Roadkill – an extraordinarily original novel from a new young American author – a funny, stylish, irreverent and shocking thriller. Tim Dorsey's sparklingly original debut novel – Florida Roadkill – was a hyper, jump-cut, manic black comedy that took Florida Noir to new extremes. Fellow writers and critics were quick to acclaim the bright new talent that created a high-voltage crime tale suffused with blacker-than-black humour and an infectious fascination with Florida 's strange beauty. In Florida Roadkill, the strangely lovable homicidal maniac Serge Storms drove a series of stolen cars around Florida in pursuit of five million dollars hidden in the boot of the wrong car, leaving behind him a bewildering trail of bodies. Now, Serge takes up the chase once more, tracking the car and its hidden money to a dilapidated motel in Tampa – the Hammerhead Ranch Motel.

The award-winning Canadian writer Alice Munro's collection Hateship, friendship, courtship, loveship, marriage is about the lives, hopes, dreams and ends of women: their marriages, their relationships with those who touch their lives in some momentous way-however brief or long-standing-and the extraordinary effects wrought by the hand of fate. She is not only a genius storyteller, she has a cunning ability to make you believe the short story you've just read was actually a full-length novel. So if you've ever thought twice about buying a book of short stories, then the marvellous Alice Munro will make you think again…

Munro's world is one of post-war Canada, when women are beginning to experience a constrained kind of freedom. In "What is Remembered", a chance meeting at a funeral has a profound, yet stabilising effect on Meriel, a young wife and mother. "Young husbands", writes Munro, "were stern in those days". Between learning how to kowtow to bosses and manage wives, there was so much else to learn: mortgages, lawns and politics for a start. The wives, meantime, were afforded the opportunity of "a second kind of adolescence"-but only in the confines of the family home, while the men were absent, and only after wifely jobs were accounted for. In the book's title story, a capable, spinsterly housekeeper finds love in the most unexpected place, in the most unexpected way. However the opportunity presents itself, it is what you choose to make of it that really matters, the author seems to be saying. Johanna could be deeply disappointed with her "opportunity" but, in her straightforward way, amends a few details and makes the most of it.

Alice Munro's stories are retrospective; tales of lives lived, for better or worse. If you want something, take it, quickly. You only get one life, and this is it.

In recent years serial killer novels and films have become something of a cliche. It's a genre which has been done to death with only a few works standing above the herd. So Hawksmoor was a very refreshing change. A novel set in London, with two threads, one in the 1800's and one in contemporary times. The novel opens in the period following the Great Fire of London, with one Nicholas Dyer, an assistant surveyor in scotland yard who eventually becomes an apprentice to Christopher Wren. He is commissioned to rebuilt the lost churches of London. In the present we are introduced to a series of characters, including a young boy and a vagrant, whose stories are painted with a lavish brush, before we meet the eponymous hero of the novel.

Hawksmoor is the detective investigating a series of serial killings, located in the vicinity of a number of churches across London. It is here that the various sub plots are brought together, the story centring on Hawksmoor attempts at unravelling the mystery.

All the while the story of Dyer's architectural plans and the rebuilding of London unravel simultaneously. His true character is gradually exposed, revealing unexpected connections between the two disparate storylines.

The conclusion of the novel is both unexpected and uncomfortable, a brilliant conclusion to a work with a great psychological presence. Ackroyd brings the personalities of his characters to the fore, places them in a lushly drawn backdrop, and shows the story through their eyes.

One of the most impressive things about the novel is the way Ackroyd treats the serial killer storyline, keeping it very much in the background, shown only through the eyes of the characters and the ensuing investigation. It never dominates the proceedings, and Ackroyd instead concentrates his energy on exploring the eighteenth century events that hold a key to the present day. It is both chilling and filled with an aura of corruption, a reinvention of history and a fresh look at the present through the eyes of history.

It has been a while since I have read a novel this satisfying, an enthralling story on all levels with an ending that stays with you long after you've finished it.

Dostoïevski a 40 ans lorsqu'il écrit Humiliés et Offensés, peu après son retour d'exil en Sibérie, pour soutenir une revue appartenant à son frère. C'est encore une oeuvre de «jeunesse».

Vania, le narrateur, est écrivain de son état. Il recueille Nelly une jeune orpheline dont la mère est morte dans le dénuement et et qui a été reniée par son père. Bien qu'amoureux de Natacha, Vania se sacrifie au profit d'Aliocha, jeune homme faible et influençable dont Natacha est éprise. Entre ces deux histoires, le parfait scélérat – le prince Valkovski, père d'Aliocha, cause des malheurs au long de ce récit.

Si Dostoïevski, admirateur des livres d'Eugène Sue, use des procédés classiques du roman-feuilleton – mélodrame sentimental et drame social, scènes à effet rythmant le cours de l'histoire, il va au delà, et les caractères dépeints, notamment ceux de Nelly et du narrateur sont remarquables. Dostoïevski puise dans son expérience personnelle pour décrire Vania.

Savinien de CYRANO DE BERGERAC (1619-1655), inmortalizado por la tragicomedia de Edmond Rostand, fue un personaje real, un escritor barroco francés que en su juventud ingresó en el ejército, donde dejó fama de fanfarrón, espadachín y pendenciero. Una grave herida le animó a abandonar el servicio de las armas. Se dedicó después a la literatura. Su fantasía desbordada y su viva inteligencia se plasmaron en obras como este VIAJE A LA LUNA, considerado por algunos como un precedente de los relatos de ciencia ficción, aunque ante todo constituye una audaz exposición de teorías personales sobre muy diversas materias, aderezada con abundantes toques de humor y crítica social.

“In this breathless, startling novel, Jodi Picoult reveals the fragile threads that hold people together, or let them break apart. Her narrative, especially her sense of family, is reminiscent of a young Anne Tyler. Hers is a remarkable new voice, and it tells us a story that goes straight to the heart.” – -Mary Morris, author of A Mother’s Love and Nothing to Declare

“Picoult weaves a beautiful tale from threads of sympathetic characters into a pattern told from two points of view, then fringes it with suspense and drama.” – -The Charlotte Observer

“A brilliant, moving examination of motherhood, brimming with detail and emotion.” – -Richmond Timea-Dispatch

“Picoult’s depiction of families and their relationships over time is rich and accurate… Harvesting the Heart (is] a moving portrayal of the difficulties of marriage and parenthood.” – -Orlando Sentinel

“Picoult considers various forces that can unite or fracture families and examines the complexities of the human heart in both literal and figurative ways.” – -Library Journal

“Picoult brings her considerable talents to this contemporary story of a young woman in search of her identity… Told in flashbacks, this is a realistic story of childhood and adolescence, the demands of motherhood, the hard paths of personal growth and the generosity of spirit required by love. Picoult’s imagery is startlinwth peg and brilliant; her characters move credibly through this affecting drama.” – -Publishers Weekly

***

The author of Picture Perfect "explores the fragile ground of ambivalent motherhood" (New York Times Book Review). Paige's mother left when she was five. When Paige becomes a mother herself, she is overwhelmed by the demands. Unable to forget her past, Paige struggles with the difficulties of marriage and motherhood.

Eliza Sommers es una joven chilena que vive en Valparaíso en 1894, el año en que se descubre oro en California. Su amante, Joaquín Andieta, parte hacia el norte decidido encontrar fortuna, y ella decide seguirlo. El viaje infernal, escondida en la cala de un velero, y la búsqueda de su amante en una tierra de hombres solos y prostitutas atraídos por la fiebre del oro, transforman a la joven inocente en una mujer fuera de lo común. Eliza recibe ayuda y afecto de Tao Chi`en, un médico chino, quien la conducirá de la mano en un itinerario memorable por los misterios y contradicciones de la condición humana.

J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.

"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.

At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.

Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.

Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.

"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

The new beginning-and the grand finale-to the beloved Tales of the Otori series.

Heaven's Net Is Wide is the new first volume of the now complete Tales of the Otori- prequel to Across the Nightingale Floor, the book that first introduced Hearn's mythical, medieval Japanese world. This is the story of Lord Otori Shigeru-who has presided over the entire series as a sort of spiritual warrior-godfather-the man who saved Takeo and raised him as his own and heir to the Otori clan. This sweeping novel expands on what has been only hinted at before: Shigeru's training in the ways of the warrior and feudal lord, his relationship with the Tribe of mysteriously powerful assassins, the battles that tested his skills and talents, and his fateful meeting with Lady Maruyama.

Heaven's Net Is Wide is an epic tale of warfare, loyalty, love, and heartbreak. This book leaves off where Across the Nightingale Floor begins, finally bringing the Otori series full circle. And while it both completes and introduces the Tales of the Otori, it also stands on its own as a satisfying, dramatic novel of feudal Japan.

Howards End is a novel by E. M. Forster, first published in 1910, which tells a story of class struggle in turn-of-the-century England. The main theme is the difficulties, troubles, and also the benefits of relationships between members of different social classes.

Six years after the phenomenal success of The Time Traveler's Wife, Audrey Niffenegger has returned with a spectacularly compelling and haunting second novel set in and around Highgate Cemetery in London.

When Elspeth Noblin dies of cancer, she leaves her London apartment to her twin nieces, Julia and Valentina. These two American girls never met their English aunt, only knew that their mother, too, was a twin, and Elspeth her sister. Julia and Valentina are semi-normal American teenagers – with seemingly little interest in college, finding jobs, or anything outside their cozy home in the suburbs of Chicago, and with an abnormally intense attachment to one another.

The girls move to Elspeth's flat, which borders Highgate Cemetery in London. They come to know the building's other residents. There is Martin, a brilliant and charming crossword puzzle setter suffering from crippling Obsessive Compulsive Disorder; Marjike, Martin's devoted but trapped wife; and Robert, Elspeth's elusive lover, a scholar of the cemetery. As the girls become embroiled in the fraying lives of their aunt's neighbors, they also discover that much is still alive in Highgate, including – perhaps – their aunt, who can't seem to leave her old apartment and life behind.

Niffenegger weaves a captivating story in Her Fearful Symmetry about love and identity, about secrets and sisterhood, and about the tenacity of life – even after death.

MIHAILS BULGAKOVS

STĀSTI

HĀNA UGUNS

Inspirándose en estas anotaciones, la escritora Carmen Posadas (Uruguay 1953) y su hermano Gervasio (1962), nos relatan las idas y venidas como hijos de diplomáticos que vivieron de niños a través de recuerdos familiares llenos de sentido del humor y de curiosas recetas que inventaba su madre, Bimba Mane.

Después de Los cipreses creen en Dios (época anterior a la guerra) y de Un millón de muertos (época de la guerra), José María Gironella en Ha estallado la paz trata de la posguerra. La familia Alvear sigue siendo el núcleo de la acción del libro y Gerona vuelve a ser la ciudad protagonista. Finalizada la contienda, todos los personajes retornan a sus hogares, excepto los exiliados, que se reparten a voleo por el mundo… La obra abarca los años inmediatamente posteriores a la guerra, con una mezcla de dramatismo, de poesía y de ironía que subyuga desde los primeros capítulos. El clima de aquellos tiempos aparece recreado con singular maestría, de tal modo que para el lector de edad madura constituye la ordenación de sus recuerdos, y para el lector joven un descubrimiento impresionante. En Ha estallado la paz, Gironella alcanza su momento cumbre de novelista nato, gran narrador que consigue fundir la historia con la ficción novelesca.

Słowo nie wstawione przez redaktora w miejscu, gdzie nie umieścił go autor HISTORII OBLĘŻENIA LIZBONY, nie ma żadnego wpływu na dzieje miasta i jego mieszkańców, nie odwróci biegu historii, może jednak całkowicie odmienić życie pojedynczego człowieka. Raimundo Silva, redaktor pracujący w domu, którego życie ubogie było dotąd w drobne choćby sukcesy i niespodzianki, napisze alternatywną HISTORIĘ OBLĘŻENIA LIZBONY, w wazonie w jego kawalerskim mieszkaniu pojawi się biała róża, a w sercu nieznane mu dotąd uczucie. Czytelnik zaś przeniesie się w czasy, gdy w mieście otoczonym przez wojska Alfonsa Henriquesa – późniejszego pierwszego króla Portugalii – po raz ostatni rozbrzmiał śpiew almuadema z wieży głównego meczetu. Napisana z dużą dozą ironii i autoironii HISTORIA OBLĘŻENIA LIZBONY, w której podwójny wątek miłosny splata się z historycznym i metapowieściowym, to książka godna plecenia nie tylko miłośnikom prozy José Saramago. José Saramago, laureat literackiej Nagrody Nobla i najpopularniejszy na świecie prozaik portugalski, sławę zdobył dopiero w sześćdziesiątym roku życia swoją trzecią powieścią BALTAZAR I BLIMUNDA, nagrodzoną prestiżową nagrodą portugalskiego PEN Clubu oraz Nagrodą Literacką Miasta Lizbona.

From Amazon.com

Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.

Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca

From Publishers Weekly

Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

Jedna z najgłośniejszych polskich powieści lat dziewięćdziesiątych, długo obecna na listach bestsellerów. Opowieść o wielkim uczuciu, nadziei i niespełnionej miłości. Poruszająca historia niemieckiego lekarza, który po II wojnie został w polskim Gdańsku. Głębokie studium melancholii na tle wielkich wydarzeń z najnowszej historii Polski i Niemiec. Pełne poezji obrazy Gdańska z pierwszej połowy XX wieku i Gdańska budzącego się do życia po wojennej katastrofie. Współczesne losy bohaterów skonfrontowane ze wstrząsającymi scenami słynnych samobójstw – niemieckiego poety Heinricha Kleista i polskiego pisarza Stanisława Ignacego Witkiewicza. Książka wielokrotnie nagradzana, inscenizowana w radiu, telewizji i teatrze, przyniosła autorowi sławę. W roku 1997 ukazało się jej niemieckie wydanie.

Prétextat Tach, prix Nobel de littérature, n'a plus que deux mois à vivre. Des journalistes du monde entier sollicitent des interviews de l'écrivain que sa misanthropie tient reclus depuis des années. Quatre seulement vont le rencontrer, dont il se jouera selon une dialectique où la mauvaise foi et la logique se télescopent. La cinquième lui tiendra tête, il se prendra au jeu. Si ce roman est presque entièrement dialogué, c'est qu'aucune forme ne s'apparente autant à la torture. Les échanges, de simples interviews, virent peu à peu à l'interrogatoire, à un duel sans merci où se révèle alors un homme différent, en proie aux secrets les plus sombres.

“One has only to read the first page of Guy Vanderhaeghe’s Homesick to see why his books have garnered him international awards…” – Regina Leader-Post

“If great art is that which holds a mirror up to nature, as was once said, then Homesick is great art.” – Daily News (Halifax)

“[Vanderhaeghe’s characters] lift themselves by pride and love from the ordinariness of their world.” – Ottawa Citizen

“Vanderhaeghe has an unerring eye for the prairie landscape and a shrewd ear for the ironies of small-town conversation… He balances his dramatization of the cycle of life with exuberant storytelling…” – London Free Press

“His stories and novels are character studies par excellence…” – Andreas Schroeder

“Guy Vanderhaeghe writes about what he knows best: people, their sense of mortality, their difficulty in being good during a difficult time… The dialogue and the characters are eclectic and real.” – Vancouver Sun

“Beautifully written… Vanderhaeghe writes in a spare, poetic prose that is deceptively simple. He uses his medium very effectively to capture both the icy harshness and the warmth of family life… Homesick is an unexpectedly powerful work… His extraordinary talents deserve wide recognition.” – Whig-Standard (Kingston)

It is the summer of 1959, and in a prairie town in Saskatchewan, Alec Monkman waits for his estranged daughter to come home, with the grandson he has never seen. But this is an uneasy reunion. Fiercely independent, Vera has been on her own since running away at nineteen – first to the army, and then to Toronto. Now, for the sake of her young son, she must swallow her pride and return home after seventeen years. As the story gradually unfolds, the past confronts the present in unexpected ways as the silence surrounding Vera's brother is finally shattered and the truth behind Vera's long absence revealed. With its tenderness, humour, and vivid evocation of character and place, Homesick confirms Guy Vanderhaeghe's reputation as one of Canada's most engaging and accomplished storytellers.

Raimundo Silva, corrector de pruebas de una editorial, introduce en el texto que está revisando -un libro de historia titulado Historia del cerco de Lisboa- un error voluntario, una partícula pequeñísima, un «no»: los cruzados no ayudaron a los portugueses a conquistar Lisboa.

Es un no que subvierte la Historia, que la niega como conjunto de hechos objetivos, al mismo tiempo que exalta el papel del escritor, demiurgo capaz de modificar lo que ha sido fijado y consagrado. El acto de insubordinación del corrector significa la rebelión contra lo que se define como verdad absoluta y no censurable. No es la Lisboa mora la que está cercada, sino la propia Historia.

El no de Raimundo Silva genera una propuesta de reflexión y un texto nuevo porque, como ha escrito el propio Saramago, «todo puede ser contado de otra manera», o «todo lo que no sea vida es literatura». Historia del cerco de Lisboa es también una hermosa historia de amor entre Raimundo Silva y María Sara, personajes contemporáneos sitiados y sitiadores, que acaban derribando los muros que los separan en el proceso de humanización de la historia oficial.

Es, en definitiva, una novela apasionante de un escritor que al novelar busca respuesta para las grandes cuestiones que atañen a los seres humanos. Y de la rebeldía de Saramago surgen obras maestras. Como esta Historia del cerco de Lisboa, definida por la crítica internacional como el más acabado ejemplo de posmodernismo literario.

Ensayo en el cual cuenta la historia real que inspiró la historia de su novela La Casa Verde. De una conferencia dada en una universidad.

Hace unos años, en la Feria de Frankfurt, centro mundial del chisme editorial, cuando La Casa Verde estaba a punto de publicarse en España, corría el rumor de que el autor era, además de buen escritor, un aventurero que se dejaba caer en paracaídas en medio de la selva para mejor observar las costumbres de los nativos

En La historia secreta de una novela, Mario Vargas Llosa se despoja de esta leyenda. Realiza, como él dice, un strip-tease. Pero, no como el novelista «que al comienzo está desnudo y al final (de la novela) vestido» sino un strip-tease de verdad, «como la muchacha que, bajo impúdicos reflectores, se libera de sus ropas y muestra, uno a uno, sus encantos secretos.» Esta es la historia secreta del escritor Vargas Llosa y del proceso de creación de La Casa Verde, una de sus obras más complejas y creativas. Como, en 1958, en una pensión de Madrid, «quedó perpetrado el acto de locura: `voy a tratar de ser un escritor`», cómo, en 1962, «en un apartamento crujiente» de París, empezó la batalla contra los fantasmas reales de Piura («la casa verde», la Mangachería) y de la selva (la Misión de Santa María de Nieva, Jum, Tushía) que, poco a poco, fueron ordenándose para convertirse en esta maquiavélica «mentira» (Ezra Pound dixit) que es la novela.

Quizá porque los editores deseamos siempre mitificar a nuestros autores creímos en la imagen tentadora de un Vargas Llosa paracaidista. Pero, aunque después quedáramos ligeramente defraudados, no deja de ser muy atractivo imaginar a un señor normalmente endomingado, con el cabello bien planchado, profesor en varias universidades, recorriendo en hidroavión, carros, canoas y lo que se diera, la selva, las misiones, «las casas verdes» de Perú. (Tusquets)

No es fácil pasar impunemente de la novela al cuento. Se trata de un género abierto a todos los géneros, versus una cápsula verbal que debe concentrarse en un sólo objetivo de interés. En estos cuentos, Aguilar Camín ha sido fiel a su mundo imaginario: trasponer la realidad real, testimonial, a un plano de ficción, pero sin dejar de ser o apuntar permanentemente hacia el testimonio, hacia la realidad de cada día. De manera que, en estas Historias conversadas, sin pretender crear un mundo de pura ficción por el costante guiño que le hace a la realidad, nos atrapa igualmente en su madeja anecdótica como si fuera un mundo de pura ficción, sin relación inmediata o reconocible

"In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression."

Kolejna książka Ryszarda Kapuścińskiego przekraczająca tradycyjne gatunki reportażu. Heban to złożona z wielu wątków fascynująca, nowoczesna powieść-relacja z 'ekspedycji' w głąb Czarnego Kontynentu, ukazująca Afrykę u progu XXI wieku, Afrykę rozdzieraną wojnami, głodem, epidemiami, korupcją… Znakomite pióro, bogata warstwa faktograficzna, przenikliwa analiza przemian ekonomicznych, cywilizacyjnych, kulturowych i głęboka, osobista refleksja nad kondycją ludzką tworzą niepowtarzalny klimat pisarstwa Kapuścińskiego

Historia de una maestra es un relato en el que la protagonista rememora con serena lucidez la historia de su vida. Entregada a una profesión que la lleva de pueblo en pueblo, en condiciones casi siempre miserables, Gabriela vive su historia personal sobre el telón de fondo de un periodo decisivo en la historia de España: desde los años veinte hasta el comienzo de la guerra civil.

El advenimiento de la República, con sus promesas de grandes cambios y su exaltación del papel de los maestros en la transformación de la sociedad española, la lucha contra la ignorancia y el caciquismo, la revolución de Octubre vivida en un pueblo minero, la violencia y el brutal desgarramiento familiar, la nostalgia recurrente de la única aventura de su vida, su primera escuela en Guinea… todo ello va conformando la vida de una mujer testigo y protagonista de unos hechos que explican en gran parte los sucesos que vinieron después.

El sueño individual y colectivo, la lucha y las renuncias de los que entregaron su vida para conseguir despertar a un pueblo adormecido transcurren por las páginas de esta excelente novela, que se convierte así en un homenaje a unos personajes olvidadas y sin embargo clave en la historia de España: los maestros de la República.

Рассказ вошёл в сборники:

A Medicine For Melancholy (Лекарство от меланхолии)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Рассказ вошёл в сборники:

The Golden Apples of the Sun (Золотые яблоки солнца)

The Vintage Bradbury (Классический Брэдбери)

S Is For Space (К значит Космос)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Рассказ вошёл в сборники:

One More for the Road (На посошок)

Рассказ вошёл в сборники:

I Sing the Body Electric (Электрическое тело пою)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Рассказ вошёл в сборники:

R Is For Rocket (Р — значит ракета)

Рассказ вошёл в сборники:

Quicker Than The Eye (В мгновение ока)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Summer Morning, Summer Night (Летнее утро, летняя ночь)

Charles Bukowski, amerykański pisarz niemieckiego pochodzenia pozostawił po sobie bogaty dorobek w postaci ponad 30 książek, tomów prozy i poezji. Otaczająca go atmosfera skandalu i prowokacji, emanująca z jego prozy postawa niepokornego buntownika, obalanie obyczajowych tabu, dosadny, często wulgarny język sprawiły, że stał się kultowym pisarzem undergroundu, idolem mas i pokolenia bitników. W powieści "Hollywood", będącej znakomitym literackim wizerunkiem słynnej "fabryki snów", Bukowski obnażył kabotyństwo filmowego świadka, drwiąc bezlitośnie z obowiązujących w nim konwencji i reguł gry, które obudziły jego odrazę.

The collection of stories

March Murray returns with her teenage daughter to a small town in New England where she grew up, for a funeral, and finds herself being drawn back into a life she had thought was over.

Эта книга — рассказы о веселых перепитиях чисто конкретного провинциала в Стране Чудес — Союзе Советских Социалистических Республик. В книге жизнеутверждается главный авторский принцип: только законченный пессимист с оптимизмом смотрит в будущее.

Peculiar novela de iniciación, Hermana muerte es también el relato de una obsesión destructora, el descubrimiento del mundo por parte de dos personajes centrales: un adolescente y su hermana enfrentados a la memoria fantasmal del padre muerto. En la revelación de la vida estará también la clave del final de un ámbito definido con inteligente frialdad por su joven dominador, por ese narrador protagonista que, implacable, desmonta una a una las piezas de un universo incapaz de luchar contra su propia ruina. En esta su segunda novela, Justo Navarro, conocido también como poeta de muy soberbio ejercicio de precisión constructiva sostenido en un clima de inquietante -y aleccionadora- perversidad.

 The most notable story is again an investigation into the gulf between the sexes. "Houston, Houston, Do You Read?" won both the Hugo (in a tie with Spider Robinson's "By Any Other Name") and Nebula awards as the best novella published in 1976. In it a crew of three American astronauts are caught up in an intense solar storm which apparently propels them through a time vortex into a world several hundred years into their future. A devastating plague has reduced the human population to just a few thousand, all female, whose only means of reproduction is the cloning of several basic genome types.

Trudno uwierzyć, że koneser kobiecych wdzięków i wielbiciel poezji romantycznej częściej doświadcza nudy niż miłości. David Lurie, dwukrotnie rozwiedziony pięćdziesięciodwuletni profesor literatury na uniwersytecie w Kapsztadzie, świadomie burzy swój święty spokój.

Nawiązuje romans z młodziutką studentką i wkrótce potem, zaskarżony przez nią, traci pracę i szacunek otoczenia. Wizyta u córki Lucy i zmiana trybu życia ujawniają, że nie potrafi znaleźć wspólnego języka z innymi. Nie radzi sobie też z poczuciem winy za tragedię, która spotkała Lucy. W końcu każde z nich będzie musiało znaleźć własny sposób na to, jak żyć z piętnem hańby. J. M. Coetzee otrzymał za Hańbę prestiżową nagrodę Bookera przyznawaną za najlepszą powieść anglojęzyczną roku. Jest pierwszym pisarzem w historii tej nagrody, któremu została ona przyznana dwukrotnie. Precyzyjny, klarowny język powieści doskonale oddaje znakomity przekład Michała Kłobukowskiego.

.M. Coetzee urodził się w 1940 roku w Cape Town w RPA w rodzinie o korzeniach niemieckich i brytyjskich. Pierwszym językiem przyszłego pisarza był angielski. Na początku lat 60. Coetzee wyjechał do Anglii, gdzie pracował jako programista komputerowy. Potem studiował literaturę w Nowym Jorku. W 1984 roku otrzymał tytuł profesora literatury w Cape Town. W 2002 roku wyjechał do Australii, gdzie obecnie wykłada na Uniwersytecie w Adelajdzie. Jako pisarz Coetzee debiutował w 1974 roku, ale międzynarodowy rozgłos zyskała dopiero jego powieść opublikowana w 1974 roku – "Czekając na barbarzyńców". Pierwszą nagrodę Bookera dostał w 1983 roku za "Życie i czasy Michaela K.". Drugi raz uhonorowano go tą nagrodą w 1999 roku za "Hańbę". Jednym z najważniejszych tematów pisarstwa Coetzee jest dziedzictwo apartheidu i szerzej – temat dyskryminacji, rasizmu i przemocy na całym świecie.

It is 1939; the Nazis have occupied Poland. A young doctor disturbed by the fate of Poland joins the staff of an insane asylum only to find a world of pain and absurdity to match that outside.

From Publishers Weekly

This first novel by the prolific science fiction author and essayist was completed in 1948, but wasn’t published in Poland until 1975, after Lem’s reputation was well established. Appearing in English for the first time, this is very much the work of a brash writer finding his way.

As Poland falls to the Nazis during WW II in 1939, Stefan Trzyniecki, a young doctor, finds employment at a provincial insane asylum. He has been lured there by a fellow medical student who promises, “It’s like being outside the Occupation, in fact it’s even like being outside the world!” Stefan hopes that the asylum will be “a kind of extraterrestrial observatory” with “a delicious solitude in which a man naturally endowed with a fine intellect could develop in peace.” But the insanity of the outside world soon intrudes on the madness within. While corrupt and callous doctors perpetrate hideous abuses on mental patients, the Nazis are capturing Polish resistance fighters nearby. When the Nazis move to liquidate the asylum and turn it into an SS hospital, betrayals abound; Stefan survives, but he has been transformed.

Lem, who attended medical school in Poland, evokes the monstrosities of an archaic mental institution with the knife-edged clarity of bitterness. The ironies of Stefan’s existence, which are echoed in many ways in Kundera’s recent The Unbearable Lightness of Being , reveal much about how the author found his voice.

Copyright 1988 Reed Business Information, Inc.

From Library Journal

“Insane asylums have always distilled the spirit of the age.” So claims one of the central characters in this, Lem’s first novel, written in 1948 before he began his career in science fiction. And so Lem chose to set in a mental institution this gripping story of a young Polish doctor’s attempt, following the Nazi invasion of 1939, to make sense of his world. The institution proves a microcosm of the chaos outside, for here doctors seem as deranged as their patients. That one patient is a famous poet also allows Lem to probe into the nature of art and provides insight into his literary development. Obviously the work of a young author, both in its passion and its occasional pontification, this should appeal particularly to college students but is highly recommended for all.

David W. Henderson, Eckerd Coll. Lib., St. Petersburg, Fla.

Copyright 1988 Reed Business Information, Inc.

Herencia narra el rastro de una traición a lo largo de generaciones. Sólo una mirada mestiza como la de la escritora norteamericana de origen chino Lang Samantha Chang podía percibir así los matices universales de la pasión, sólo una pluma prodigiosa puede trasladarnos la huidiza naturaleza de la confianza.

Charlotte O'Keefe's beautiful, much-longed-for, adored daughter Willow is born with osteogenesis imperfecta – a very severe form of brittle bone disease. If she slips on a crisp packet she could break both her legs, and spend six months in a half body cast. After years of caring for Willow, her family faces financial disaster. Then Charlotte is offered a lifeline. She could sue her obsetrician for wrongful birth – for not having diagnosed Willow's condition early enough in the pregnancy to be able to abort the child. The payout could secure Willow's future. But to get it would mean Charlotte suing her best friend. And standing up in court to declare that if she would have prefered that Willow had never been born…

The novel that launched the astonishing career of one of the 20th century's greatest writers of action and suspense -- an acclaimed classic of heroism and the sea in World War II. Now reissued in a new cover style. The story of men who rose to heroism, and then to something greater, HMS Ulysses takes its place alongside The Caine Mutiny and The Cruel Sea as one of the classic novels of the navy at war. It is the compelling story of Convoy FR77 to Murmansk -- a voyage that pushes men to the limits of human endurance, crippled by enemy attack and the bitter cold of the Arctic.

Анна пыталась честно трудиться в рекламном агентстве, но из-за собственной беспечности и досадных недоразумений с шефом потеряла престижную работу. Увы, жизнь домохозяйки полна забот и проблем, о которых офисные барышни и не догадываются. За неделю Анна умудряется вывести из строя всю технику, испортить отношения с соседями и свекровью, устроить на кухне пожар и понять: домоседки из нее не получится… И тут – счастливый случай! Анна знакомится с импозантным президентом крупной компании и мгновенно попадает под гипнотическое обаяние этого человека. Он предлагает заняться любимым делом за не реальные деньги! Какая же мышь откажется от бесплатного сыра, даже зная, где обычно его выдают?

Анна соглашается, не раздумывая…

Hungry Hill is a passionate story of five generations of an Irish family and the copper mine on Hungry Hill. Their fortunes and fates were closely bound with this copper mine, and the tale is told with all the magic and excitement that Daphne du Maurier never fails to command.

Doce relatos fantasmales: Historia de un loco. La historia de un viajante de comercio. La historia de los duendes que secuestraron a un enterrador. La historia del tío del viajante. El barón de Grozwich. Una confesión encontrada en la prisión de la época de Calos II. Para leer al atardecer. Juicio por asesinato. Fantasmas por Navidad. La novia del ahorcado. La visita del señor testador. La casa hechizada.

A masterly, haunting new novel from a writer heralded by the Washington Post Book World as «the 21st-century daughter of Chinua Achebe,» Half of a Yellow Sun re-creates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in Nigeria in the 1960s, and the chilling violence that followed.

With astonishing empathy and the effortless grace of a natural storyteller, Chimamanda Ngozi Adichie weaves together the lives of three characters swept up in the turbulence of the decade. Thirteen-year-old Ugwu is employed as a houseboy for a university professor full of revolutionary zeal. Olanna is the professor's beautiful mistress, who has abandoned her life of privilege in Lagos for a dusty university town and the charisma of her new lover. And Richard is a shy young Englishman in thrall to Olanna's twin sister, an enigmatic figure who refuses to belong to anyone. As Nigerian troops advance and the three must run for their lives, their ideals are severely tested, as are their loyalties to one another.

Epic, ambitious, and triumphantly realized, Half of a Yellow Sun is a remarkable novel about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race — and the ways in which love can complicate them all. Adichie brilliantly evokes the promise and the devastating disappointments that marked this time and place, bringing us one of the most powerful, dramatic, and intensely emotional pictures of modern Africa that we have ever had.

Forced by circumstance to seek refuge with Fleur, her young daughter, in the remote abbey of Saint Marie-de-la-Mer, Juliette reinvents herself as Soeur Auguste under the tutelage of the kindly Abbess. But times are changing: the murder of Henri IV becomes the catalyst for massive upheaval in France.

A new appointment is made, and Juliette's new life begins to unravel. For the new Abbess is Isabelle, the eleven-year-old child of a corrupt and noble family. Worse, Isabelle has brought with her a ghost from Juliette's past, masquerading as a cleric, a man she has every reason to fear.

New fiction 6,500-word story from Stephen King.

Brenda should be happy. The kids are quiet, the road stretches ahead of her like an airport runway, she's behind the wheel of a brand-new van. The speedometer reads 70. Nonetheless, that grayness has begun to creep over her again. The van isn't hers, after all. She'll have to give it back. A foolish expense, really, because what's at the far end of this trip, up in Mars Hill? She looks at her old friend. Jasmine is looking back at her. The van, now doing almost a hundred miles an hour, begins to drift. Jasmine gives a small nod. Brenda nods back. Then she pushes down harder with her foot, trying to find the van's carpeted floor.

In the dramatic conclusion to Her Mother's Hope, the Cold War has begun and Carolyn is struggling to navigate her shifting family landscape and the changing times. With her mother, Hildemara, away in a tuberculosis sanatorium, Carolyn develops a special bond with her Oma Marta. But when Hildie returns, tensions between she and Marta escalate, and Carolyn feels she is to blame. College offers the chance to find herself, but a family tragedy shatters her independence. Rather than return home, she cuts all ties and disappears into the heady culture of San Francisco. When she reemerges two years later, more lost than ever, only her family can help rebuild a life for her and her daughter, May Flower Dawn. Just like Carolyn, May Flower Dawn develops a closer bond with her grandmother, Hildie, than with her mother, causing yet another rift between generations. But as Dawn struggles to avoid the mistakes of those who went before her, she vows that somehow, she will be a bridge between her mother and grandmother rather than the wall that separates them forever. Spanning the 1950s to the present day, Her Daughter's Dream is the final chapter of an unforgettable epic family saga about the sacrifices every mother makes for her daughter – and the very nature of unconditional love.

Ник Хорнби – один из самых читаемых и обласканных критикой современных британских авторов – определяет свое творчество как «попытку заполнить пустоту, зияющую между популярным чтивом и литературой для высоколобых».

«Hi-Fi» – смешная и печальная, остроумная и порой глубокомысленная, трогательная и местами циничная история любви симпатичного тридцатипятилетнего увальня. Музыка и любовь наполняют его жизнь смыслом, но и ставят перед ним множество проблем, которые он пытается разрешить на страницах романа, названного критиками «...великолепным и виртуозным синглом».

La lliada de Homero sigue cantando desde el fondo de los siglos. Canta cincuenta y un días del último año de una guerra que llevará, una década después, a la conquista y la destrucción de la ciudad de Troya.

Canta a los dioses, hombres y héroes, memorables por su ira y por su ambición, por su audacia y por su astucia, por su venganza y su piedad, dentro de los limites de un campo de batalla eterno. Guiado por la idea de adaptar el texto para una lectura pública. Alessandro Baricco relee y rescribe la lliada de Homero, como si tuviéramos que devolver a Homero allí mismo, a la lliada. para contemplar uno de los más majestuosos paisajes de nuestro destino. Trabajando a partir de la traducción de María Grazia Ciani. construye con el material original un conceríato de veintiuna voces (la última es la de Demodoco, un aedo que, tras la estela de la Odisea y de otras fuentes, narra el final de Troya): los personajes homéricos son llamados a escena -dejando a los dioses en el fondo- para relatar, con una voz cercanísima a nosotros, su historia de pasiones y de sangre, su gran guerra, su gran aventura.

THE ZONE 3 • HUNTER-KILLER

The Russian plan a sea borne attack on the NATO flank through the Baltic. Parachuted on to a Swedish island Major Revells’ team ambush the Soviet warships and transports using captured weapons to ensure it is not NATO that takes the blame.

SYNOPSIS

The Warsaw Pact land forces, brought to a halt by determined NATO defences and counter attacks, plan a powerful sea borne assault on the NATO flank through the Baltic sea in the depths of winter. Parachuted on to a Baltic island in the grip of viciously cold weather, the Special Combat Force has to avoid detection. If they are discovered then some of the Scandinavian countries, presently in a precarious state of neutrality might no longer supply the west with essential materials. To avoid any such accusation Revells’ men have to employ an array powerful captured weapons to destroy the enemy warships and transports. In terrible frigid conditions they must fight first the cold and then without being detected, rain destruction on the massively armed Soviet task force.

PUBLISHED

First NEL Paperback Edition March 1981

First IMPRINT Publication E-Book Edition May 2005

First Revision IMPRINT Publications E-Book Edition April 2007

THE ZONE 1 • HARD TARGET

The Zone, a chemical and nuclear contaminated hell, a broad swathe of Europe where the Warsaw Pact mass attacks have been stalled by NATO. Major Revells’ men have to enter it to destroy a Russian tank workshop concealed in the midst of a refugee camp.

SYNOPSIS

Major Revells’ tank hunter team are given the suicidal task of hunting down and destroying a crack Russian tank repair workshop. The elite unit is upgrading weapons and armour, getting it ready for a massed assault on the NATO front line. Crossing the severely contaminated terrain of the Zone the Special Combat Force have to enter the dangerous world of the refugees to find their target. They encounter a renegade group of East German deserters, the reviled Grepos, border guards. Through them they discover that the workshop has been sited underground, close to a huge refugee camp. Invulnerable to assault by any conventional means without unacceptable civilian losses, Revells’ men have to risk everything to attack at point blank range.

PUBLISHED

First NEL Paperback Edition November 1980

First IMPRINT Publication E-Book Edition May 2005

First Revision IMPRINT Publications E-Book Edition April 2007

In this wickedly satiric romp, Paul Theroux captures the essence of Hawaii as it has never been depicted. The novel's narrator, a down-on-his-luck writer, escapes to Waikiki and soon finds himself the manager of the Hotel Honolulu, a low-rent establishment a few blocks off the beach. Honeymooners, vacationers, wanderers, mythomaniacs, soldiers, and families all check in to the hotel. Like the Canterbury pilgrims, every guest has come in search of something — sun, love, happiness, objects of unnameable longing — and everyone has a story. By turns hilarious, ribald, tender, and tragic, HOTEL HONOLULU offers a unique glimpse of the psychological landscape of an American paradise.

In uncompromising and fresh prose, Tillman tells the story of three very contemporary girls. Grace, Emily and Jane collide with friends, family, and culture under dark and comic circumstances, presented in uncanny, disturbing, and sometimes shocking terms. In Haunted Houses, Tillman wries of the past within the present, and of the inescapability of private memory and public history. A caustic account of how America makes and unmakes a young woman.

Told more or less in reverse chronological order, High Tide is the story of Ieva, her dead lover, her imprisoned husband, and the way their youthful decisions dramatically impacted the rest of their lives. Taking place over three decades, High Tide functions as a sort of psychological mystery, with the full scope of Ieva’s personal situation — and the relationship between the three main characters — only becoming clear at the end of the novel.

One of Latvia’s most notable young writers, Ābele is a fresh voice in European fiction — her prose is direct, evocative, and exceptionally beautiful. The combination of strikingly lush descriptive writing with the precision with which she depicts the minds of her characters elevates this novel from a simple story of a love triangle into a fascinating, philosophical, haunting book.

From an acclaimed African writer, a novel about family, freedom, and loyalty.

When Bella learns of the murder of her beloved half brother by political extremists in Mogadiscio, she’s in Rome. The two had different fathers but shared a Somali mother, from whom Bella’s inherited her freewheeling ways. An internationally known fashion photographer, dazzling but aloof, she comes and goes as she pleases, juggling three lovers. But with her teenage niece and nephew effectively orphaned — their mother abandoned them years ago — she feels an unfamiliar surge of protective feeling. Putting her life on hold, she journeys to Nairobi, where the two are in boarding school, uncertain whether she can — or must — come to their rescue. When their mother resurfaces, reasserting her maternal rights and bringing with her a gale of chaos and confusion that mirror the deepening political instability in the region, Bella has to decide how far she will go to obey the call of sisterly responsibility.

A new departure in theme and setting for “the most important African novelist to emerge in the past twenty-five years” (The New York Review of Books) Hiding in Plain Sight, is a profound exploration of the tensions between freedom and obligation, the ways gender and sexual preference define us, and the unexpected paths by which the political disrupts the personal.

Hydroplane is a story collection filled with the urgency of erotic obsession. Its breathless voices, palpable in their desire, are propelled by monomania, rushing from one preoccupation into another: a garage, a painting class, a basketball game, boys. Their words take on kinetic force, an almost headlong momentum, as though, while reading, one were picking up speed, veering out of control. The past returns. Rumination are continuous. A stranger at a bus stop is indistinguishable from the narrator's deceased grandfather; party guests turn ghoulish, festivities merge with nightmares.

Each of Steinberg's stories builds as if telegraphed. Each sentence glissades into the next as though in perpetual motion, as characters, crippled by loss, rummage through their recollections looking for buffers to an indistinct future.

Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith’s novels are like nothing else. A true original, she is a one-of-a-kind literary sensation. Her novels consistently attract serious acclaim and discussion — and have won her a dedicated readership who are drawn again and again to the warmth, humanity and humor of her voice.

How to be both is a novel all about art’s versatility. Borrowing from painting’s fresco technique to make an original literary double-take, it’s a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real — and all life’s givens get given a second chance.

A NOTE TO THE READER:

Who says stories reach everybody in the same order?

This novel can be read in two ways and this book provides you with both.

In half of all printed editions of the novel the narrative EYES comes before CAMERA.

In the other half of printed editions the narrative CAMERA precedes EYES.

The narratives are exactly the same in both versions, just in a different order.

The books are intentionally printed in two different ways, so that readers can randomly have different experiences reading the same text. So, depending on which edition you happen to receive, the book will be: EYES, CAMERA, or CAMERA, EYES. Enjoy the adventure.

Adam Levin’s debut novel The Instructions was one of the most buzzed-about books of 2010, a sprawling universe of “death-defying sentences, manic wit, exciting provocations and simple human warmth” (Rolling Stone).

Now, in the stories of Hot Pink, Levin delivers ten smaller worlds, shaken snow-globes of overweight romantics, legless prodigies, quixotic dollmakers, Chicagoland thugs, dirty old men, protective fathers, balloon-laden dumptrucks, and walls that ooze gels. Told with lust and affection, karate and tenderness, slapstickery, ferocity, and heart, Hot Pink is the work of a major talent in his sharpest form.

*Hot Pink comes in three resplendent colors (pink, gray and blue).

As a wealthy, young real-estate developer in Los Angeles, T. lives an isolated life. He has always kept his distance from people — from his doting mother to his crass fraternity brothers — but remains unaware of his loneliness until one night, while driving to Las Vegas, he hits a coyote on the highway.

The experience unnerves him and inspires a spiritual transformation that leads T. to question his financial pursuits for the first time in his life, to finally fall in love with a woman, and to begin sneaking into the local zoo, where he finds solace in the presence of endangered species.

A beautiful, heart-wrenching tale, How the Dead Dream is also a riveting commentary on community in the modern suburban landscape and how the lives of animals are affected by it. Judged by many- including the Los Angeles Times and The Washington Post Book World- to be Millet's best work to date, it is, as Time Out New York perfectly states: "This beautiful writer’s most ambitious novel yet, a captivating balancing act between full-bodied satire and bighearted insight."

A classic Mahfouz story exploring themes of marriage across class lines, spirituality, and the harsh realities of a precarious life.

Jaafar Ibrahim Sayyed al-Rawi, the main character in this most recently translated Mahfouz novel, is guided by his motto, "let life be filled with holy madness to the last breath." He narrates his life story to a friend during one long night in a caf in old Cairo. Through a series of bad decisions, he has lost everything: his family, his position in society, and his fortune. A man driven by his passions, he married a beautiful Bedouin nomad for love, and as a consequence pays a punishingly high price. From a life of comfort with a promising future guaranteed by his wealthy grandfather, he descends to the spartan life of a pauper, after being disinherited. Jaafar faces his tribulations with surprising stoicism and hope, sustained by his strong convictions, his spirituality, his sense of mission, and his deep desire to bring social justice to his people.

The new novel from one of American literature’s brightest stars, author of the Pulitzer Prize-winning A Good Scent from a Strange Mountain, Robert Olen Butler’s uproarious new novel is set in the underworld. Its main character, Hatcher McCord, is an evening news presenter who has found himself in Hell and is struggling to explain his bad fortune. He’s not the only one to suffer this fate—in fact, he’s surrounded by an outrageous cast of characters, including Humphrey Bogart, William Shakespeare, and almost all of the popes and most of the U.S. presidents. The question may be not who is in Hell but who isn’t. McCord is living with Anne Boleyn in the afterlife but their happiness is, of course, constantly derailed by her obsession with Henry VIII (and the removal of her head at rather inopportune moments). Butler’s Hell isn’t as much a boiling lake of fire—although there is that—as it is a Sisyphean trial tailored to each inhabitant, whether it’s the average Joes who die and are reconstituted many times a day to do it all again, or the legendary newspaperman William Randolph Hearst, doomed to obscurity as a blogger mocked by his fellows because he can’t figure out Caps Lock. One day McCord meets Dante’s Beatrice, who believes there is a way out of Hell, and the next morning, during an exclusive on-camera interview with Satan, McCord realizes that Satan’s omniscience, which he has always credited for the perfection of Hell’s torments, may be a mirage—and Butler is off on a madcap romp about good, evil, free will, and the possibility of escape. Butler’s depiction of Hell is original, intelligent, and fiercely comic, a book Dante might have celebrated.

Hundreds of thousands were enthralled by the luminous voice of John Ames in Gilead, Marilynne Robinson's Pulitzer Prize — winning novel. Home is an entirely independent, deeply affecting novel that takes place concurrently in the same locale, this time in the household of Reverend Robert Boughton, Ames's closest friend.

Glory Boughton, aged thirty-eight, has returned to Gilead to care for her dying father. Soon her brother, Jack — the prodigal son of the family, gone for twenty years — comes home too, looking for refuge and trying to make peace with a past littered with tormenting trouble and pain.

Jack is one of the great characters in recent literature. A bad boy from childhood, an alcoholic who cannot hold a job, he is perpetually at odds with his surroundings and with his traditionalist father, though he remains Boughton’s most beloved child. Brilliant, lovable, and wayward, Jack forges an intense bond with Glory and engages painfully with Ames, his godfather and namesake.

Home is a moving and healing book about families, family secrets, and the passing of the generations, about love and death and faith. It is Robinson's greatest work, an unforgettable embodiment of the deepest and most universal emotions.

An extraordinary novel that ratifies Martin Amis's standing as "a force unto himself," as "The Washington Post" has attested: "There is, quite simply, no one else like him."

"House of Meetings" is a love story, gothic in timbre and triangular in shape. In 1946, two brothers and a Jewish girl fall into alignment in pogrom-poised Moscow. The fraternal conflict then marinates in Norlag, a slave-labor camp above the Arctic Circle, where a tryst in the coveted House of Meetings will haunt all three lovers long after the brothers are released. And for the narrator, the sole survivor, the reverberations continue into the new century.

Harrowing, endlessly surprising, epic in breadth yet intensely intimate, "House of Meetings" reveals once again that "Amis is a stone-solid genius. . a dazzling star of wit and insight" ("The Wall Street Journal").

From the internationally bestselling author of The Reluctant Fundamentalist, the boldly imagined tale of a poor boy’s quest for wealth and love.

His first two novels established Mohsin Hamid as a radically inventive storyteller with his finger on the world’s pulse. *How to Get Filthy Rich in Rising Asia* meets that reputation and exceeds it. The astonishing and riveting tale of a man’s journey from impoverished rural boy to corporate tycoon, it steals its shape from the business self-help books devoured by ambitious youths all over “rising Asia.” It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on that most fluid, and increasingly scarce, of goods: water. Yet his heart remains set on something else: on the pretty girl whose star rises along with his, their paths crossing and recrossing, a lifelong affair sparked and snuffed and sparked again by the forces that careen their fates along.

How to Get Filthy Rich in Rising Asia is a striking slice of contemporary life at a time of crushing upheaval. Romantic without being sentimental, political without being didactic, and spiritual without being religious, it brings an unflinching gaze to the violence and hope it depicts. And it creates two unforgettable characters who find moments of transcendent intimacy in the midst of shattering change.

Harraga. The term means "to burn," and it refers to those Algerians in exile, who burn their identity papers to seek asylum in Europe. But for Boualem Sansal, whose novels are banned in his own country, there is a kind of internal exile even for those who stay; and for no one is it worse than for the country's women.

Lamia is thirty-five years old, a doctor. Having lost most of her family, she is accustomed to living alone, unmarried and contentedly independent when a teenage girl, Chérifa, arrives on her doorstep. Chérifa is pregnant by Lamia's brother in exile — Lamia's first indication since he left that he is alive — and she'll surely be killed if she returns to her parents. Lamia grudgingly offers her hospitality; Chérifa ungratefully accepts it. But she is restless and obstinate, and before long she runs away, out into the hostile streets — leaving Lamia to track her, fearing for the life of the girl she has come, improbably, to love as family.

Boualem Sansal creates, in Lamia, an incredible narrator: cultured, caustic, and compassionate, with an ironic contempt for the government, she is utterly convincing. With his deceptively simple story, Sansal delivers a brave indictment of fundamentalism that is also warm and wonderfully humane.

Lewis Sullivan, an RE teacher at a secondary school, is approaching retirement when he wonders for the first time whether he ought to have chosen a more dramatic career. He lives in a village in the Midlands, less than a mile from the house in which he grew up. He always imagined living by the sea. His grown-up daughter visits every day, bringing soup. He does not want soup. He frequents his second-favourite pub, where he can get half a shandy, a speciality sausage and a bit of company.

When an old friend appears on the scene, Lewis finds his routine and comfortable life shaken up.

Homer and Langley Collyer are brothers — the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers — wars, political movements, technological advances — and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians. . and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves.

Brilliantly conceived, gorgeously written, this mesmerizing narrative, a free imaginative rendering of the lives of New York’s fabled Collyer brothers, is a family story with the resonance of myth, an astonishing masterwork unlike any that have come before from this great writer.

With her singular brand of gorgeous dark humor, Joy Williams explores the various ways — comic, tragic, and unnerving — we seek to accommodate diminishment and loss. A masseuse breaks her rich client's wrist bone, a friend visits at the hospital long after she is welcome, and a woman surrenders her husband to a creepily adoring student. From one of our most acclaimed writers, Honored Guest is a rich examination of our capacity for transformation and salvation.

Happy Valley is a place of dreams and secrets, of snow and ice and wind. In this remote little town, perched in its landscape of desolate beauty, everybody has a story to tell about loss and longing and loneliness, about their passion to escape. I must get away, thinks Dr. Oliver Halliday, thinks Alys Browne, thinks Sidney Furlow. But Happy Valley is not a place that can be easily left, and White's vivid characters, with their distinctive voices, move bit by bit towards sorrow and acceptance.

Happy Valley is Patrick White's first novel. It was published in 1939 when he was just twenty-seven. This restless and jagged study of small-town life is a prolonged glimpse of literary genius in the making. White never allowed it to be republished in his lifetime, and the novel has been until now the missing piece in the extraordinary jigsaw of White's work.

Shandee finds a friendly arm at a granite quarry. Ned drops down a hole in a golf course. So begins Nicholson Baker’s fuse-blowing sexual escapade — a modern-day Hieronymus Boschian bacchanal set in a pleasure resort where normal rules don’t apply. House of Holes, one of the most talked-about books in recent memory, is a gleefully provocative novel sure to surprise, amuse, and arouse.

Brilliant and tense, Dany Laferrière's first novel, How to Make Love to a Negro Without Getting Tired, is as fresh and relevant today as when it was first published in Canada in 1985. With ribald humor and a working-class intellectualism on par with Charles Bukowski's or Henry Miller's, Laferrière's narrator wanders the streets and slums of Montreal, has sex with white women, and writes a book to save his life. With this novel, Laferrière began a series of internationally acclaimed social and political novels about the love of the world, and the world of sex, including Heading South and I Am a Japanese Writer. It launched Laferrière as one of the literary world's finest provocateurs and continues to draw strong comparisons to the writings of James Baldwin, Henry Miller, Charles Bukowski, and Jack Kerouac.

On the sun-drenched island of Haiti in the 1970s, under the shadow of “Baby Doc” Duvalier’s notorious regime, locals eke out an existence as servants, bartenders and panderers to the white elite. Fanfan, Charlie, and Legba, aware of the draw of their adolescent, black bodies, seduce rich, middle-aged white tourists looking for respite from their colourless jobs and marriages.

These “relationships” mirror the power struggle inherent in all transactions in Port-au-Prince’s seedy back streets. Heading South takes us into the world of artists, rappers, Voodoo priests, hotel owners, uptight Parisian journalists and partner-swapping Haitian lovers, all desperately trying to balance happiness with survival.

Made into an award-winning film starring Charlotte Rampling, this provocative novel, translated for the first time into English, explores the lines between sexual liberation and exploitation, artistic freedom and appropriation, independence and colonialism.

Horizon Realty is bringing Harlem back to its Renaissance. With the help of Cedric, Bobby, and Horus-three ex-cons trying to forge a new life-Horizon clears out the rubble and the rabble, filling once-dilapidated brownstones with black professionals handpicked for their shared vision of Harlem as a shining icon for the race. And fate seems to be working in Horizon's favor: Harlem's undesirable tenants seem increasingly clumsy of late, meeting early deaths by accident. As an ambitious reporter, Piper Goines, begins to investigate the neighborhood's extraordinarily high accident rate, Horizon's three employees find themselves fighting for their souls and their very lives-against a backdrop of some of the most beautiful brownstones in all of Manhattan.

The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook

An irreverent satire of New York’s media world — and its influence and allure

Writers Tony, Patty, Fred, and David all know what they want: renown, glamour, wealth, recognition. They know where to get it: New York, a beacon for ambitious novelists, playwrights, and journalists. But what they don’t know is that the game is changing. This is the 1980s, an era of massive corporatization and commercialization in the business of arts and letters. Fame and fortune may come quickly for many, but dignity and lasting influence are in short supply.

Rafael Yglesias’s most sharp-tongued satire, Hot Properties exposes the greed, envy, and backbiting in a media world bloated with money and power.

This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.

From Publishers Weekly

Touted by the gossip columns as a roman a clef about the publishing world, Yglesias's fourth novel has definite commercial potential, since there are always people who like to read sordid tales about the media. Focusing on a group of ambitious, opportunistic New York yuppies, each desperate for success, power, fame, money and glamorous sexual partners, Yglesias follows his characters as their aspirations flourish or fade. And even for the one person who comes up with a smashing bestseller, happiness is an elusive emotion, banished by inner fear and self-loathing. The leading players in this fermenting brew are introduced in the book's opening scene, a dinner party so exquisitely awkward that even the reader is embarrassed. Thereafter we watch an aspiring playwright sell out to Hollywood; a sexy blonde discover she can really write, but must use her body to assure publication; a blocked novelist lose his scruples, professional and personal; a journalist at a leading newsmagazine realize that his way to the top has been sabotaged by office intrigue. Yglesias views his characters with cynicism, but he knows how to create the dramatic momentum that will have readers turning the pages. And if his book does become a bestseller, he will have the ironic last laugh.

Copyright 1986 Reed Business Information, Inc.

Review

“Hot Properties [is] the novel you want in the Hamptons. It lambastes the pretensions of the people you’ve been glaring at on the beach all day, and excoriates the city you’ve left behind.”

—The New York Times Book Review

“Sharp, funny, and fresh insight into the American literary world…”

—Financial Times

The critically acclaimed novel from a master of contemporary American fiction — now available as an ebook

Yglesias’s debut novel of youth, privilege, and rebellion

Rafael Yglesias completed this novel, his first, at the age of sixteen. The largely autobiographical story follows a New York prep school dropout yearning for freedom and authenticity.

On its release the book was hailed as a next-generation Catcher in the Rye. But protagonist Raul Sabas comes of age in a very different New York than Holden Caulfield — a tumultuous and radicalized city following the student takeover of Columbia University and assassinations of Robert Kennedy and Martin Luther King, Jr. Hide Fox, and All After is a story of adolescence written by an adolescent — deeply felt and commanding the remarkably perceptive eye that distinguishes Yglesias as a great novelist.

This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.

Review

“Comparisons with The Catcher in the Rye are inevitable… [But] Yglesias’s tone… is completely his own… A superior novel.”

—Time

“An extremely gifted young writer whose treatment of adolescence… is shockingly brilliant.”

—John Hawkes

About the Author

Rafael Yglesias (b. 1954) is a master American storyteller whose career began with the publication of his first novel, Hide Fox, and All After, at seventeen. Through four decades Yglesias has produced numerous highly acclaimed novels, including Fearless, which was adapted into the film starring Jeff Bridges and Rosie Perez. He lives on New York City’s Upper East Side.

Oh man, it just had to happen. Someone had to be a bagger at a grocery store and fantasize about hitting children in the head with wine bottles. Someone had to fear a puddle floating at him from across the street. Someone had to celebrate beating up a pregnant woman. Someone just HAD to be a nanny, and stare at giant motorized spiders.

Jeez oh man!

Don't ask why a teenager in a Chicago Bulls overcoat is feeding baby rabbits to a toad. Don't ask why someone had to run around the backyard with a bedsheet cape after drinking moonshine. And don't ask why jumping down stairs feels like success.

Just sit back, drink a piss-infused Bloody Mary, and learn to hurt others.

Populating a small town in the Pacific Northwest, the characters in Lucia Perillo's story collection all resist giving the world what it expects of them and are surprised when the world comes roaring back. An addict trapped in a country house becomes obsessed with vacuum cleaners and the people who sell them door-to-door. An abandoned woman seeks consolation in tales of armed robbery told by one of her fellow suburban housewives. An accidental mother struggles to answer her daughter's badgering about her paternity. And in three stories readers meet Louisa, a woman with Down syndrome who serves as an accomplice to her younger sister's sexual exploits and her aging mother's fantasies of revenge. Together, Happiness Is a Chemical in the Brain is a sharp-edged, witty testament to the ambivalence of emotions, the way they pull in directions that often cancel one another out or twist their subjects into knots. In lyrical prose, Perillo draws on her training as a naturalist and a poet to map the terrain of the comic and the tragic, asking how we draw the boundaries between these two zones. What's funny, what's heartbreaking, and who gets to decide?

Ben Yagoda's How to Not Write Bad illustrates how we can all write better, more clearly, and for a wider readership.

He offers advice on what he calls "not-writing-badly," which consists of the ability, first, to craft sentences that are correct in terms of spelling, diction (word choice), punctuation, and grammar, and that also display clarity, precision, and grace. Then he focuses on crafting whole paragraphs — with attention to cadence, consistency of tone, sentence transitions, and paragraph length.

In a fun, comprehensive guide, Yagoda lays out the simple steps we can all take to make our writing more effective, more interesting — and just plain better.

From the acclaimed author of The Drowning People (“A literary sensation” —The New York Times Book Review) and Natural Elements (“A magnum opus” —The New Yorker), an opulent, romantic coming-of-age drama set at the height of Europe’s belle époque, written in the grand tradition with a lightness of touch that is wholly modern and original.

The novel opens in Amsterdam at the turn of the last century. It moves to New York at the time of the 1907 financial crisis and proceeds onboard a luxury liner headed for Cape Town.

It is about a young man — Piet Barol — with an instinctive appreciation for pleasure and a gift for finding it. Piet’s father is an austere administrator at Holland’s oldest university. His mother, a singing teacher, has died — but not before giving him a thorough grounding in the arts of charm.

Piet applies for a job as tutor to the troubled son of Europe’s leading hotelier: a child who refuses to leave his family’s mansion on Amsterdam’s grandest canal. As the young man enters this glittering world, he learns its secrets — and soon, quietly, steadily, finds his life transformed as he in turn transforms the lives of those around him.

History of a Pleasure Seeker is a brilliantly written portrait of the senses, a novel about pleasure and those who are in search of it; those who embrace it, luxuriate in it, need it; and those who deprive themselves of it as they do those they love. It is a book that will beguile and transport you — to another world, another time, another state of being.

Данная книга — яркое доказательство мысли о более чем серьезном родстве русского и финского национальных характеров, особенно по части юмора и выпивки, каковая часть, собственно, и является главенствующей при определении национального образа жизни.

Паасилинна — не новичок в мире литературы, он автор более чем двадцати романов, среди которых "Год зайца", "Предсмертный галоп человечества", "История фронтовой лошади" — так что с нетерпением ждем новых переводов.

"Лес повешенных лисиц" — образец неподражаемого юмора, черной иронии и абсолютно нетривиальных сюжетных поворотов во внешне детективной канве повествования. Однако жанровых определений тут быть не может.

Возникающее впечатление напоминает термоядерную смесь "За спичками", войновичского "Чонкина" и "Особенностей национальной охоты" (только, естественно, с финской стороны), а главный герой Ойва Юнтунен, несмотря на то, что он отпетый негодяй и мошенник, почему-то вызывает симпатию — эдакий Лапландский Остап Бендер, не знающий как сберечь украденный "золотой миллион".

This wonderfully funny, refreshing, and compelling love story will grab readers from the moment they meet clueless Max Lesser, a children's book author and somewhat successful adult fiction writer who is suffering from a major case of writer's block. When Max meets Lola Bessington, he declares her his "destiny woman." All other women pale in comparison to Lola-except for the lovely Lulu Mae Flowers, who signals the beginning of a major life catastrophe for Max. Hoban gives the reader a rare glimpse into a writer's creative process, using the story-within-a-story-within-a-story structure to good effect and making the most of Max's ongoing conversations with his phantoms and his own characters. Delivering a metaphorical kick in the pants to those who live too much in our minds, this delightful novel urges us to live our destiny and stop postponing our dreams.

In Home Truths, Mavis Gallant draws us into the tricky labyrinth of human behaviour, while offering readers her unique, clear-eyed vision of Canadians both at home and abroad. Ranging in time and place from small-town Quebec during the Depression, to Geneva and Paris in the 1950s, to contemporary Vancouver Island, these stories explore the remorseless cruelty of children, the tensions that affect all families, the dangerous but endearing naïveté of young girls in love with Europe, and the terrible distances that divide people who love each other. And in the celebrated “Linnet Muir” stories, Gallant draws on her own experiences to portray a sensitive and alarmingly perceptive young girl growing up in Montreal in the 1930s and 1940s. Incisive, darkly humorous, and compassionate, Home Truths is a vibrant collection of stories from one of our finest writers.

The internationally acclaimed playwright and novelist Yasmina Reza stages a band of eighteen characters at war with their lives, with only humor to sustain them.

Happy are the loved ones and the lovers and those who can do without love. Happy are the happy.

— Jorge Luis Borges

Schnitzler’s La Ronde gives these twenty short chapters their shape while Borges’s poem gives them their content. As we move from story to story, thrilled to reconnect with an old acquaintance from an earlier scene, we can’t help but admit that we are very much at home in this human comedy that understands all too well the passing thoughts, desires, actions, fears, and mistakes that we have and make day after day, but that we would be incapable of rendering with such acuity and compassion.

First published in 1978, this novel of international intrigue by Carlos Fuentes is set in Mexico, and features the Mexican secret service. It is the story of the attempt by the Mexican government to retain control of a recently discovered national oil field. Secret agents from Arab lands, Israel, and the United States attempt to wrest control of the source for their own purposes. In a plot thick with dirty tricks, violence, sex, amazing coincidences, and betrayals, the novel's movie-loving hero, Felix Maldonado, confronts the villains.

Heading Inland is a funny, broody, saucy collection of stories about the kind of people you sometimes meet but might prefer to ignore.

Barker creates a wonderfully fantastical and unimaginable world: an unborn baby escapes an unsuitable mother through a secret belly-button zip; a wayward and yet enigmatic man attempts to rescue eels from an East End pie shop; a young woman discusses her fascination in other women’s breasts; a boy with his inside organs back to front desperately seeks attention; and a bitter old woman becomes bent on war with a tramp.

This collection confirms Nicola Barker as one of the most versatile and original writers of her generation with a brilliant unconventional imagination she creates a new world that sparkles with dark humour.

Bedbound in her attic room beneath the falling rain, in the margin between this world and the next, Plain Ruth Swain is in search of her father. To find him, enfolded in the mystery of ancestors, Ruthie must first trace the jutting jaw lines, narrow faces and gleamy skin of the Swains from the restless Reverend Swain, her great-grandfather, to grandfather Abraham, to her father, Virgil — via pole-vaulting, leaping salmon, poetry and the three thousand, nine hundred and fifty eight books piled high beneath the two skylights in her room, beneath the rain.

The stories — of her golden twin brother Aeney, their closeness even as he slips away; of their dogged pursuit of the Swains’ Impossible Standard and forever falling just short; of the wild, rain-sodden history of fourteen acres of the worst farming land in Ireland — pour forth in Ruthie’s still, small, strong, hopeful voice. A celebration of books, love and the healing power of the imagination, this is an exquisite, funny, moving novel in which every sentence sings.

One of the most widely admired writers of our time returns us to the captivating play and narrative allure of his previous novels—G. and To the Wedding among them — with a shimmering fiction drawn from chapters of his own life.One hot afternoon in Lisbon, the narrator finds his long-dead mother seated on a park bench. “The dead don’t stay where they are buried,” she tells him. And so begins a remarkable odyssey, told in simple yet gorgeous prose, that carries us from the London Blitz in 1943, to a Polish market, to a Paleolithic cave, to the Ritz Hotel in Madrid. Here Is Where We Meet is a unique literary journey that moves freely through time and space but never loses its foothold in the sensuous present.

How We Are Hungry is a gripping, lyrical and soulful collection of stories from the acclaimed author of A Heartbreaking Work of Staggering Genius. Ranging from a doomed Irish setter’s tales of running and jumping (“After I Was Thrown in the River and Before I Drowned”) to a bitterly comic meditation on suicide and friendship (“Climbing to the Window, Pretending to Dance”), and from the Egyptian desert to the asphalt of Interstate 5, these stories are Eggers at his finest. By turns devastating, clear-eyed and funn — incredibly funny — this collection is a marvel.

An imaginative, acid western from a rising star in the indie lit world.

Brooke and Sugar are killers. Bird is the boy who mysteriously woke beside them while between towns. For miles, there is only desert and wilderness, and along the fringes, people.

The story follows the middling bounty hunters after they've been chased from town, and Bird, each in pursuit of their own sense of belonging and justice. It features gunfights, cannibalism, barroom piano, a transgender birth, a wagon train, a stampede, and the tenuous rise of the West's first one-armed gunslinger.

Haints Stay is a new acid western in the tradition of Rudolph Wurlitzer, Kelly Reichardt's Meek's Cutoff, and Jim Jarmusch's Dead Man: meaning it is brutal, surreal, and possesses an unsettling humor.

Advance praise:

"Haints Stay puts to mind the very best contemporary novels of the old West, including those by powerhouses like Charles Portis, Patrick DeWitt, Robert Coover, Oakley Hall, E.L. Doctorow and Sheriff Cormac McCarthy himself, not to mention Thomas McGuane’s classic screenplays for The Missouri Breaks and Tom Horn. But Colin Winnette has his own dark and delightful and surprising agenda. Be wary. He might be the new law in town.” —Sam Lipsyte, author of The Fun Parts and The Ask

"I loved it. Loved it! Haints Stay had me from the very first line — the visceral ante upped and crescendoing nearly every page. Humor, gore, that wonderful unsettling feeling you get when you're reading a book that excites you and kind of scares you as well? Yes, please." — Lindsay Hunter, author of Ugly Girls and Don't Kiss me

"From his curiously harrowing Animal Collection to the glorious guts of Fondly, I trust wherever Colin Winnette’s imagination sees fit to take me. And now — with Haints Stay — we venture to the lawless old West for a story stitched out of animal skins and language that glimmers like blood diamonds. This is a dangerous novel; let’s read it and risk our lives together." — Saeed Jones, author of Prelude to Bruise

"Funny, brutal and haunting, Haints Stay takes the traditional Western, turns it inside out, eviscerates it, skins it, and then wears it as a duster. This is the kind of book that would make Zane Grey not only roll over in his grave but rise undead from the ground with both barrels blazing." — Brian Evenson

"If the Western genre could be thought of as a pile of old stones, this book is a particular piece of lovely spit-shined agate at the top, gleaming in invitation, and under its glow the others are changed." — Amelia Gray, author of Threats and Gutshot

Colin Winnette is the author of Revelation, Animal Collection, and Fondly—which was listed among Salon's Best Books of 2013. He is an associate editor of PANK Magazine, and conducts a regular interview series for the Believer's "Logger." His writing has appeared on BuzzFeed, Electric Literature, and in the Believer.

On May 16, 2003, fourteen suicide bombers launched a series of attacks throughout Casablanca. It was the deadliest attack in Morocco’s history. The bombers came from the shantytowns of Sidi Moumen, a poor suburb on the edge of a dump whose impoverished residents rarely if ever set foot in the cosmopolitan city at their doorstep. Mahi Binebine’s novel Horses of God follows four childhood friends growing up in Sidi Moumen as they make the life-changing decisions that will lead them to become Islamist martyrs.

The seeds of fundamentalist martyrdom are sown in the dirt-poor lives of Yachine, Nabil, Fuad, and Ali, all raised in Sidi Moumen. The boys’ soccer team, The Stars of Sidi Moumen, is their main escape from the poverty, violence, and absence of hope that pervade their lives. When Yachine’s older brother Hamid falls under the spell of fundamentalist leader Abu Zoubeir, the attraction of a religion that offers discipline, purpose, and guidance to young men who have none of these things becomes too seductive to ignore.

Narrated by Yachine from the afterlife, Horses of God portrays the sweet innocence of childhood and friendship as well as the challenges facing those with few opportunities for a better life. Binebine navigates the controversial situation with compassion, creating empathy for the boys, who believe they have no choice but to follow the path offered them.

Winner of the 2010 Prix du Roman Arabe and Prix Littéraire Mamounia

"The novel provides context and perspective to often little-explored issues, offering incredible insight into the complex lives of poor boys who are groomed to kill themselves for a cause and commit violent acts in the name of religion. Binebine portrays these young men as supremely human, victims of powers much larger than themselves, and like any Kafkaesque anti-hero, cogs in an incomprehensible and monstrous machine."

— Starred Publishers Weekly

"Moroccan painter, novelist, and former math teacher Binebine (Welcome to Paradise) writes with humor and pathos amid the novel’s grinding tragedy but never allows the narrative to veer into self-pity or cheap sentimentality. The book is based on the 2004 suicide bombings in Casablanca, and Binebine’s unblinking eye for detail makes this a haunting tale."

— Library Journal

Hope and Other Dangerous Pursuits marks the debut of an exciting new voice in fiction. Laila Lalami evokes the grit and enduring grace that is modern Morocco. The book begins as four Moroccans illegally cross the Strait of Gibraltar in an inflatable boat headed for Spain.What has driven them to risk their lives? And will the rewards prove to be worth the danger?

There’s Murad, a gentle, unemployed man who’s been reduced to hustling tourists around Tangier; Halima, who’s fleeing her drunken husband and the slums of Casablanca; Aziz, who must leave behind his devoted wife in hope of securing work in Spain; and Faten, a student and religious fanatic whose faith is at odds with an influential man determined to destroy her future.

Sensitively written with beauty and boldness, this is a gripping book about what propels people to risk their lives in search of a better future.

It’s hard being a single-dad raising a son — especially if your kid is also a 1971 Volkswagen Beetle.

There’s nothing more troubling than having your child break down on the side of the road, leaking oil, overheating, and asking tough questions like, “What is death?” and “Why did Mom leave?”

But stay calm!

Because How To Keep Your Volkswagen Alive is not only a dizzyingly beautiful novel, it’s also a handy manual with useful chapters on “Tools and Spare Parts,” “Valve Adjustment,” “How To Read This Novel,” and, most important of all, “How Works a Heart.”

Welcome to Christopher Boucher’s zany literary universe, a place where metaphors shift beneath your feet, familiar words assume new meanings, objects talk, trees attack, and time actually is money. Modeled on the cult classic 1969 hippie handbook of the same name, How To Keep Your Volkswagen Alive is an astonishing tour-de-force that tackles some of life’s biggest questions: How do you cope with losing a parent? What’s the secret to raising a child? How do you keep love alive? How do you get your car to start?

A wild, inventive ride of a short story collection from a distinctive new American storyteller.

The stories in Thomas Pierce’s Hall of Small Mammals take place at the confluence of the commonplace and the cosmic, the intimate and the infinite. A fossil-hunter, a comedian, a hot- air balloon pilot, parents and children, believers and nonbelievers, the people in these stories are struggling to understand the absurdity and the magnitude of what it means to exist in a family, to exist in the world.

In “Shirley Temple Three,” a mother must shoulder her son’s burden — a cloned and resurrected wooly mammoth who wreaks havoc on her house, sanity, and faith. In “The Real Alan Gass,” a physicist in search of a mysterious particle called the “daisy” spends her days with her boyfriend, Walker, and her nights with the husband who only exists in the world of her dreams, Alan Gass. Like the daisy particle itself—“forever locked in a curious state of existence and nonexistence, sliding back and forth between the two”—the stories in Thomas Pierce’s Hall of Small Mammals are exquisite, mysterious, and inextricably connected.

From this enchanting primordial soup, Pierce’s voice emerges — a distinct and charming testament of the New South, melding contemporary concerns with their prehistoric roots to create a hilarious, deeply moving symphony of stories.

Hear the Wind Sing (風の歌を聴け Kaze no uta o kike?) is the first novel by Japanese writer Haruki Murakami. It first appeared in the June 1979 issue of Gunzo (one of the most influential literary magazines in Japan), and in book form the next month. The novel was adapted by Japanese director Kazuki Ōmori in a 1981 film distributed by Art Theatre Guild. An English translation by Alfred Birnbaum appeared in 1987.

It is the first book in the so-called "Trilogy of the Rat" series of independent novels, followed by Pinball, 1973 (1980) and A Wild Sheep Chase (1982), before the later epilogue Dance Dance Dance (1988). All four books in the series have been translated into English, but Hear the Wind Sing and Pinball, 1973 (which are realist novels slightly differing from the author's later style) were never widely distributed in the English-speaking world, having only been published in Japan by Kodansha under their Kodansha English Library branding (for English Foreign Language learners), and both only as A6-sized pocketbooks. Translations by Ted Goossen of "Hear the Wind Sing" and "Pinball, 1973" are scheduled to be released by Knopf on August 4, 2015 under the title "Wind, Pinball".

When Achilles Conroy and his brother Troy return from a tour of duty in Afghanistan, their white mother presents them with the key to their past: envelopes containing details about their respective birth parents. After Troy disappears, Achilles — always his brother’s keeper — embarks on a harrowing journey in search of Troy, an experience that will change him forever.

Heartbreaking, intimate, and at times disturbing, Hold It ’Til It Hurts is a modern-day odyssey through war, adventure, disaster, and love, and explores how people who do not define themselves by race make sense of a world that does.

A new story collection from Edith Pearlman, winner of the National Book Critics Circle Award and finalist for the National Book Award for her last collection, Binocular Vision.

From the National Book Critics Circle Award-winning author of Binocular Vision, Honeydew further solidifies Edith Pearlman's place among the likes of all-time great story writers such as John Updike, Alice Munro, Frank O'Connor, and Anton Chekhov.

Pearlman writes about the predicaments of being human. The title story involves an affair, an illegitimate pregnancy, anorexia, and adolescent drug use, but the real excitement comes from the intricate attention Pearlman devotes to the interior life of young Emily, who wishes she were a bug. In "Sonny," a mother prays for her daughters to be barren so they never have to experience the death of a child. "The Golden Swan" transports the reader to a cruise ship with lavish buffets-and a surprise stowaway.

In prose that is as wise as it is poetic, Pearlman shines light on small, devastatingly precise moments to reflect the beauty and grace found in everyday life. She maps the psychological landscapes of her exquisitely rendered characters with unending compassion and seeming effortlessness.

Both for its artistry and for the lives of the characters it presents, Honeydew is a collection that will pull readers back time and again. These stories demonstrate once more that Pearlman is a master of the form and that hers is a vision unfailingly wise and forgiving.

Hamilton Stark is a New Hampshire pipe fitter and the sole inhabitant of the house from which he evicted his own mother. He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark's story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

This story is written to understand and appreciate one family’s journey from Vietnam to America and their hope for a new beginning.

Inhaltsangabe

Endlich ist das entsetzliche Ringen vorüber, ist der furchtbare Bürgerkrieg zwischen den Nord- und Südstaaten Amerikas beendet. Der Norden hat gesiegt, wenn auch zu einem hohen, blutigen Preis: 600.000 Menschen mußten auf den Schlachtfeldern ihr Leben lassen.

Zwar ist die menschenverachtende und unwürdige Sklaverei abgeschafft, und der Norden erhebt zu Recht mit Stolz sein Haupt. Aber trotz des Kriegsendes scheinen die Parteien unversöhnt. Der Süden droht in Verbitterung und Hoffnungslosigkeit zu erstarren, sich von der Demütigung und der ruinierten Wirtschaft nicht mehr zu erholen. In Washington herrscht ein skrupelloses Regime, der Ku-Klux-Klan, ein verbrecherischer Geheimbund, wirft seine bedrohlichen Schatten auf die Zukunft.

Und doch verliert die Nation nicht den Mut, gewinnt Hoffnungslosigkeit nicht die Oberhand. Es gilt, Neuland zu betreten, den Westen zu erobern, ein neues Kapitel der amerikanischen Geschichte zu beginnen. Mit dabei bei dieser ebenso faszinierenden wie grausamen Epoche der Eroberung des Wilden Westens sind die Familien Hazard aus Pennsylvania und Main aus South Carolina, Familien, in denen sich die Geschicke Amerikas spiegeln.

Die amerikanische Originalausgabe erschien unter dem Titel >Heaven and Hell< bei Harcourt Brace Jovanovich, Publishers, New York and London

Ins Deutsche übertragen von Odette Anne Brändli

Mit Ausnahme der historischen Gestalten sind sämtliche Figuren dieses Romans Geschöpfe der Phantasie des Autors. Jede Ähnlichkeit mit Lebenden oder Toten ist rein zufällig.

© 1982 by John Jakes © 1984 der deutschsprachigen Ausgabe

Winner of the 2006 Man Booker Prize and the National Book Critics Circle Award for Fiction for her second novel The Inheritance of Loss, Kiran Desai is one of the most talented writers of her generation. Now available for the first time as a Grove Press paperback, Hullabaloo in the Guava Orchard—Desai’s dazzling debut novel — is a wryly hilarious and poignant story that simultaneously captures the vivid culture of the Indian subcontinent and the universal intricacies of human experience. Sampath Chawla was born in a time of drought into a family not quite like other families, in a town not quite like other towns. After years of failure at school, failure at work, of spending his days dreaming in tea stalls, it does not seem as if Sampath is going to amount to much — until one day he climbs a guava tree in search of peaceful contemplation and becomes unexpectedly famous as a holy man, sending his tiny town into turmoil. A syndicate of larcenous, alcoholic monkeys terrorize the pilgrims who cluster around Sampath’s tree, spies and profiteers descend on the town, and none of Desai’s outrageous characters goes unaffected as events spin increasingly out of control.

Berlin, 1939. A young, brilliant trumpet-player, Hieronymus, is arrested in a Paris cafe. The star musician was never heard from again. He was twenty years old. He was a German citizen. And he was black.

Fifty years later, Sidney Griffiths, the only witness that day, still refuses to speak of what he saw. When Chip Jones, his friend and fellow band member, comes to visit, recounting the discovery of a strange letter, Sid begins a slow journey towards redemption.

From the smoky bars of pre-war Berlin to the salons of Paris, Sid leads the reader through a fascinating, little-known world, and into the heart of his own guilty conscience.

Half-Blood Blues is an electric, heart-breaking story about music, race, love and loyalty, and the sacrifices we ask of ourselves, and demand of others, in the name of art.

A new collection of stories set in the West from "one of the most gifted and versatile of contemporary writers" (NPR)

Percival Everett's long-awaited new collection of stories, his first since 2004's Damned If I Do, finds him traversing the West with characteristic restlessness. A deaf Native American girl wanders off into the desert and is found untouched in a den of rattlesnakes. A young boy copes with the death of his sister by angling for an unnaturally large trout in the creek where she drowned. An old woman rides her horse into a mountain snowstorm and sees a long-dead beloved dog.

For the plainspoken men and women of these stories-fathers and daughters, sheriffs and veterinarians-small events trigger sudden shifts in which the ordinary becomes unfamiliar. A harmless comment about how to ride a horse changes the course of a relationship, a snakebite gives rise to hallucinations, and the hunt for a missing man reveals his uncanny resemblance to an actor. Half an Inch of Water tears through the fabric of the everyday to examine what lies beneath the surface of these lives. In the hands of master storyteller Everett, the act of questioning leads to vistas more strange and unsettling than could ever have been expected.

From revered Colombian writer Laura Restrepo comes the smart, thrilling story of a young woman trying to outrun a nightmare.

María Paz is a young Latin American woman who, like many others, has come to America chasing a dream. When she is accused of murdering her husband and sentenced to life behind bars, she must struggle to keep hope alive as she works to prove her innocence. But the dangers of prison are not her only obstacles: gaining freedom would mean facing an even greater horror lying in wait outside the prison gates, one that will stop at nothing to get her back. Can María Paz survive this double threat in a land where danger and desperation are always one step behind, and safety and happiness seem just out of reach?

Признанный сюрреалист среди японских писателей. Банана Ёсимото умеет создавать мистический эффект как никто другой.

Данная книга представляет собой два исследования понятий «любовь», «память» и «скорбь».

Фрейд описывает сверхъестественное как особое ощущение, возникающее, когда объяснимое переплетается с необъяснимым. Банана Есимото, признанный сюрреалист среди японских писателей, умеет создавать мистический эффект как никто другой.

Ее последняя книга представляет собой два исследования понятий «любовь», «память» и «скорбь».

Если в первом романе героиня приходит к пониманию того, что ее отношения являлись ничем иным, как заполнением пустого места в чужой душе, то во втором реальность примиряет героиню со смертью сестры.

"A wonderful exercise in humanism. . [by] a prodigious and impressive storyteller". — Jakarta Globe

An epic saga of "families and friends entangled in the cruel snare of history" (Time magazine), Home combines political repression and exile with a spicy mixture of love, family, and food, alternating between Paris and Jakarta in the time between Suharto's 1965 rise to power and downfall in 1998, further illuminating Indonesia's tragic twentieth-century history popularized by the Oscar-nominated documentary The Act of Killing.

From the acclaimed Rick Moody, a darkly comic portrait of a man who comes to life in the most unexpected of ways: through his online reviews.

Reginald Edward Morse is one of the top reviewers on RateYourLodging.com, where his many reviews reveal more than just details of hotels around the globe-they tell his life story.

The puzzle of Reginald's life comes together through reviews that comment upon his motivational speaking career, the dissolution of his marriage, the separation from his beloved daughter, and his devotion to an amour known only as "K." But when Reginald disappears, we are left with the fragments of a life-or at least the life he has carefully constructed-which writer Rick Moody must make sense of.

An inventive blurring of the lines between the real and the fabricated, Hotels of North America demonstrates Moody's mastery ability to push the bounds of the novel.

Повесть о Герое Советского Союза Чолпонбае Тулебердиеве, повторившем подвиг Александра Матросова при форсировании Дона.

Рисунки А. Лурье

Emmanuel Bove was one of the most original writers to come out of twentieth-century France and a popular success in his day. Discovered by Colette, who arranged for the publication of his first novel, My Friends, Bove enjoyed a busy literary career, until the German occupation silenced him. During his lifetime, Bove’s novels and stories were admired by Rainer Maria Rilke, the surrealists, Albert Camus, and Samuel Beckett, who said of him that “more than anyone else he has an instinct for the essential detail.”

Henry Duchemin and His Shadows is the perfect introduction to Bove’s world, with its cast of stubborn isolatoes who call to mind Herman Melville’s Bartleby, Robert Walser’s “little men,” and Jean Rhys’s lost women. The poet of the flophouse and the dive, the park bench and the pigeon’s crumb, Bove is also a deeply empathetic writer for whom no defeat is so great as to silence desire.

A Washington Post Top 50 of 2014 Fiction pick

A Wall Street Journal Book of the Year, selected by Phil Klay

Electric Literature 2014: Year of the Debut

A Largehearted Boy Favorite Novel of 2014

Slaughterhouse 90210's Most Rapturous Book of 2014

Vol. 1 Brooklyn A Year of Favorites: Jason Diamond picks

Called "powerful and unflinching" by Column McCann in The New York Times Book Review, "something of a miracle" by Ron Charles in the Washington Post, and named a must read by The Millions, Time Out, New York Magazine, and Grantland; Scott Cheshire's debut is a "great new American epic" (Philipp Meyer) about a father and son finding their way back to each other.

"Deeply Imagined" — The New York Times / "Daring and Brilliant" — Ron Charles, Washington Post / "Vivid" — Elle / "One of the finest novels you will read this year." — Flavorwire

It's 1980 at a crowded amphitheater in Queens, New York and a nervous Josiah Laudermilk, age 12, is about to step to the stage while thousands of believers wait to hear him, the boy preaching prodigy, pour forth. Suddenly, as if a switch had been flipped, Josiah's nerves shake away and his words come rushing out, his whole body fills to the brim with the certainty of a strange apocalyptic vision. But is it true prophecy or just a young believer's imagination running wild? Decades later when Josiah (now Josie) is grown and has long since left the church, he returns to Queens to care for his father who, day by day, is losing his grip on reality. Barreling through the old neighborhood, memories of the past-of his childhood friend Issy, of his first love, of the mother he has yet to properly mourn-overwhelm him at every turn. When he arrives at his family's old house, he's completely unprepared for what he finds. How far back must one man journey to heal a broken bond between father and son?

In rhapsodic language steeped in the oral tradition of American evangelism, Scott Cheshire brings us under his spell. Remarkable in scale-moving from 1980 Queens, to sunny present-day California, to a tent revival in nineteenth century rural Kentucky-and shot-through with the power and danger of belief and the love that binds generations, High as the Horses' Bridles is a bold, heartbreaking debut from a big new American voice.

The world of Jeffery Renard Allen’s stunning short-story collection is a place like no other. A recognizable city, certainly, but one in which a man might sprout wings or copper pennies might fall from the skies onto your head. Yet these are no fairy tales. The hostility, the hurt, is all too human.

The protagonists circle each other with steely determination: a grandson taunts his grandmother, determined to expose her secret past; for years, a sister tries to keep a menacing neighbor away from her brother; and in the local police station, an officer and prisoner try to break each other’s resolve.

In all the stories, Allen calibrates the mounting tension with exquisite timing, in mesmerizing prose that has won him comparisons with Joyce and Faulkner. Holding Pattern is a captivating collection by a prodigiously talented writer.

In September 1984, a man calling himself Roy Walsh checked into The Grand Hotel in Brighton and planted a bomb in room 629. The device was primed to explode in twenty-four days, six hours and six minutes, when intelligence had confirmed that Margaret Thatcher and her whole cabinet would be staying in the hotel.

Taking us inside one of the twentieth century’s most ambitious assassination attempts — 'making history personal', as one character puts it — Lee’s novel moves between the luxurious hospitality of a British tourist town and the troubled city of Belfast, Northern Ireland, at the height of the armed struggle between the Irish Republican Army and those loyal to the UK government.

Jonathan Lee has been described as ‘a major new voice in British fiction' (Guardian) and here, in supple prose that makes room for laughter as well as tears, he offers a darkly intimate portrait of how the ordinary unfolds into tragedy.

"Czechoslovakia's greatest living writer." — Milan Kundera.

In this moving, absorbing novel, we meet the eccentric residents of a home for the elderly who reminisce about their lives and their changing country. Written with a keen eye for the absurd and peppered with dialogue that captures the poignancy of the everyday, Harlequin's Millions is a sensual delight.

Bohumil Hrabal (1914–1997) worked as a railway dispatcher during the Nazi occupation of then-Czechoslovakia, a traveling salesman, a steelworker, a recycling mill worker, and a stagehand. His novels were censored under the Communist regime and have since been translated into nearly thirty languages.

In small-town suburban Australia, three young men from three different ethnic backgrounds — one Samoan, one Macedonian, one not sure — are ready to make their mark. Solomon is all charisma, authority, and charm, a failed basketball player down for the moment but surely not out. His half-brother, Jimmy, bounces along in his wake, underestimated, waiting for his chance to announce himself. Aleks, their childhood friend, loves his mates, his family, and his homeland and would do anything for them. The question is, does he know where to draw the line?

Solomon, Jimmy, and Aleks are way out on the fringe of Australia, looking for a way in. Hip hop, basketball, and graffiti give them a voice. Booze, women, and violence pass the time while they wait for their chance. Under the oppressive summer sun, their town has turned tinder-dry. All it’ll take is a spark.

As the surrounding hills roar with flames, the change storms in. But it’s not what they were waiting for. It never is.

High Lonesome is a darkly comic, fiercely tragic, and strikingly original odyssey into American life. This collection by the author of Airships and Bats Out of Hell explores lost moments in time with intensity, emotion, and an eye to the past. In "Uncle High Lonesome," a young man recalls his Uncle Peter, whose even temper was marred only by his drinking binges, which would unleash moments of rage hinting at his much deeper distress. Fishing is transformed into a life-altering, almost mystical event in "A Creature in the Bay of St. Louis," when a huge fish caught on a line threatens to pull a young boy, and his entire world with him, underwater and out to sea. And in "Snerd and Niggero," a deep friendship between two men is inspired by the loss of a woman they both loved, a woman who was mistress to one and wife to the other. Viewed through memory and time's distance, Hannah's characters are brightly illuminated figures from a lost time, whose occassionally bleak lives are still uncommonly true.

The highly acclaimed author of A Cure for Suicide now gives us a singular, blistering novel about a teenage girl who has lost everything—and will burn anything.

Lucia's father is dead; her mother is in a mental institute; she's living in a garage-turned-bedroom with her aunt. And now she's been kicked out of school—again. Making her way through the world with only a book, a zippo lighter, a pocket full of stolen licorice, a biting wit, and striking intelligence she tries to hide, she spends her days riding the bus to visit her mother and following the only rule that makes any sense to her: Don't do things you aren't proud of. But when she discovers that her new school has a secret Arson Club, she's willing to do anything to be a part of it, and her life is suddenly lit up. And as her fascination with the Arson Club grows, her story becomes one of misguided friendship and, ultimately, destruction.

It is 1995 and Noa and Amir have decided to move in together. Noa is studying photography in Jerusalem and Amir is a psychology student in Tel Aviv, so they choose a tiny flat in a village in the hills, between the two cities. Their flat is separated from that of their landlords, Sima and Moshe Zakian, by a thin wall, but on each side we find a different home — and a different world.

Homesick is a beautiful, clever and moving story about history, love, family and the true meaning of home.

Maya Taylor, an intense, gifted English professor, has a tendency to retreat when she is needed most, escaping on long morning runs or finding comfort in the well-thumbed novels in her library. But when she sends her daughter Ellie to Florida to care for a friend’s child, it’s with the best of intentions. Twenty and spiraling, Ellie is lost in a fog of drugs and men — desperately in need of a fresh start. Her life with this attractive new family in Florida begins well, but Ellie is crippled by the fear that she’ll only disappoint those around her. . again. And in the sprawling hours of one humid afternoon, she finally makes a mistake she cannot take back.

The accident hangs over both mother and daughter as they try to repair their fractured relationship and find a way to transcend not only their differences but also their more startling similarities. In Maya’s and Ellie’s echoing narratives, Lynn Steger Strong creates a searing, unforgettable portrait of familial love and the tender heartache of motherhood — from the sweltering Florida heat to the bone-cold of New York in January. Churning toward one fateful day in two separate timelines, Hold Still is a story of before and after and the impossible distance in between.

Heralding the arrival of a profoundly moving new talent, this novel marks a taut and propulsive debut that “builds to a perfect crescendo, an ending that is both surprising and true” (Marcy Dermansky). Hold Still explores the weight of culpability and the depths and limits of a mother’s love.

“Hold Still is an unblinking examination of family, the mother-child bond, and the storms it must withstand. Lynn Strong pulls no punches in considering not just how deep, but also how misguided a mother’s love can be.”—Elisa Albert, author of After Birth

Homecomings is the sixth in the Strangers and Brothers series and sequel to Time of Hope. This complete story in its own right follows Lewis Eliot's life through World War II. After his first wife's death his work at the Ministry assumes a larger role. It is not until his second marriage that Eliot is able to commit himself emotionally.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

During the breakdown of an unhappy marriage, writer Joanna Walsh got a job as a hotel reviewer, and began to gravitate towards places designed as alternatives to home. Luxury, sex, power, anonymity, privacy…hotels are where our desires go on holiday, but also places where our desires are shaped by the hard realities of the marketplace. Part memoir and part meditation, this book visits a series of rooms, suites, hallways, and lobbies-the spaces and things that make up these modern sites of gathering and alienation, hotels.

Object Lessons is published in partnership with an essay series in The Atlantic.

It’s the summer of 1988 in northeastern Kansas, an area home to four prisons that has been shaken by the recent escape of a convict. But for two young brothers in Leavenworth, the only thing that matters is the pool in their apartment complex. Their mother forbids the boys to swim alone, but she’s always at work trying to make ends meet after splitting with their police-officer father. With no one home to supervise, the boys decide to break the rules.

While blissfully practicing their cannonballs and dives, they meet Chris, a mysterious stranger who promises an escape from their broken-home blues. As the older brother and Chris grow closer, the wary younger brother desperately tries to keep his best friend from slipping away.

Beautifully atmospheric and psychologically suspenseful, Cote Smith’s Hurt People will hold you in its grip to the very last page, reminding us that when we’re not paying attention, we often hurt the ones we claim to love the most.

Роман, который Чак Паланик написал задолго до “Бойцовского клуба”.

Тогда эту книгу оценили очень немногие.

Теперь - наконец-то! - стало ясно: Чак Паланик был хорош всегда. Просто время воспринять его прозу настало не сразу…

Эту книгу ее рассказчица пишет собственной кровью.

Когда ее читаешь, возникает ощущение, что собственной кровью ее написал Чак Паланик…

By the early 1970s, President John F. Kennedy has survived several assassination attempts and-martyred, heroic-is now in his third term. Twenty-two-year-old Eugene Allen returns home from his tour of duty in Vietnam and begins to write a war novel-a book echoing Catch-22 and Slaughterhouse-Five-about veterans who have their battlefield experiences "enfolded," wiped from their memories through drugs and therapy. In Eugene's fictive universe, veterans too damaged to be enfolded stalk the American heartland, reenacting atrocities on civilians and evading the Psych Corps, a federal agency dedicated to upholding the mental hygiene of the nation by any means necessary.

This alternative America, in which a veteran tries to reimagine a damaged world, is the subject of Hystopia, the long-awaited first novel by David Means. The critic James Wood has written that Means's language "offers an exquisitely precise and sensuous register of an often crazy American reality." Means brings this talent to bear on the national trauma of the Vietnam era in a work that is outlandish, ruefully funny, and shockingly violent. Written in conversation with some of the greatest war narratives from the Iliad to the Rolling Stones' "Gimme Shelter," Hystopia is a unique and visionary novel.

HHhH – немецкая присказка времен Третьего рейха: Himmlers Hirn heisst Heydrich. «Мозг Гиммлера зовется Гейдрихом», – шутили эсэсовцы. Райнхард Гейдрих был самым страшным человеком в кабинете Гитлера. Монстр из логова чудовищ. Он обладал неограниченной властью и еще большей безжалостностью. О нем ходили невероятные слухи, один страшнее другого. И каждый слух был правдой. Гейдрих был одним из идеологов Холокоста. Гейдрих разработал план фальшивого нападения поляков на немецких жителей, что стало поводом для начала Второй мировой войны. Именно он правил Чехословакией после ее оккупации, его прозвали Пражским Палачом. Гейдрих был убит 27 мая 1942 года двумя отчаянными парнями, Йозефом Габчиком и Яном Кубишем, ставшими национальными героями Чехии. После покушения Габчик и Кубиш скрылись в православной церкви Кирилла и Мефодия. Церковь окружила целая армия солдат…

Книга Лорана Бине, получившая Гонкуровскую премию за дебютный роман, рассказывает об этой истории, одной из самых невероятных во Второй мировой войне. Книга стала международным бестселлером, переведена более чем на тридцать языков.

По свидетельству французских критиков, настоящим романом почти документальный текст Лорана Бине делает не переплетение правды с вымыслом, не художественное описание исторических лиц, а «страстное отношение автора к истории как к постоянному источнику рефлексии и самопознания».

HHhH – немецкая присказка времен Третьего рейха: Himmlers Hirn heisst Heydrich. «Мозг Гиммлера зовется Гейдрихом», – шутили эсэсовцы. Райнхард Гейдрих был самым страшным человеком в кабинете Гитлера. Монстр из логова чудовищ. Он обладал неограниченной властью и еще большей безжалостностью. О нем ходили невероятные слухи, один страшнее другого. И каждый слух был правдой. Гейдрих был одним из идеологов Холокоста. Гейдрих разработал план фальшивого нападения поляков на немецких жителей, что стало поводом для начала Второй мировой войны. Именно он правил Чехословакией после ее оккупации, его прозвали Пражским Палачом. Гейдрих был убит 27 мая 1942 года двумя отчаянными парнями, Йозефом Габчиком и Яном Кубишем, ставшими национальными героями Чехии. После покушения Габчик и Кубиш скрылись в православной церкви Кирилла и Мефодия. Церковь окружила целая армия солдат…

Книга Лорана Бине, получившая Гонкуровскую премию за дебютный роман, рассказывает об этой истории, одной из самых невероятных во Второй мировой войне. Книга стала международным бестселлером, переведена более чем на тридцать языков.

По свидетельству французских критиков, настоящим романом почти документальный текст Лорана Бине делает не переплетение правды с вымыслом, не художественное описание исторических лиц, а «страстное отношение автора к истории как к постоянному источнику рефлексии и самопознания».

How To Get Into the Twin Palms is the story of Anya, a young woman living in a Russian neighborhood in Los Angeles, who struggles between retaining her parents' Polish culture and trying to assimilate into her adopted community. She lusts after Lev, a Russian man who frequents the Twin Palms nightclub down the block from Anya's apartment. It is Anya's wish to gain entrance to this seemingly exclusive club.

How To Get Into the Twin Palms is a really funny and often moving book that provides a unique twist on the immigrant story, and provides a credible portrait of the city of Los Angeles, literally burning to the ground.

Stephen Dixon, one of America’s great literary treasures, has completed his first novel in five years — His Wife Leaves Him, a long, intimate exploration of the interior life of a husband who has lost his wife. His Wife Leaves Him is as achingly simple as its title: A man, Martin, thinks about the loss of his wife, Gwen. In Dixon’s hands, however, this straightforward premise becomes a work of such complexity that it no longer appears to be words on pages so much as life itself. Dixon, like all great writers, captures consciousness. Stories matter here, and the writer understands how people tell them and why they go on retelling them, for stories, finally, may be all that Martin has of Gwen. Reminders of their shared past, some painful, some hilarious, others blissful and sensual, appear and reappear in the present. Stories made from memories merge with dreams of an impossible future they’ll never get to share. Memories and details grow fuzzy, get corrected, and then wriggle away, out of reach again. Martin holds all these stories dear. They leaven grief so that he may again experience some joy. Story by story then, he accounts for himself, good and bad, moments of grace, occasions for disappointment, promises and arguments. From these things are their lives made. In His Wife Leaves Him, Stephen Dixon has achieved nothing short of the resurrection of a life through words. When asked to describe his latest work, the author said that “it’s about a bunch of nouns: love, guilt, sickness, death, remorse, loss, family, matrimony, sex, children, parenting, aging, mistakes, incidents, minutiae, birth, music, writing, jobs, affairs, memory, remembering, reminiscences, forgetting, repression, dreams, reverie, nightmares, meeting, dating, conceiving, imagining, delaying, loving.” His Wife Leaves Him is Dixon’s most important and ambitious novel, his tenderest and funniest writing to date, and the stylistic and thematic summation of his writing life.

For young Aleksandar — the best magician in the non-aligned states and painter of unfinished things — life is endowed with a mythic quality in the Bosnian town of Višegrad, a rich playground for his imagination. When his grandfather dies, Aleks channels his storytelling talent to help with his grief.

It is a gift he calls on again when the shadow of war spreads to Višegrad, and the world as he knows it stops. Though Aleks and his family flee to Germany, he is haunted by his past — and by Asija, the mysterious girl he tried to save. Desperate to learn of her fate, Aleks returns to his hometown on the anniversary of his grandfather's death to discover what became of her and the life he left behind.

Building can be seen as a master metaphor for modernity, which some great irresistible force, be it fascism or communism or capitalism, is always busy building anew, and Houses is a book about a man, Arseniev Negoyan, who has devoted his life and his dreams to building.

Bon vivant, Francophile, visionary, Negoyan spent the first half of his life building houses he loved and even gave names to — Juliana, Christina, Agatha — making his hometown of Belgrade into a modern city to be proud of. The second half of his life, after World War II and the Nazi occupation, he has spent in one of those houses, being looked after by his wife and a nurse, in hiding. Now, on the last day of his life, Negoyan has decided to go out at last to see what he has wrought.

Negoyan is one of the great characters in modern fiction, a charming monster of selfishness and self-delusion. And for all his failings, his life poses a question for the rest of us: Where in the modern world is there a home except in illusion?

Deep in Provence, a century ago, four stone houses perch on a hillside. Wildness presses in from all sides. Beyond a patchwork of fields, a mass of green threatens to overwhelm the village. The animal world — a miming cat, a malevolent boar — displays a mind of its own.

The four houses have a dozen residents — and then there is Gagou, a mute drifter. Janet, the eldest of the men, is bedridden; he feels snakes writhing in his fingers and speaks in tongues. Even so, all is well until the village fountain suddenly stops running. From this point on, humans and the natural world are locked in a life-and-death struggle. All the elements — fire, water, earth, and air — come into play.

From an early age, Jean Giono roamed the hills of his native Provence. He absorbed oral traditions and, at the same time, devoured the Greek and Roman classics. Hill, his first novel and the first winner of the Prix Brentano, comes fully back to life in Paul Eprile’s poetic translation.

In her critically acclaimed debut story collection, Elisa Albert boldly illuminates an original cross section of disaffected young Jews. With wit, compassion, and a decidedly iconoclastic twenty-first-century attitude, in prose that is by turns hilarious and harrowing, Albert has created characters searching for acceptance, a happier view of the past, and above all the possibility of a future.

Holidays, family gatherings, and rites of passage provide the backdrop for these ten provocative stories. From the death of a friendship in "So Long" to a sexually frustrated young mother's regression to bat mitzvah — aged antics in "Everything But," and culminating with the powerful and uproariously apropos finale of "Etta or Bessie or Dora or Rose," How This Night Is Different will excite, charm, and profoundly resonate with anyone who's ever felt ambivalent about his or her faith, culture, or place in the world.

Two half sisters, Effia and Esi, unknown to each other, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and will live in comfort in the palatial rooms of Cape Coast Castle, raising children who will be sent abroad to be educated before returning to the Gold Coast to serve as administrators of the empire. Esi, imprisoned beneath Effia in the Castle's women's dungeon and then shipped off on a boat bound for America, will be sold into slavery.

Stretching from the wars of Ghana to slavery and the Civil War in America, from the coal mines in the American South to the Great Migration to twentieth-century Harlem, Yaa Gyasi's novel moves through histories and geographies.

"Astonishing. Okparanta’s narrators render their stories with such strength and intimacy, such lucidity and composure, that in each and every case the truths of their lives detonate deep inside the reader’s heart, with the power and force of revelation." — Paul Harding

Here are Nigerian women at home and transplanted to the United States, building lives out of longing and hope, faith and doubt, the struggle to stay and the mandate to leave, the burden and strength of love. Here are characters faced with dangerous decisions, children slick with oil from the river, a woman in love with another despite the penalties. Here is a world marked by electricity outages, lush landscapes, folktales, buses that break down and never start up again. Here is a portrait of Nigerians that is surprising, shocking, heartrending, loving, and across social strata, dealing in every kind of change. Here are stories filled with language to make your eyes pause and your throat catch. Happiness, Like Water introduces a true talent, a young writer with a beautiful heart and a capacious imagination.

"Intricate, graceful prose propels Okparanta’s profoundly moving and illuminating book. I devoured these stories and immediately wanted more. This is an arrival." — NoViolet Bulawayo

"Okparanta's prose is tender, beautiful and evocative. These powerful stories of contemporary Nigeria are told with compassion and a certain sense of humor. What a remarkable new talent." — Chika Unigwe

"A haunting and startlingly original collection of short stories about the lives of Nigerians both at home and in America. Happiness, Like Water is a deeply affecting literary debut, the work of a sure and gifted new writer." — Julie Otsuka

Holy Cow by David Duchovny is a comic delight that will thrill fans of Jasper Fforde and Ben Aaronovitch. And anyone who enjoys a witty wisecrack in a novel.

Elsie Bovary is a cow and a pretty happy one at that. Until one night, Elsie sneaks out of the pasture and finds herself drawn to the farmhouse. Through the window, she sees the farmer's family gathered around a bright Box God – and what the Box God reveals about something called an 'industrial meat farm' shakes Elsie's understanding of her world to its core.

The only solution? To escape to a better, safer world. And so a motley crew is formed: Elsie; Shalom, a grumpy pig who's recently converted to Judaism; and Tom, a suave turkey who can't fly, but can work an iPhone with his beak. Toting stolen passports and slapdash human disguises, they head for the airport…

Elsie is a wise-cracking, slyly witty narrator; Tom dispenses psychiatric advice in a fake German accent; and Shalom ends up unexpectedly uniting Israelis and Palestinians. David Duchovny's charismatic creatures point the way toward a mutual understanding and acceptance the world desperately needs.

Capturing the distinct rhythms of Jamaican life and dialect, Nicole Dennis- Benn pens a tender hymn to a world hidden among pristine beaches and the wide expanse of turquoise seas. At an opulent resort in Montego Bay, Margot hustles to send her younger sister, Thandi, to school. Taught as a girl to trade her sexuality for survival, Margot is ruthlessly determined to shield Thandi from the same fate. When plans for a new hotel threaten their village, Margot sees not only an opportunity for her own financial independence but also perhaps a chance to admit a shocking secret: her forbidden love for another woman. As they face the impending destruction of their community, each woman — fighting to balance the burdens she shoulders with the freedom she craves — must confront long-hidden scars. From a much-heralded new writer, Here Comes the Sun offers a dramatic glimpse into a vibrant, passionate world most outsiders see simply as paradise.

Gwangju, South Korea, 1980. In the wake of a viciously suppressed student uprising, a boy searches for his friend's corpse, a consciousness searches for its abandoned body, and a brutalised country searches for a voice. In a sequence of interconnected chapters the victims and the bereaved encounter censorship, denial, forgiveness and the echoing agony of the original trauma.

Human Acts is a universal book, utterly modern and profoundly timeless. Already a controversial bestseller and award-winning book in Korea, it confirms Han Kang as a writer of immense importance.

I have been sleuthing my mother's symptoms for as long as I can remember. If I see myself as an unwilling detective with a desire for justice, is her illness an unsolved crime? If so, who is the villain and who is the victim?

Sofia, a young anthropologist, has spent much of her life trying to solve the mystery of her mother's unexplainable illness. She is frustrated with Rose and her constant complaints, but utterly relieved to be called to abandon her own disappointing fledgling adult life. She and her mother travel to the searing, arid coast of southern Spain to see a famous consultant-their very last chance-in the hope that he might cure her unpredictable limb paralysis.

But Dr. Gomez has strange methods that seem to have little to do with physical medicine, and as the treatment progresses, Sofia's mother's illness becomes increasingly baffling. Sofia's role as detective-tracking her mother's symptoms in an attempt to find the secret motivation for her pain-deepens as she discovers her own desires in this transient desert community.

Hot Milk is a profound exploration of the sting of sexuality, of unspoken female rage, of myth and modernity, the lure of hypochondria and big pharma, and, above all, the value of experimenting with life; of being curious, bewildered, and vitally alive to the world.

In her debut story collection Heartbreaker, Maryse Meijer peels back the crust of normalcy and convention, unmasking the fury and violence we are willing to inflict in the name of love and loneliness. Her characters are a strange ensemble — a feral child, a girl raised from the dead, a possible pedophile — who share in vulnerability and heartache, but maintain an unremitting will to survive. Meijer deals in desire and sex, femininity and masculinity, family and girlhood, crafting a landscape of appetites threatening to self-destruct. In beautifully restrained and exacting prose, she sets the marginalized free to roam her pages and burn our assumptions to the ground.

A captivating, often hilarious novel of family, loss, wilderness, and the curse of a violent America, Dave Eggers's Heroes of the Frontier is a powerful examination of our contemporary life and a rousing story of adventure.

Josie and her children's father have split up, she's been sued by a former patient and lost her dental practice, and she's grieving the death of a young man senselessly killed. When her ex asks to take the children to meet his new fiancee's family, Josie makes a run for it, figuring Alaska is about as far as she can get without a passport. Josie and her kids, Paul and Ana, rent a rattling old RV named the Chateau, and at first their trip feels like a vacation: They see bears and bison, they eat hot dogs cooked on a bonfire, and they spend nights parked along icy cold rivers in dark forests. But as they drive, pushed north by the ubiquitous wildfires, Josie is chased by enemies both real and imagined, past mistakes pursuing her tiny family, even to the very edge of civilization.

A tremendous new novel from the best-selling author of The Circle, Heroes of the Frontier is the darkly comic story of a mother and her two young children on a journey through an Alaskan wilderness plagued by wildfires and a uniquely American madness.

The heart of Friday Night Lights meets the emotional resonance and nostalgia of My So-Called Life in this utterly moving debut novel about tradition, family, love, and football.

As the high school football coach in his small, rural Maryland town, Dean is a hero who reorganized the athletic program and brought the state championship to the community. When he married Nicole — the beloved, town sweetheart — he seemed to have it all — until his troubled wife committed suicide. Now, everything Dean thought he knew about his life and the people in it is thrown off kilter as Nicole’s death forces him to re-evaluate all of his relationships, including those with his team and his three children.

Dean’s eleven-year old son Robbie is acting withdrawn, and running away from school to the local pizza parlor. Bry, who is only eight, is struggling to understand his mother’s untimely death. And nineteen-year- old Stephanie has just left for Swarthmore and is torn between her new identity as a rebellious and sophisticated college student, her responsibility towards her brothers, and feeling like she is still just a little girl who misses her mom. As Dean struggles to continue to lead his team to victory in light of his overwhelming personal loss, he must fix his fractured family — and himself. And what he discovers along the way is that he’ll never view the world in the same way again.

Transporting you to the heart of small town America, Home Field is an unforgettable, poignant story about the pull of the past and the power of forgiveness.

DOCUMENTS RELATING TO THE CASE OF RODERICK MACRAE

A brutal triple murder in a remote northwestern crofting community in 1869 leads to the arrest of a young man by the name of Roderick Macrae. There’s no question that Macrae is guilty, but the police and courts must uncover what drove him to murder the local village constable.

And who were the other two victims? Ultimately, Macrae’s fate hinges on one key question: is he insane?

Yongju is an accomplished student from one of North Korea's most prominent families. Jangmi, on the other hand, has had to fend for herself since childhood, most recently by smuggling goods across the border. Then there is Danny, a Chinese-American teenager of North Korean descent whose quirks and precocious intelligence have long marked him as an outcast in his California high school.

These three disparate lives converge when each of them escapes to the region where China borders North Korea — Danny to visit his mother, who is working as a missionary there, after a humiliating incident keeps him out of school; Yongju to escape persecution after his father is killed at the hands of the Dear Leader himself; and Jangmi to protect her unborn child. As they struggle to survive in a place where danger seems to close in on all sides, in the form of government informants, husbands, thieves, abductors, and even missionaries, they come to form a kind of adoptive family. But will Yongju, Jangmi and Danny find their way to the better lives they risked everything for?

Transporting the reader to one of the most little-known and threatening environments in the world, and exploring how humanity persists even in the most desperate circumstances, How I Became a North Korean is a brilliant and essential first novel by one of our most promising writers.

Meet Matthew, Rez, Cocker, and Kearney. They’ve just finished school and are facing the great void of the future, celebrating their freedom in this unpromising adult reality with self-obliteration. They roam through Dublin, their only aims the next drink, the next high, and a callow, fearful idea of sex. Kearney, in particular, pushes boundaries in a way that once made him a leader in the group, but increasingly an object of fear. When a trip to the U.S. turns Kearney’s violent fantasies ever darker, the other boys are forced to face both the violence within themselves and the limits of their own indifference.

Here Are the Young Men portrays a spiritual fallout, a harbinger of the collapse of national illusion in Celtic Tiger Ireland. Visceral and chilling, this debut novel marks the arrival of a formidable literary talent, channeling an unnerving anarchic energy to devastating effect.

HHhH — немецкая присказка времен Третьего рейха: Himmlers Hirn heisst Heydrich. «Мозг Гиммлера зовется Гейдрихом», — шутили эсэсовцы. Райнхард Гейдрих был самым страшным человеком в кабинете Гитлера. Монстр из логова чудовищ. Он обладал неограниченной властью и еще большей безжалостностью. О нем ходили невероятные слухи, один страшнее другого. И каждый слух был правдой. Гейдрих был одним из идеологов Холокоста. Гейдрих разработал план фальшивого нападения поляков на немецких жителей, что стало поводом для начала Второй мировой войны. Именно он правил Чехословакией после ее оккупации, его прозвали Пражским Палачом. Гейдрих был убит 27 мая 1942 года двумя отчаянными парнями, Йозефом Габчиком и Яном Кубишем, ставшими национальными героями Чехии. После покушения Габчик и Кубиш скрылись в православной церкви Кирилла и Мефодия. Церковь окружила целая армия солдат…

Книга Лорана Бине, получившая Гонкуровскую премию за дебютный роман, рассказывает об этой истории, одной из самых невероятных во Второй мировой войне. Книга стала международным бестселлером, переведена более чем на тридцать языков.

По свидетельству французских критиков, настоящим романом почти документальный текст Лорана Бине делает не переплетение правды с вымыслом, не художественное описание исторических лиц, а «страстное отношение автора к истории как к постоянному источнику рефлексии и самопознания».

HHhH — немецкая присказка времен Третьего рейха: Himmlers Hirn heisst Heydrich. «Мозг Гиммлера зовется Гейдрихом», — шутили эсэсовцы. Райнхард Гейдрих был самым страшным человеком в кабинете Гитлера. Монстр из логова чудовищ. Он обладал неограниченной властью и еще большей безжалостностью. О нем ходили невероятные слухи, один страшнее другого. И каждый слух был правдой. Гейдрих был одним из идеологов Холокоста. Гейдрих разработал план фальшивого нападения поляков на немецких жителей, что стало поводом для начала Второй мировой войны. Именно он правил Чехословакией после ее оккупации, его прозвали Пражским Палачом. Гейдрих был убит 27 мая 1942 года двумя отчаянными парнями, Йозефом Габчиком и Яном Кубишем, ставшими национальными героями Чехии. После покушения Габчик и Кубиш скрылись в православной церкви Кирилла и Мефодия. Церковь окружила целая армия солдат…

Книга Лорана Бине, получившая Гонкуровскую премию за дебютный роман, рассказывает об этой истории, одной из самых невероятных во Второй мировой войне. Книга стала международным бестселлером, переведена более чем на тридцать языков.

По свидетельству французских критиков, настоящим романом почти документальный текст Лорана Бине делает не переплетение правды с вымыслом, не художественное описание исторических лиц, а «страстное отношение автора к истории как к постоянному источнику рефлексии и самопознания».

In the book of Genesis, when God calls out, “Abraham!” to order him to sacrifice his son Isaac, Abraham responds, “Here I am.” Later, when Isaac calls out, “My father!” to ask him why there is no animal to slaughter, Abraham responds, “Here I am.”

How do we fulfill our conflicting duties as father, husband, and son; wife and mother; child and adult? Jew and American? How can we claim our own identities when our lives are linked so closely to others’? These are the questions at the heart of Jonathan Safran Foer’s first novel in eleven years-a work of extraordinary scope and heartbreaking intimacy.

Unfolding over four tumultuous weeks in present-day Washington D.C., Here I Am is the story of a fracturing family in a moment of crisis. As Jacob and Julia and their three sons are forced to confront the distances between the lives they think they want and the lives they are living, a catastrophic earthquake sets in motion a spiraling conflict in the Middle East. At stake is the very meaning of home — and the fundamental question of how much life one can bear.

Showcasing the same high-energy inventiveness, hilarious irreverence, and emotional urgency that readers and critics loved in his earlier work, Here I Am is Foer’s most searching, hard-hitting, and grandly entertaining novel yet. It not only confirms Foer’s stature as a dazzling literary talent but reveals a mature novelist who has fully come into his own as one of the most important writers of his generation.

House Mother Normal, subtitled “A Geriatric Comedy,” is the English writer B. S. Johnson’s fifth novel. Unusual in both its subject and structure, this novel is a remarkable study of old age, stripped of sentimentality and spiked with bizarre language and perceptions. Made up of eight monologues describing a single day at a nursing home, House Mother Normal explores the failing minds of the elderly with precision, humor, and unflagging compassion, and Johnson achieves, with inventiveness and escalating absurdity, a vivid multidimensional effect.

“Miss Peregrine’s Home for Peculiar Children” was the surprise best seller of 2011—an unprecedented mix of YA fantasy and vintage photography that enthralled readers and critics alike. Publishers Weekly called it “an enjoyable, eccentric read, distinguished by well-developed characters, a believable Welsh setting, and some very creepy monsters.”

This second novel begins in 1940, immediately after the first book ended. Having escaped Miss Peregrine's island by the skin of their teeth, Jacob and his new friends must journey to London, the peculiar capital of the world. Along the way, they encounter new allies, a menagerie of peculiar animals, and other unexpected surprises.

Complete with dozens of newly discovered (and thoroughly mesmerizing) vintage photographs, this new adventure will delight readers of all ages.

A story of love and romance between two lost people in 1950s Britain, from the author of The Loneliness of the Long-Distance Runner

Every morning Pam decides to leave George. Somehow she never quite gets around to it. She’s flirted with suicide too, but she doesn’t see the point. A woman would have to be mad to kill herself for the sake of George. He’s a brute, vain and selfish, with a cruel sense of humor and absolutely no regard for his wife. Someday she will leave him: Why not today?

Pam flees to London, where she takes refuge in a lonely, sparsely furnished room. With a twist of her wrist, she turns on the gas and resigns herself to death, only to be rescued by a neighbor. Tom, a former sailor in the Merchant Navy who has just come into a surprise inheritance, is carrying scars of his own. Bound by despair, these two unlikely lovers begin a new life, and together they will find a reason to live

This lonely middle-aged...

Kataryna Baliuk, a gifted fine arts student, is hoping to have a fresh start at Cawthra School for the Arts after a less-than-successful year at the neighbouring Catholic high school.

But her hopes for a peaceful Grade 10 are shattered when she comes home from her first day at Cawthra and finds the RCMP interrogating her grandfather, Danylo Feschuk. Kat learns that Danylo is accused of being a policeman for the Nazis in World War II Ukraine, and what's worse, he is suspected of having participated in atrocities against civilians.

When the story is exposed in the local newspaper, Kat and her family become the centre of a media storm. Her grades in school and her relationships with friends suffer. Her only support comes from her family and Ian, a classmate with whom she discovers she has...

« Jusqu'où irons-nous ? Jusqu'à quand serons-nous vivants ? Quelles raisons donnerons-nous à notre histoire ? Parce qu'il faudra bien un jour trouver une raison, donner une raison, nous ne pourrons pas accréditer notre innocence. Où que nous soyons, quelle que soit notre destination finale (si une telle chose existe), il nous faudra rendre compte, rendre des comptes.

J'ai été, j'ai fait, j'ai possédé. Et un jour je ne serai plus rien. Pareil à ce wagon lancé à une vitesse inimaginable, incalculable, sans doute voisine de l'absolu, entre deux mondes, entre deux états. Et pas question qu'aucun d'entre nous retourne jamais à ses états, je veux dire à son passé, à ce qu'il, à ce qu'elle a aimé. Pour cela les visages sont figés, immobiles, parfois terreux, on dirait des masques de carton bouilli ou de vieux cuir, avec deux fentes par où bouge le regard, une étoile de vie accrochée au noir des prunelles. »

“The most chilling Nazi weapon in World War II turned out to be so dark and sinister, even when captured by the Allies it remained top secret—until now.”

How did Hitler’s war machine always seem to be one step ahead of England and France in the opening years of World War II? Germany occupied Norway in April 1940 just two days before the British planned to. In May, after being totally outwitted and out maneuvered in the conquest of France, rumors filtered back into British High Command that more than German precision military planning was responsible for these successes.

The Wehrmacht had somehow tapped the dark forces of the occult under their command!

Winner of the Aspekte Literature Prize for Best Debut Novel

Finalist for the German Book Award

We’ve all got two families: the one we’re born with, and the one we choose ourselves.

Heiko hasn’t finished high school. His father is an alcoholic. His mother left. His housemate organizes illegal dogfights. He works in his uncle’s gym, one frequented by bikers and skinheads. He definitely isn’t one of society’s winners, but he has his chosen family, the pack of soccer hooligans he’s grown up with. His uncle is the leader, and gradually Heiko has risen in the ranks, until he’s recognized in the stands of his home team and beyond the stadium walls, where, after the game, he and his gang represent their city in brutal organized brawls with hooligans from other localities.

Philipp Winkler’s stunning, widely acclaimed novel won the prize for best debut and was a finalist for the most prestigious German book award. It offers an intimate, devastating portrait of working-class, post-industrial urban life on the fringes and a universal story about masculinity in the twenty-first century, with a protagonist whose fear of being left behind has driven him to extremes. Narrated with lyrical authenticity by Heiko himself, it captures the desperation and violence that permeate his world, along with the yearning for brotherhood.

If you want to learn about yourself, start by exploring the world around you.

Drawing on the rich experience of his own life, best-selling author Paulo Coelho takes us back in time to relive the dreams of a generation that longed for peace and dared to challenge the established social order. In Hippie, he tells the story of Paulo, a young, skinny Brazilian man with a goatee and long, flowing hair, who wants to become a writer and sets off on a journey in search of a deeper meaning for his life: first on the famous “Death Train” to Bolivia, then on to Peru, later hitchhiking through Chile and Argentina.

Paulo’s travels take him farther to the famous Dam Square in Amsterdam filled with young people wearing vibrant clothes and burning incense, meditating and playing music, while discussing sexual liberation, the expansion of consciousness, and the search for an inner truth.

There he meets Karla, a Dutch woman in her twenties who has been waiting to find the ideal companion to accompany her on the fabled hippie trail to Nepal. She convinces Paulo to join her on a trip aboard the Magic Bus that travels across Europe and Central Asia to Kathmandu. They embark on the journey in the company of fascinating fellow travelers, each of whom has a story to tell, and each of whom will undergo a personal transformation, changing their priorities and values along the way. As they travel together, Paulo and Karla explore their own relationship: a life-defining love story that awakens them on every level and leads to choices and decisions that will set the course for their lives thereafter.

Flight Lieutenant Silk, a twice-decorated Lancaster pilot in WW II, rejoins the R.A.F. and qualifies to fly the Vulcan bomber. Piloting a Vulcan is an unforgettable experience: no other aircraft comes close to matching its all-round performance. And as bombers go, it’s drop-dead gorgeous.

But there’s a catch. The Vulcan has only one role: to make a second strike. To act in retaliation for a Russian nuclear attack. Silk knows that knows that if he ever flies his Vulcan in anger, he’ll be flying from a smoking wasteland, a Britain obliterated. But in the mad world of Mutually Assured Destruction, the Vulcan is the last—the only—deterrent.

Flight Lieutenant Silk, a twice-decorated Lancaster pilot in WW II, rejoins the R.A.F. and qualifies to fly the Vulcan bomber. Piloting a Vulcan is an unforgettable experience: no other aircraft comes close to matching its all-round performance. And as bombers go, it’s drop-dead gorgeous.

But there’s a catch. The Vulcan has only one role: to make a second strike. To act in retaliation for a Russian nuclear attack. Silk knows that knows that if he ever flies his Vulcan in anger, he’ll be flying from a smoking wasteland, a Britain obliterated. But in the mad world of Mutually Assured Destruction, the Vulcan is the last—the only—deterrent.

From the author of the classic Alas, Babylon comes this riveting story of a Marine captain and his soldiers and their arduous, difficult retreat from Changjin Reservoir to Hungnam during the Korean War—a stirring portrait of courage and sacrifice, now back in print.

“These are not stragglers, sir. This is Dog Company…”

In Pat Frank’s classic 1951 war novel, one-hundred-twenty-six soldiers commence their long, harrowing journey at Changjin Reservoir during the height of the Korean War, but few will survive the grueling fight and eventually reach Hungnam. Vividly bringing to life the bravery, daring, and turmoil a unit of soldiers endures, Hold Back the Night reveals their gripping stories…

Captain Mackenzie, commander of Dog Company, not only bears the responsibility for victory or defeat, but also feels the full weight of the emotional toll that the war inevitably takes on him and his troops. His one consolation to inspire his band of soldiers to keep on going is an unopened bottle of Scotch that holds bittersweet memories of his wife who gave it to him as a gift.

Sergeant Ekland, a cocky, determined communications sergeant, is due for a battlefield promotion and longs for the day his tour is over so he can be reunited with his fiancée—that is if he makes it out of Korea alive.

Private Couzens, finds himself in a precarious situation with the enemy due to circumstances out of his control—a situation that causes his loyalties to come into question with his superiors.

As readers follow the lives of these men and the other unforgettable soldiers, Pat Frank’s epic novel of war, loss, and survival recounts a crucial chapter in American history.

* * *

Pat Frank was the lifelong nickname adopted by the American writer, newspaperman, and government consultant, who was born Harry Hart Frank and who is remembered today almost exclusively for his post-apocalyptic novel Alas, Babylon.

After the success of Alas, Babylon, Frank concentrated on writing for magazines and journals, putting his beliefs and concerns to political use, and advising various government bodies.

His other books include Mr. Adam and Forbidden Area.

From the author of the classic Alas, Babylon comes this riveting story of a Marine captain and his soldiers and their arduous, difficult retreat from Changjin Reservoir to Hungnam during the Korean War—a stirring portrait of courage and sacrifice, now back in print.

“These are not stragglers, sir. This is Dog Company…”

In Pat Frank’s classic 1951 war novel, one-hundred-twenty-six soldiers commence their long, harrowing journey at Changjin Reservoir during the height of the Korean War, but few will survive the grueling fight and eventually reach Hungnam. Vividly bringing to life the bravery, daring, and turmoil a unit of soldiers endures, Hold Back the Night reveals their gripping stories…

Captain Mackenzie, commander of Dog Company, not only bears the responsibility for victory or defeat, but also feels the full weight of the emotional toll that the war inevitably takes on him and his troops. His one consolation to inspire his band of soldiers to keep on going is an unopened bottle of Scotch that holds bittersweet memories of his wife who gave it to him as a gift.

Sergeant Ekland, a cocky, determined communications sergeant, is due for a battlefield promotion and longs for the day his tour is over so he can be reunited with his fiancée—that is if he makes it out of Korea alive.

Private Couzens, finds himself in a precarious situation with the enemy due to circumstances out of his control—a situation that causes his loyalties to come into question with his superiors.

As readers follow the lives of these men and the other unforgettable soldiers, Pat Frank’s epic novel of war, loss, and survival recounts a crucial chapter in American history.

* * *

Pat Frank was the lifelong nickname adopted by the American writer, newspaperman, and government consultant, who was born Harry Hart Frank and who is remembered today almost exclusively for his post-apocalyptic novel Alas, Babylon.

After the success of Alas, Babylon, Frank concentrated on writing for magazines and journals, putting his beliefs and concerns to political use, and advising various government bodies.

His other books include Mr. Adam and Forbidden Area.

A compelling, haunting novel about a man experiencing gaps in time, and the pain of living inside an anxious mind.

Felix wakes up one day to find he has a girlfriend he doesn’t recognize. He finds a novel, with his name on the cover, that he doesn’t remember writing. He’s been losing time since university. Sometimes these gaps are minutes, sometimes months. But now he begins experiencing flashbacks and moments where he gets a glimpse of an unsettling future. He will do anything necessary to keep the people he loves safe…

Hummingbird is a haunting, powerful novel, told in unadorned language that expresses with clarity the pain of living inside a disturbed mind. Like Anakana Schofield’s ground-breaking Martin John, Hummingbird is at times uncomfortable, but written with deep compassion and a sense of urgency.

Named a Fall Pick by Boston Globe, ELLE, Library Journal and MyDomain

An eerie debut collection featuring missing parents, unrequited love, and other uncomfortable moments

A man hangs from the ceiling of an art gallery. A woman spells out messages to her sister using her own hair. Children deemed “bad” are stolen from their homes. In Hardly Children, Laura Adamczyk’s rich and eccentric debut collection, familiar worlds—bars, hotel rooms, cities that could very well be our own—hum with uncanny dread.

The characters in Hardly Children are keyed up, on the verge, full of desire. They’re lost, they’re in love with someone they shouldn’t be, they’re denying uncomfortable truths using sex or humor. They are children waking up to the threats of adulthood, and adults living with childlike abandon.

With command, caution, and subtle terror, Adamczyk shapes a world where death and the possibility of loss always emerge. Yet the shape of this loss is never fully revealed. Instead, it looms in the periphery of these stories, like an uncomfortable scene viewed out of the corner of one’s eye.

In a word-drunk romp through an alternate, pre-apocalyptic United States, Ana Simo’s fiction debut, Heartland, is the uproarious story of a thwarted writer’s elaborate revenge on the woman who stole her lover, blending elements of telenovela, pulp noir, and dystopian satire.

There’s only one solution for a nasty case of writer’s block, and that’s murder. Specifically, that of one Mercy McCabe, a cunning SoHo art dealer who was once our Latina narrator’s rival for the scrumptious Bebe. When she discovers that McCabe has squandered Bebe’s affections after stealing her away, revenge is not enough: she must admit her guilt, sentence herself, and beg for her own execution, Soviet-style.

In the all-too-terrifyingly-familiar America of Heartland, the inconceivable has become ordinary: corruption and greed at the top have led to mass starvation in the heartland; hordes of refugees have escaped from resettlement camps and attack the cities; a puritanical Caliphate has toppled Constantinople, with America in its sights. Meanwhile, escaping her New York life in disguise, our heroine lures McCabe to her home turf: a hilltop house in the Great Plains where her parents worked as domestic servants. Her nemesis, though, is slippery, and McCabe disappears, threatening to ruin a homicidal masterplan so detailed as to be akin to love.

Heartland is a hilarious, genre-defying debut that confronts taboos of race, assimilation, and sex through a high-voltage tale of love, language, and revenge.